Примечания книги Стэнли Кубрик. Американский режиссер. Автор книги Дэвид Микикс

Онлайн книга

Книга Стэнли Кубрик. Американский режиссер
Стэнли Кубрик произвел революцию в Голливуде такими своими работами, как «Доктор Стрейнджлав», «Космическая одиссея 2001 года», «Заводной апельсин», и потряс зрителей фильмами «Сияние» и «Цельнометаллическая оболочка».Почетный профессор английской филологии Хьюстонского университета и автор постоянной рубрики в журнале «Tablet» Дэвид Микикс, опираясь на записи интервью и архивные материалы, предлагает читателям глубже погрузиться в жизнь и творчество легендарного режиссера, впервые представляя вниманию читателя личностную сторону фильмов Кубрика и наглядно показывая, как много души он вложил в каждую из своих работ.

Примечания книги

1

Kirk Douglas, The Ragman’s Son (New York: Simon and Schuster, 1988), 186.

2

Здесь и далее – примечания автора обозначены цифрами и приводятся в конце книги; примечания переводчика – латинскими буквами, находятся внизу страницы.

3

James Naremore, On Kubrick (London: British Film Institute, 2007), 40.

4

Robert Emmet Ginna interview with SK, University of the Arts, London, Stanley Kubrick Archive (hereinafter SKA), SK/1/2/8/2.

5

Dalia Karpel, “The Real Stanley Kubrick,” Haaretz, November 3, 2005, https://www.haaretz.com/1.4880226.

6

Stanley Kubrick: A Life in Pictures, dir. Jan Harlan (2001).

7

Mary Panzer, “Stanley Kubrick: Eyes Wide Open,” Vanity Fair, January 22, 2007, https://www.vanityfair.com/news/2005/03/kubrick200503 (Marcus quotation); Michael Herr, Kubrick (New York: Grove, 2000), 53.

8

Vicente Molina Foix interview with SK, Cinephilia and Beyond, 1980, https://cinephiliabeyond.org/interview-stanley-kubrick-vicente-molina-foix/.

9

Pauline Kael, “Stanley Strangelove” (review of A Clockwork Orange), New Yorker, January 1, 1972, https://scrapsfromtheloft.com/2016/09/18/a-clockwork-orange-pauline-kael/; Alex Ross, “Stanley Kubrick: Take One, Take Two,” Slate, March 8, 1999, https://slate.com/news-and-politics/1999/03/stanley-kubrick-take-1-take-2.html; Robert Kolker, The Extraordinary Image (New Brunswick: Rutgers University Press, 2016), 141, 205.

10

Stanley Kubrick: A Life in Pictures (first Herr quote); Dan Richter, Moonwatcher’s Memoir (New York: Carroll and Graf, 2002), 136; “For Him, Everything Was Possible,” Ken Adam interview with SK, Kinematograph 20 (2004): 94; Terry Southern, “Strangelove Outtake: Notes from the War Room,” Grand Street 49 (Summer 1994): 69; Herr, Kubrick, 54; Filmworker, dir. Tony Zierra (2017) (Leone quote); Vincent LoBrutto, Stanley Kubrick (New York: DaCapo, 1999), 348 (McDowell quote); Douglas, Ragman’s Son, 333.

11

Jay Cocks, “Stanley Kubrick,” in The Making of 2001: A Space Odyssey, ed. Stephanie Schwam (New York: Random House, 2000), 3; Filmworker (Vitali quote).

12

Michael Benson, Space Odyssey (New York: Simon and Schuster, 2018), 176 (Unsworth quote); Peter Bogdanovich, “What They Say about Stanley Kubrick,” New York Times Magazine, July 4, 1999, https://www.nytimes.com/1999/07/04/magazine/what-they-say-about-stanley-kubrick.html (Howard quote).

13

Vincent LoBrutto, Stanley Kubrick (1997; New York: Da Capo Press, 1999), 402.

14

Английская поговорка all work and no play makes Jack a dull boy означает, что в жизни должно быть место и работе, и отдыху. Распространен целый ряд вариантов как буквального, так и художественного перевода, но поскольку в дальнейшем автор книги подробно анализирует и обыгрывает эту фразу, мне кажется наиболее уместным здесь либо вариант, приведенный выше, либо такой: «Джек все работал и не играл и невеселым мальчиком стал».

