Онлайн книга «Грандиозная история музыки XX века»
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– Phillips R. J. Rock and Roll Fantasy? The Reality of Going from Garage Band to Superstardom. N.Y., L.: Springer, 2013. – Pickles T. Andrew Jackson Crushes the British. L.: Osprey, 1993. – Pinckney W. R., Jr. Jazz in India: Perspectives on Historical Development and Musical Acculturation // Jazz Planet / E. T. Atkins (ed.). Jackson: University Press of Mississippi, 2003. – Plant S. The Most Radical Gesture: The Situationist International in a Postmodern Age. L.; N.Y.: Routledge, 2002. – Plumb S. Neue Sachlichkeit 1918- 33: Unity and Diversity of an Art Movement. Amsterdam; N. Y.: Rodopi, 2006. – Porter E. What is this Thing Called Jazz?: African American Musicians as Artists, Critics, And Activists. Berkeley; Los Angeles: University of California Press, 2002. – Postwar America: 1950 to 1969 / R. P. Carlisle (ed.). N.Y.: Infobase Publishing, 2009. – Preston K. K. Art Music from 1800 to 1860 // The Cambridge History of American Music / D. Nicholls (ed.). Cambridge; N. Y.: Cambridge University Press, 1998. – Price E. G. Hip Hop Culture. Santa Barbara; Denver; Oxford: ABC Clio, 2006. – Priestley B. Chasin’ The Bird: The Life and Legacy of Charlie Parker. L.: Equinox, 2005. – Pro Mundo – Pro Domo. The Writings of Alban Berg / B. R. Simms (ed.). Oxford; N. Y.: Oxford University Press, 2014. – Pugh M. America Dancing: From the Cakewalk to the Moonwalk. New Haven; L.: Yale University Press, 2015. – Punk: The Original // J. Holmstrom (ed.). N.Y.: Trans- High Publishing Corp., 1996. – Rabaka R. Hip Hop’s Amnesia: From Blues and the Black Women’s Club Movement to Rap and the Hip Hop Movement. Lanham; Boulder; N. Y.; Toronto; Plymouth: Lexington Books, 2012. – Rahn J. Painting Without Permission: Hip-Hop Graffiti Subculture. Westport; L.: Bergin & Garvey, 2002. – Rajakumar M. Hip Hop Dance. Santa Barbara: Greenwood, 2012. – Ramone D. D., Kofman V. Lobotomy: Surviving Ramones. Boston: Da Capo Press, 2016. – Ramsey G. P., Jr. The Amazing Bud Powell: Black Genius, Jazz History, and the Challenge of Bebop. Berkeley; L. A.: University of California Press; Chicago: Center for Black Music Research, 2013. – Ramsey G. P., Jr. Race Music: Black Cultures from Bebop to HipHop. Berkeley; L. A.; L; University of California Press, 2003. – Raskin J. American Scream: Allen Ginsberg’s Howl and the Making of the Beat Generation. Berkeley and Los Angeles: University of California Press, 2004. – Rausch A. J. I Am Hip-Hop: Conversations on the Music and Culture. Lanham; Toronto; Plymouth: Scarecrow Press, 2011. – Rawlins R., Bahha N. E. Jazzology: The Encyclopedia of Jazz Theory for All Musicians. Milwaukee: Hal Leonard, 2005. – Reynolds C. Parade: ballet réaliste // Erik Satie: Music, Art and Literature / Caroline Potter (ed.). Farnham: Ashgate, 2013. – Reddington H. The Lost Women of Rock Music: Female Musicians of the Punk Era. Sheffield, Bristol: Equinox, 2012. – Reich H., Gaines W. Jelly’s Blues: The Life, Music, and Redemption of Jelly Roll Morton. Boston: Da Capo Press, 2003. – Reed S. A. Assimilate: A Critical History of Industrial Music. N. Y.: Oxford University Press, 2013. – Reid. S. D. Cal Tjader: The Life and Recordings of the Man Who Revolutionized Latin Jazz. Jefferson; L.: McFarland & Company, Inc., 2013. – Reilly J. The Harmony of Bill Evans. N. Y.: Unichrom ltd., 1993. – Reisch G. A. Is Radiohead the Pink Floyd of the Twenty- First Century? / Radiohead and Philosophy: Fitter Happier More Destructive // B. W. Forbes, G. A. Reisch (eds.). Chicago; La Salle: Open Court, 2009. – Reising R. Vacio Luminoso: “Tomorrow Never Knows” and the Coherence of the Impossible // Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four / K. Womack, T. F. Davis (eds.). Albany: State University of New York Press, 2006. – Reitano J. The Restless City: A Short History of New York from Colonial Times to the Present. N. Y.; L.: Routledge, 2006. – Richards K., Fox J. Life. L.: Weidenfeld & Nicolson, 2010. – Rinzler P. E. The Contradictions of Jazz. Lanham; Toronto; Plymouth: The Scarecrow Press, Inc. 2008. – Ripani R. J. The New Blue Music: Changes in Rhythm & Blues, 1950–1999. Jackson: University Press of Mississippi, 2006. – Roads C. Composing Electronic Music: A New Aesthetic. N. Y.; Oxford: Oxford University Press, 2015. – Roads C. The Computer Music Tutorial. L.; Cambridge: The MIT Press, 1996. – Robertson M., Armstrong R. Aaron Copland: A Guide to Research. N. Y.; L.: Routledge, 2001. – Robins W. A Brief History of Rock, Off the Record. N.Y.: Routledge, 2008. – Rodman G. B. Race… and Other Four Letter Words: Eminem and the Cultural Politics of Authenticity // Eminem and Rap, Poetry, Race: Essays / S. F. Parker (ed.). Jefferson: McFarland & Company, 2014. – Roessner J. We All Want to Change the World: Postmodern Politics and the Beatles’ White Album // Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four / K. Womack, T. F. Davis (eds.). Albany: State University of New York Press, 2006. – Rosenthal D. Hard Bop: Jazz and Black music, 1955–1965. N. Y.; Oxford: Oxford University Press. 1992. – Romero E. Free Stylin’: How Hip Hop Changed the Fashion Industry. Santa Barbara: Praeger, 2012. – Rose A. I Remember Jazz: Six Decades Among the Great Jazzmen. Baton Rouge; L.: Louisiana State University Press, 1987. – Rose T. Black Noise: Rap Music and Black Culture in Contemporary America. Middletown: Wesleyan University Press, 1994. – Rose T. The Hip Hop Wars: What We Talk About When We Talk About Hip Hop – and Why It Matters. N. Y.: Basic Books, 2008. – Ross A. The Rest is Noise: Listening to the Twentieth Century. N.Y.: Picador, 2007. – Roszak T. The Making of an Elder Culture: Reflections on the Future of America’s Most Audacious Generation. Gabriola Island: New Society Publishers, 2009. – Rothbard M. N. America’s Great Depression. Auburn: Mises Institute, 2000. – Roy W. G. Reds, Whites, and Blues: Social Movements, Folk Music, and Race in the United States. Princeton: Princeton University Press, 2010. – Rubin J. DO IT!: Scenarios of the Revolution. N.Y.: Simon & Schuster, 1970. |