Книга Парижская мода. Культурная история, страница 86 – Валери Стил

Etherington-Smith, Meredith. Patou. London: Hutchinson, 1983.

Farwell, Beatrice. The Cult of Images: Baudelaire and the 19th Century Media Explosion. Santa Barbara: University of California at Santa Barbara Art Museum, 1977.

Fausch, Deborah, Paulette Singley, Rodolphe El-Khoury, and Zvi Efrat, eds. Architecture in Fashion. Princeton: Princeton Architectural Press, 1994.

Favardin, Patrick, et al. Splendeurs et misères du dandyisme. Paris: Mairie du 6e arrondisement de Paris, 1986.

Favrichon, Anna. Toilettes et silhouettes feminine chez Marcel Proust. Lyon: Presses Universitaires de Lyon, 1987.

Festa-McCormick, Diana. Proustian Optics of Clothes: Mirrors, Masks, Mores. Stanford French and Italian Studies 29. Saratoga: Anima Libri, 1984.

Fillin-Yeh, Susan ed. Dandies: Fashion and Finesse in Art and Culture. New York; London: New York University Press, 2001.

Fortassier, Rose. Les écrivains français et la mode de Balzac à nos jours. Paris: Presses Universitaires de France, 1988.

Fox-Genovese, Elizabeth. Yves Saint Laurent’s Peasant Revolution // Marxist Perspectives. 1978. 1. Summer. Pp. 58–92.

Francks, Penelope. Was Fashion a European Invention? The Kimono and Economic Development in Japan // Fashion Theory: The Journal of Dress, Body & Culture. 2015. Vol. 19.3. June. Pp. 331–361.

Fraser, Kennedy. The Fashionable Mind: Reflections on Fashion, 1970–1981. New York: Alfred A. Knopf, 1981.

Furbank, P. N. and A. M. Cain. Mallarmé on Fashion: A Translation of the Fashion Magazine La Dernière Mode with Commentary. Oxford; New York: Berg, 2004.

Garelick, Rhonda K. Rising Star: Dandyism, Gender, and Performance in the Fin de Siècle. Princeton: Princeton University Press, 1998.

Garrett, Helen T. Clothes and Character: The Function of Dress in Balzac. Philadelphia: Ph. D. dissertation, University of Pennsylvania, 1941.

Gaudriault, Raymond. La Gravure de mode féminine en France. Paris: Les Éditions d’Amateur, 1983.

George, M. Dorothy. English Political Caricature. Oxford: Oxford University Press, 1959.

Gernsheim, Helmut and Alison. The History of Photography, 1865–1914. New York: McGraw-Hill, 1969.

Giafferri, Paul-Louis de. The History of French Masculine Costume. New York: Foreign Publications, 1927.

Gilbert, David. From Paris to Shanghai: The Changing Geographies of Fashion’s World Cities // Christopher Breward and David Gilbert, eds. Fashion’s World Cities. Oxford; New York: Berg, 2006.

Givhan, Robin. The Battle of Versailles. New York: Flatiron Books, 2015.

Godart, Fréderic, Sociologie de la mode. Paris: Éditions La Déouverte, 2010.

Groom, Gloria ed. Impressionism, Fashion & Modernity. Chicago: Art Institute of Chicago, 2012.

Grumbach, Didier. History of International Fashion. Northamoton, Mass.: Intterlink, 2014.

Guillaum, Valérie and Dominique Veillon. La mode: Un demi-siécle conquérant. Paris: Découvertes Gallimard, 2007.

Haedrich, Marcel. Coco Chanel: Her Life, Her Secrets. Boston: Little, Brown & Co., 1972.

Hall-Duncan, Nancy. The History of Fashion Photography. New York: Alpine Book Company, 1979.

Harris, Jennifer. The Red Cap of Liberty: A Study of Dress Worn by French Revolutionary Partisans, 1789–1794 // Eighteenth-Century Studies. 1981. 14. Pp. 283–312.

Harvey, John. Men in Black. Chicago University of Chicago Press, 1995.

Hegermann-Lindencrone, Lillie de. In the Courts of Memory, 1912. New York: Da Capo Press, 1980.

Heller, Sarah-Grace. Fashion in Medieval France. Cambridge: D. S. Brewer, 2007.

Hemmings, F. W. J. Baudelaire the Damned. London: Hamish Hamilton, 1982.

Higonnet, Patrice. Paris, Capital of the World. Cambridge, MA; London: The Belknap Press of Harvard University Press, 2002.

Holland, Vyvyan Beresford. Hand Coloured Fashion Plates, 1770 to 1899. London: B. T. Batsford, 1955.

Hollander, Anne. The Great Emancipator, Chanel // Connoisseur. 1983. February.

Hollander, Anne. Dressed to Thrill: The cool and casual style of the new American androgyny // The New Republic. 1985. January. Pp. 28–33.

Hollander, Anne. Seeing Through Clothes. New York: Viking, 1978.

Home, Alistair. The Fall of Paris, The Siege and the Commune, 1870–1871. New York: St Martin’s Press, 1965.

Hunt, Lynn. Freedom of Dress in Revolutionary France // Sara E. Melzer and Kathryn Norberg, eds. From the Royal to the Republican Body. Incorporating the political in seventeenth– and eighteenth-century France. Berkeley; Los Angeles; London: University of California Press, 1998.

Hunt, Lynn. Politics, Culture and Class in the French Revolution. Berkeley; Los Angeles: University of California Press, 1984.

Hyslop, Lois Boe, ed. Baudelaire as Love Poet and Other Essays. University Park; London: Pennsylvania State University Press, 1969.

Isaacson, Joel. Impressionism and Journalistic Illustration // Arts Magazine. 1982. 56. June. Pp. 95–115.

Iskin, Ruth E. Modern Women and Parisian Consumer Culture in Impressionist Painting. Cambridge: Cambridge University Press, 2007.

Jarry, Paul. Les Magazines de nouveautés: Histoire retrospective et anecdotique. Paris: André Barry et fils, 1948.

Johnson, Christopher S. Patterns of Proletarianization: Parisian Tailors and Lodève Woolens Workers // John Merriman, ed. Consciousness and Class Experience in Nineteenth-Century Europe. New York: Holmes & Meier, 1979.

Julian, Philippe. Prince of Aesthetes: Count Robert de Montesquiou, 1855–1921. New York: Viking Press, 1968.

Julian, Philippe. The Triumph of Art Nouveau. Paris Exhibition 1900. London: Phaidon Press, 1974.

Kaiser, Susan B. The Social Psychology of Clothing. New York: Macmillan, 1985.

Kamitsis, Lydia. Mode en movement, mouvements de mode. Paris: SODES for prêt-à-porter Paris, 2005.

Kellner, Douglas, ed. Baudrillard: A Critical Reader. Oxford: Blackwell, 1994.

Kelly, Ian. Beau Brummell: The Ultimate Man of Style. New York; London: Free Press, 2006.

König, René. A La Mode. New York: Seabury Press, 1973.

Lacroix, Paul. The Eighteenth Century: Its Institutions, Customs, and Costumes. France, 1700–1789. London: Bickers & Son, n.d.

Langley Moore, Doris. Fashion Through Fashion Plates, 1770–1970. London: Ward, Lock, 1971; New York: Clarkson N. Potter, 1971.