15

Nathan Abrams, Stanley Kubrick (New Brunswick, NJ: Rutgers University Press, 2018), 13, 59; Karpel, “The Real Stanley Kubrick” (Christiane Kubrick quote).

16

Naremore, On Kubrick, 23–24.

17

Кубрик вместо формы единственного числа alumnus «выпускник» ошибочно использует форму множественного числа alumni «выпускники».

18

Jeremy Bernstein interview with SK, 1965, https://www.indiewire.com/2013/12/listen-rare-76-minute-interview-with-stanley-kubrick-about-his-start-in-films-nuclear-war-chess-strategies-248700/ (first quote); “Kubrick on The Shining: An Interview with Michel Ciment” (1980), http://www.visual-memory.co.uk/amk/doc/interview.ts.html?LMCL=gCIFLU. Примечания

19

Mary Panzer, “Stanley Kubrick: Eyes Wide Open,” Vanity Fair, January 22, 2007, https://www.vanityfair.com/news/2005/03/kubrick200503.

20

Peter Bogdanovich, “What They Say about Stanley Kubrick,” New York Times Magazine, July 4, 1999, https://www.nytimes.com/1999/07/04/magazine/what-they-say-about-stanley-kubrick.html.

21

Nathan Abrams, Stanley Kubrick (New Brunswick, NJ: Rutgers University Press, 2018), 7.

22

Robert Emmet Ginna interview with SK, University of the Arts, London, Stanley Kubrick Archive (hereinafter SKA), SK/1/2/8/2.

23

Bogdanovich, “What They Say.”

24

Bogdanovich, “What They Say.”

25

По правилам бейсбола после четвертого промаха он получит «уолк» – разновидность штрафа, который позволит сопернику просто перейти на следующую базу.

26

Bernstein interview.

27

Abrams, Stanley Kubrick, 35.

28

Bernstein interview.

29

Vincent LoBrutto, Stanley Kubrick (New York: DaCapo, 1999), 94.

30

David Vaughan in Walter Sobotka, ed., The Book of Ruth (New York, 1968), 78 (chess); Bogdanovich, “What They Say” (early quote).

31

Gene Phillips, “Killer’s Kiss,” in The Stanley Kubrick Archives, ed. Alison Castle (New York: Taschen, 2004), 282 (first two quotes); Ginna interview (third quote).

32

Sobotka, Book of Ruth, 52.

33

Cited in Dalya Alberge, “Newly Found Stanley Kubrick Script Ideas Focus on Marital Strife,” Guardian, July 12, 2019, https://www.theguardian.com/film/2019/jul/12/newly-found-stanley-kubrick-script-ideas-focus-marital-strife.

34

Brown Wallet E, SKA, SK shelf 11.

35

Brown Wallet E, SKA, SK shelf 11.

36

Romain LeVern interview with James B. Harris, Chaos, 2018 (my translation), http://www.chaosreign.fr/james-b-harris-eyes-wide-shut-est-le-moins-bon-film-de-stanley-kubrick/.

37

Bogdanovich, “What They Say.”

38

Перевод названия фильма «Убийство», под которым он известен в русском прокате, ошибочен – в фильме речь не об убийстве, а об ограблении; killing в американском сленге означает примерно то же, что и оригинальное название книги Л. Уайта, – «большой куш».

39

Robert Polito, Savage Art (New York: Knopf, 1995), 394.

40

LeVern interview with James B. Harris (first quote); Samuel B. Prime interview with James B. Harris, Notebook, November 13, 2017 https://mubi.com/notebook/posts/the-other-side-of-the-booth-a-profile-of-james-b-harris-in-present-day-los-angeles (second quote).

41

Interview with Sterling Hayden, 1984, The Killing Blu-ray.

42

Hayden interview.

43

John Baxter, Stanley Kubrick (New York: Carroll and Graf, 1997), 86.

44

Baxter, Stanley Kubrick, 86.

45

Romain LeVern interview with James B. Harris, Chaos, 2018 (my translation), http://www.chaosreign.fr/james-b-harris-eyes-wide-shut-est-le-moins-bon-film-de-stanley-kubrick/.

