Rago, Louise Elliott. “We Visit with Grace Hartigan.” School Arts: The Art Education Magazine 59, no. 9 (May 1960).
Randall, Margaret. Ecstasy Is a Number: Poems. Phoenix, AZ: Orion Press, 1961.
Randall, Margaret. My Town: A Memoir of Albuquerque, New Mexico in Poems, Prose, and Photographs. San Antonio, TX: Wings Press, 2010.
“The ‘Rawness,’ the Vast.” Newsweek, May 11, 1959.
Read, Herbert. The Politics of the Unpolitical. London: Routledge, 1945.
“Red Visitors Cause Rumpus: Dupes and Fellow Travelers Dress Up Communist Fronts.” Life 26, no. 14 (April 4, 1949).
Reinhardt, Ad. “Twelve Rules for a New Academy.” ArtNews 56, no. 3 (May 1957).
Rembert, Virginia Pitts. “Mondrian, America, and American Painting.” PhD dissertation, Columbia University, 1970. “Remembering Joan.” Evergreen Review 104 (January 2001).
Rich, Adrienne Cecile. A Change of World. New Haven, CT: Yale University Press, 1951.
Rich, Daniel Cotton. “Freedom of the Brush.” Atlantic Monthly 181 (February 1948).
Richard, Paul. “Much Ado about Frankenthaler.” Washington Post, April 19, 1975.
Richler, Mordecai, ed. Writers on World War II: An Anthology. New York: Alfred A. Knopf, 1991.
Riesman, David, with Nathan Glazer and Reuel Denney. The Lonely Crowd: A Study of the Changing American Character. New Haven, CT: Yale University Press, 1978.
Riley, Charles II. The Saints of Modern Art: The Ascetic Ideal in Contemporary Painting, Sculpture, Architecture, Music, Dance, Literature, and Philosophy. Hanover, NH: University Press of New England, 1998.
Riley, Glenda. Inventing the American Woman: A Perspective on Women’s History. Arlington Heights, IL: Harlan Davidson, Inc., 1986.
Rivers, Larry. “Larry Rivers on The Club.” The New Criterion Special Issue, no. 49 (1986).
Rivers, Larry, and Arnold Weinstein. What Did I Do? The Unauthorized Autobiography. New York: Aaron Asher Books, HarperCollins Publishers, 1992.
Rivers, Larry, with Carol Brightman. “The Cedar Bar,” New York 12, no. 43 (November 5, 1979).
Robertson, Brian. Lee Krasner, Paintings, Drawings and Collages. London: Whitechapel Gallery, September — October 1965.
Robson, Deirdre. “The Avant-Garde and the On-Guard: Some Influences on the Potential Market for the First Generation Abstract Expressionists in the 1940s and Early 1950s.” Art Journal 47, no. 3 (Autumn 1988).
Robson, Deirdre. “The Market for Abstract Expressionism: The Time Lag between Critical and Commercial Acceptance.” Archives of American Art Journal 25, no. 3 (1985).
Rockwell, John. “Virgil Thomson, Composer, Critic and Collaborator with Stein, Dies at 92.” New York Times, October 1, 1989.
Rose, Barbara. “American Great: Lee Krasner.” Vogue (June 1972).
Rose, Barbara. “First-Rate Art by the Second Sex.” New York 7, no. 14 (April 8, 1974).
Rose, Barbara. Frankenthaler. New York: Harry N. Abrams, Inc., 1972.
Rose, Barbara. “Jackson Pollock at Work.” Partisan Review 47, no. 1 (Winter 1980).
Rose, Barbara. Krasner/Pollock: A Working Relationship. East Hampton, NY: Guild Hall Museum, August 8 — October 4, 1981.
Rose, Barbara. “The Landscape of Light, Joan Mitchell.” Vogue (June 1974).
Rose, Barbara. Lee Krasner: A Retrospective. New York: The Museum of Modern Art, 1983.
Rose, Barbara. “Life on the Project.” Partisan Review 52, no. 2 (Spring 1985).
Rose, Barbara, edited by Alexis Gregory. American Painting: The Twentieth Century. Lausanne: SKIRA, 1969.
Rose, Phyllis, ed. The Norton Book of Women’s Lives. New York: W. W. Norton and Company, 1993.
Rosen, Marjorie. Popcorn Venus: Women, Movies and the American Dream. New York: Avon Books, 1974.
Rosenberg, Eric M., Lisa Saltzman, and Timothy McElreavy. Friedel Dzubas: Critical Painting. Medford, MA: Tufts University Gallery, 1998.
Rosenberg, Harold. “Action Painting: A Decade of Distortion.” ArtNews 61, no. 8 (December 1962).
Rosenberg, Harold. “After Next, What?” Art In America 2 (1964).
Rosenberg, Harold. “The American Action Painters.” ArtNews 51, no. 8 (December 1952).
Rosenberg, Harold. The Anxious Object. Chicago: The University of Chicago Press, 1966.
Rosenberg, Harold. “The Art Establishment.” Esquire (January 1965).
Rosenberg, Harold. Art on the Edge: Creators and Situations. New York: Macmillan Publishing Co., Inc.,1971.
Rosenberg, Harold. “The Fall of Paris.” Partisan Review 6, no. 7 (November — December 1940).
Rosenberg, Harold. “Introduction to Modern American Painters.” Possibilities 1 (Winter 1947–48).
Rosenberg, Harold. “Parable for American Painters.” ArtNews 52, no. 9 (January 1954).
Rosenberg, Harold. “The Teaching of Hans Hofmann.” Arts Magazine 45, no. 3 (December 1970 — January 1971).
Rosenberg, Harold. “Tenth Street: A Geography of Modern Art.” ArtNews Annual 28 (1959).
Rosenberg, Harold. The Tradition of the New. New York: Da Capo Press, 1994.
Rosenzweig, Phyllis D. The Fifties, Aspects of Painting in New York: Hirshhorn Museum and Sculpture Garden. Washington, DC: Smithsonian Institution Press, 1980.
Ross, Clifford. Abstract Expressionism: Creators and Critics, an Anthology. New York: Harry N. Abrams, Inc., 1990.
Rosset, Barney. “The Subject Is Left Handed,” manuscript, courtesy Astrid Myers Rosset.
Rotskoff, Lori. Love on the Rocks: Men, Women, and Alcohol in Post — World War II America. Chapel Hill: University of North Carolina, 2002.
Rowley, Alison. Helen Frankenthaler: Painting History, Writing Painting. London: I. B. Tauris, 2007.
Rubenfeld, Florence. Clement Greenberg: A Life. Minneapolis: University of Minnesota Press, 2004.
Rubin, William. “The New York School, Part II.” Art International 2, nos. 2–3 (Summer 1958).
Ruddick, Sara, and Pamela Daniels, eds. Working It Out: 23 Women Writers, Artists, Scientists, and Scholars Talk about Their Lives and Work. London: Pantheon Books, 1997.
Russell, John. “Thomas Hess, Art Expert, Dies: Writer and Met Official Was 57.” New York Times, July 14, 1978.
