
Онлайн книга «Грандиозная история музыки XX века»
– Calico J. H. Schoenberg as Teacher // The Cambridge Companion to Schoenberg / J. Shaw, J. Auner (eds.). Cambridge; N. Y.: Cambridge University Press, 2010. – Cahn S. J. Schoenberg, the Viennese-Jewish Experience and its Aftermath // The Cambridge Companion to Schoenberg / J. Shaw, J. Auner (eds.). Cambridge; N. Y.: Cambridge University Press, 2010. – Calico J. H. Arnold Schoenberg’s A Survivor from Warsaw in Postwar Europe. Berkeley; L. A.; L.: University of California Press, 2014. – Campbell S. Stravinsky and the Critics // The Cambridge Companion to Stravinsky / J. Cross (ed.). Cambridge; N. Y.: Cambridge University Press, 2003. – Cann S. Becoming a Synthesizer Wizard: From Presets to Power User. Boston: Course Technology, 2010. – Carles P., Comolli J.-L. Free Jazz/Black Power. Jackson: University Press of Mississippi, 2015. – Caro R. A. The Power Broker: Robert Moses and the Fall of New York. N. Y.; Toronto: Vintage Books, 1975. – Carr I. Miles Davis: The Definitive Biography. L.: William Collins, 1998. – Carr M. After the Rite: Stravinsky’s Path to Neoclassicism (19141925). Oxford; N. Y.: Oxford University Press, 2014. – Carrington B., Wilson B. Dance Nations: Rethinking Youth Subcultural Theory // After Subculture: Critical Studies in Contemporary Youth Culture / A. Bennett, K. Kahn-Harris (eds.). Houndmills: Palgrave Macmillan, 2004. – Carson D. A. Grit, Noise, & Revolution: The Birth of Detroit Rock’n’Roll. Ann Arbor: University of Michigan Press, 2005. – Castleman C. The Politics of Graffiti // That’s the Joint!: The HipHop Studies Reader / M. A. Neal, M. Forman (eds). N. Y.; L.: Routledge, 2004. – Catalano N. Clifford Brown: The Life and Art of the Legendary Jazz Trumpeter. Oxford; N. Y.: Oxford University Press, 2000. – Celenza A. H. Jazz Italian Style: From its Origins in New Orleans to Fascist Italy and Sinatra. Georgetown: Cambridge University Press, 2017. – Chafe E. The Tragic and the Ecstatic: The Musical Revolution of Wagner’s Tristan and Isolde. Oxford; N. Y.: Oxford University Press, 2005. – Chartrand R. French Fortresses in North America 1535–1763. Québec, Montréal, Louisbourg and New Orleans. Oxford; N. Y.: Oprey Publishing, 2005. – Chasin A. Assassin of Youth: A Kaleidoscopic History of Harry J. Anslinger’s War on Drugs. Chicago: The University of Chicago Press, 2016. – Chepesiuk R. The War on Drugs: An International Encyclopedia. Santa Barbara: ABC–CLIO, 1999. – Cherlin M. Schoenberg’s Musical Imagination. Cambridge; N. Y.: Cambridge University Press, 2007. – Chessa L. Luigi Russolo, Futurist: Noise, Visual Arts, and the Occult. Berkeley; L. A.; L.: University of California Press, 2012. – Chevigny P. Gigs: Jazz and The Cabaret Laws in New York City. L.; N. Y.: Routledge, 1991. – Childs P. Modernism. L.; N. Y.: Routledge, 2000. – Chilton J. Sidney Bechet: The Wizard of Jazz. Houndmills; L.: Macmillan Press, 1987. – Clarke J., Hall S., Jefferson T., Roberts B. Subcultures, Cultures and Class: A Theoretical Overview // Resistance Through Rituals: Youth Subcultures in Post-war Britain / S. Hall, T. Jefferson (eds.). L.; N. Y.: Routledge, 1991. – Clark Ph. Scott Joplin’s ragtime gets its dues // The Guardian: Music blog. 22.01.2014. – Cogan B. A. From the 101’ers to the Mescaleros, and Whatever Band was in-between: Joe Strummer’s Musical Journey (Or, Why Woody?) // Punk Rock Warlord: the Life and Work of Joe Strummer / B. J. Faulk, B. Harrison (eds.). Farnham: Ashgate, 2014. – Coates P. The Gorgon’s Gaze: German Cinema, Expressionism, and the Image of Horror. Cambridge; N. Y.: Cambridge University Press, 1991. – Cohen R. D. Folk Music: The Basics. N. Y.; L.: Routledge, 2006. – Cohen S. Folk Devils and Moral Panics: The Creation of the Mods and Rockers. L.; N. Y.: Routledge, 2002. – Cole G. The Last Miles: The Music of Miles Davis 1980–1991. L.; Oakville: Equinox, 2005. – Collier J. L. Louis Armstrong, an American Genius. N. Y.: Oxford University Press, 1983. – Collin M. Rave On: Global Adventures in Electronic Dance Music. L.: Profile Books, 2018. – Collins K. Game Sound: An Introduction to the History, Theory, and Practice of Video Game Music and Sound Design. The MIT Press, 2008. – Collins N., Schedel M., Wilson S. Electronic Music. N. Y.; Cambridge: Cambridge University Press, 2013. – Collins P. H. From Black Power to Hip-Hop: Racism, Nationalism, and Feminism. Philadelphia: Temple University Press, 2006. – Collins R. M. More. The Politics of Economic Growth in Postwar America. N.Y.: Oxford University Press, 2000. – Colter J., Ritz D. An Outlaw and а Lady: A Memoir оf Music, Life with Waylon, and the Faith that Brought Me Home. Nashville: Nelson Books, 2017. – Cooper M., Chalfant H. Subway Art. L.: Thames & Hudson Ltd, 1984. – Cope A. L. Black Sabbath and the Rise of Heavy Metal Music. Farnham; Burlington: Ashgate, 2010. – Cope J. Krautrocksampler: One Head’s Guide to the Great Kosmische Musik – 1968 Onwards. Head Heritage, 1996. – Copland A. The New Music 1900/60 L.: Macdonald, 1968. – Covach J. Pangs of History in Late 1970s New-Wave Rock // Analyzing Popular Music / A. F. Moore (ed.). N. Y.: Cambridge University Press, 2003. P. 174. – Coward D. A History of French Literature. Malden; Oxford; Carlton: Blackwell Publishing, 2004. – Cowell H. New Musical Resources. Cambridge; N. Y.: Cambridge University Press, 1996. – Craft R. Schoenberg’s Five Pieces for Orchestra // Perspectives on Schoenberg and Stravinsky / B. Boretz, E. T. Cone (eds.). Princeton: Princeton University Press, 1968. – Cross J. Stravinsky in Exile // Stravinsky and His World / T. Levitz (ed.). Princeton; Oxford: Princeton University Press, 2013. – CS 80 V2 User Manual. Meylan: Arturia, 2009. – Curtis P. L., Jr. Jack the Ripper and the London Press. New Haven; L.: Yale University Press, 2001. – Dale P. Anyone Can Do It: Empowerment, Tradition and the Punk Underground. Farnham: Ashgate, 2012. – Daniels D. H. Lester Leaps In: The Life and Times of Lester “Pres” Young. Boston: Beacon Press, 2002. |