46

Author interview with Nathan Abrams, July 16, 2018.

47

Author interview with Jan Harlan, July 6, 2018 (Chess Story).

48

Gary Giddins, Paths of Glory Blu-ray commentary.

49

Baxter, Stanley Kubrick, 93.

50

Giddins, Paths of Glory commentary.

51

Alexander Walker, Sybil Taylor, and Ulrich Ruchti, Stanley Kubrick, Director (New York: Norton, 1971), 14 (first quote); Raymond Haine interview with SK, 1957, in The Stanley Kubrick Archives, ed. Alison Castle (New York: Taschen, 2004), 309 (second quote).

52

Giddins, Paths of Glory commentary.

53

Gene Phillips, “Paths of Glory,” in The Stanley Kubrick Archives, 300.

54

Interview with James B. Harris, Aero Theater, Santa Monica, September 28, 2017, https://www.youtube.com/watch?v=IAQbxkv6vVs.

55

Author interview with Christiane Kubrick, July 8, 2018.

56

Jon Ronson, “After Stanley Kubrick,” Guardian, August 18, 2010. Примечания

57

Valerie Jenkins interview with Christiane Kubrick, Evening Standard, September 10, 1972.

58

Author interview with Christiane Kubrick.

59

Author interview with Christiane Kubrick.

60

Author interview with Christiane Kubrick (first and third quotes); Geoffrey Cocks, The Wolf at the Door (New York: Peter Lang, 2004), 26 (second quote).

61

Michael Herr, Kubrick (New York: Grove, 2000), 48.

62

Calder Willingham letter to SK, December 14, 1959, University of the Arts, London, Stanley Kubrick Archive (hereinafter SKA), SK/10/8/4.

63

Robert Emmet Ginna interview with SK, SKA, SK/1/2/8/2.

64

Baxter, Stanley Kubrick, 129.

65

Ginna interview.

66

Danielle Heymann interview with SK, published in Le Monde, October 17, 1987, here quoted from SKA, SK/1/2/8/5.

67

Gene Phillips, “Spartacus,” in The Stanley Kubrick Archives, 318.

68

Ginna interview.

69

Terry Southern interview with SK, 1962, The Stanley Kubrick Archives, 343.

70

Ginna interview.

71

Kirk Douglas letter to Stan Margulies, April 27, 1959, SKA, SK/9/4/3.

72

On SK’s idea of the “small” Spartacus vs. Trumbo’s and Douglas’s “big” one, see Fiona Radford, “Having His Cake and Eating It Too: SK and Spartacus,The Stanley Kubrick Archives, 105, 110–11.

73

Peter Ustinov letter to SK, no date, SKA, SK/9/4/2–6.

74

SK letter to Laurence Olivier, June 5, 1959, SKA, SK/9/4/3.

75

Pauline Kael, 5001 Nights at the Movies (New York: Henry Holt, 1991), 547.

76

Nathan Abrams, Stanley Kubrick (New Brunswick, NJ: Rutgers University Press, 2018), 69.

77

Vincent LoBrutto, Stanley Kubrick (New York: DaCapo, 1999), 187.

78

LoBrutto, Stanley Kubrick, 190.

79

SK letter to Calder Willingham, no date, SKA, SK/10/8/4.

80

Calder Willingham letter to SK, December 14, 1959, SKA, SK/10/8/4.

81

Martin Russ letter to SK, no date, SKA, SK/10/8/7.

82

Brian Boyd, Vladimir Nabokov: The American Years (Princeton: Princeton University Press, 1991), 407.

83

James Naremore, On Kubrick (London: British Film Institute, 2007), 99.

84

Vladimir Nabokov, Lolita: A Screenplay, xii – xiii.

85

Laurence Olivier letter to SK, December 15, 1959, SKA, SK/10/8/4.

86

James Harris letter to SK, December 22, 1959, SKA, SK/10/8/4 (Bardot); LoBrutto, Stanley Kubrick, 203 (Kubrick quote); Baxter, Stanley Kubrick, 150 (Nabokov quote).

87

Sue Lyon letter to James Harris, November 30, 1960, signed also by her mother and her teacher Bev Westman, SKA, SK/10/8/4.

88

SK letter to Peter Ustinov, May 20, 1960, SKA, SK/10/8/4, cited in Karyn Stuckey, “Re-Writing Nabokov’s Lolita,” in Stanley Kubrick: New Perspectives, ed. Tatjana Ljujicґ, Peter Krдmer, and Richard Daniels (London: Black Dog Publishing, 2015), 127.

89

SK letter to Ustinov, May 20, 1960.

90

Stuckey, “Re-Writing Nabokov’s Lolita,” 128 (first scene); Mick Broderick, Reconstructing Strangelove (New York: Columbia University Press, 2017), 86; “Stanley Kubrick’s Dr. Strangelove,” Cinephilia and Beyond, https://cinephiliabeyond.org/stanley-kubricks-dr-strangelove-the-sharpest-most-cautioning-hilarious-political-satire/ (quotes).

91

From “Outline of Lolita,” included with SK letter to Ustinov, cited in Nathan Abrams, “An Alternative New York Jewish Intellectual,” Ljujicґ, Krдmer, and Daniels, Stanley Kubrick: New Perspectives, 70.

92

LoBrutto, Stanley Kubrick, 204 (Granz); Richard Corliss, Lolita (London: British Film Institute, 1994), 47.

93

Roger Lewis, The Life and Death of Peter Sellers (New York: Applause, 2000), 346.

94

Lewis, Life and Death, 344. Примечания

95

LoBrutto, Stanley Kubrick, 205.

96

Filippo Ulivieri, “Waiting for a Miracle: A Survey of Stanley Kubrick’s Unrealized Projects,” Cinergie, September 4, 2017, https://cinergie.unibo.it/article/view/7349/7318.

97

Vladimir Nabokov, The Annotated Lolita, ed. Alfred Appel (New York: Vintage, 1991), 283.

98

Southern interview, 343.

99

SK letter to Peter Ustinov, May 20, 1960, SKA, SK/10/8/4.

100

Jeremy Bernstein interview with SK, 1965, https://www.indiewire.com/2013/12/listen-rare-76-minute-interview-with-stanley-kubrick-about-his-start-in-films-nuclear-war-chess-strategies-248700/.

101

John Collins letter to SK, May 9, 1961, SKA, SK/10/8/7.

102

Author interview with Christiane Kubrick.

103

Author interview with Christiane Kubrick (first two quotes); Baxter, Stanley Kubrick, 166, citing a Times of London February 5, 1973, interview with Christiane Kubrick (third quote).

104

Jeremy Bernstein interview with SK, 1965, https://www.indiewire.com/2013/12/listen-rare-76-minute-interview-with-stanley-kubrick-about-his-start-in-films-nuclear-war-chess-strategies-248700/.

105

Five-O interview with James B. Harris, 2002, Scraps from the Loft https://scrapsfromtheloft.com/2018/02/16/james-b-harris-interview-2002/; Alex Singer letter to SK, March 28, 1964, University of the Arts, London, Stanley Kubrick Archive (hereinafter SKA), SK/11/9/97.

106

F. X. Feeney interview with James B. Harris, Director’s Guild of America, spring 2013, https://www.dga.org/Craft/DGAQ/All-Articles/1302-Spring-2013/James-Harris-on-Stanley-Kubrick.aspx.

107

Romain LeVern interview with James B. Harris, Chaos, 2018 (my translation), http://www.chaosreign.fr/james-b-harris-eyes-wide-shut-est-le-moins-bon-film-de-stanley-kubrick/.

108

LeVern interview with James B. Harris.

109

Sharon Ghamari-Tabrizi, The Worlds of Herman Kahn (Cambridge: Harvard University Press, 2005), 5 (“immediate peril”); Herman Kahn, On Thermonuclear War (Princeton: Princeton University Press, 1960), 34, 91, 94 (statistics and final quote).

110

Ghamari-Tabrizi, Worlds of Herman Kahn, 70.

111

Ghamari-Tabrizi, Worlds of Herman Kahn, 70.

112

Mick Broderick, Reconstructing Strangelove (New York: Columbia University Press, 2017), 58.

113

Ghamari-Tabrizi, Worlds of Herman Kahn, 123.

114

Bernstein interview.

115

See P. D. Smith, Doomsday Men (New York: St. Martin’s, 2007).

116

Eric Schlosser, “Almost Everything in ‘Dr. Strangelove’ Was True,” New Yorker, January 17, 2014.

117

Author interview with Christiane Kubrick, July 8, 2018.

118

Christiane Kubrick interview.

119

Christiane Kubrick interview.

120

Буквальный перевод его имени и фамилии – «Джек-Потрошитель».

121

Speaking during a cabinet meeting on July 25, 1956, Eisenhower was referring to the hysterical behavior likely to follow news of a Russian nuclear strike. http://www.conelrad.com/atomicsecrets/secrets.php?secrets=e18.

122

John Baxter, Stanley Kubrick (New York: Carroll and Graf, 1997), 181.

123

Richard Hofstadter, The Paranoid Style in American Politics (New York: Knopf, 1965), 28, 31.

124

SKA, SK/11/1/9, cited in Nathan Abrams, “An Alternative Jewish Intellectual,” Stanley Kubrick: New Perspectives, ed. Tatjana Ljujicґ, Peter Krдmer, and Richard Daniels (London: Black Dog Publishing, 2015), 74.

125

Cited in Gene Phillips, “Dr. Strangelove,” in The Stanley Kubrick Archives, ed. Alison Castle (New York: Taschen, 2004), 351.

126

SK letter to George C. Scott, November 12, 1963, SK 11/9/97.

127

Terry Southern, “Strangelove Outtake: Notes from the War Room,” Grand Street 49 (Summer 1994): 67. Примечания

128

Southern, “Strangelove Outtake,” 72.

129

Имеется в виду гипотеза антрополога Рэймонда Дарта о том, что люди произошли от хищной обезьяны, «обезьяны-убийцы», и движущей силой эволюции стало именно желание убивать.

130

Слово представляет собой стяжение основ war + orgasm, буквально может быть переведено как «оргазм от войны».

131

Baxter, Stanley Kubrick, 180.

132

Anne Quito, “The Man Who Designed Dr. Strangelove’s Apocalyptic Set Shaped Today’s Negotiation Rooms,” Quartz, March 15, 2016, https://qz.com/638778/the-man-who-designed-dr-strangeloves-apocalyptic-set-shaped-todays-negotiation-rooms/.

133

Southern, “Strangelove Outtake,” 80.

134

James Mason letter to SK, January 20, 1964, SKA, SK/11/9/77. The PR firm’s letter, from Allan, Foster, Ingersoll and Weber, mentions Hedda Hopper, Vernon Scott of UPI, Harrison Carroll, and Phil Schener.

135

SK letter to Robert Murray at the Aspen Institute for Humanistic Studies, no date, SKA, SK 11/9/94.

136

Robert Brustein, “Out of This World,” New York Review of Books, February 6, 1964; SK letter to Anthony Macklin, August 11, 1964, SKA, SK/11/9/77.

137

SK letter to Herbert Mitgang of CBS News, June 18, 1964, SKA, SK/11/9/77; SK letter to Gilbert Seldes, April 6, 1964, SKA, SK/11/9/97; SK letter to the Actors Studio, December 7, 1964, SKA, SK/11/9/1.

138

Todd Gitlin letter to SK, marked “unanswered,” May 29, 1964, SKA, SK/11/9/97; SK letter to SANE, July 9, 1964, SKA, SK/11/9/97; SK letter to Johnson campaign, September 18, 1964, SKA, SK11/9/94.

139

SK letter to Thomas Fryer, August 19, 1964, SKA, SK/11/9/94.

140

SK, undated essay, SKA, SK11/9/94.

141

Author interview with Julian Senior, July 9, 2018.

142

SK letter to Martin Russ, August 20, 1964, SKA, SK11/9/93.

143

SKA, SK/11/9/77.

144

SK letter to Robert Ettinger, August 12 1964, SKA, SK/11/9/94.

145

SK letter to Robert Ettinger, August 20, 1964, SKA, SK11/9/94. In his Playboy interview with Eric Norden (September 1968), Kubrick talked at length about Ettinger’s ideas.

146

SKA, SK/11/9/5.

147

Robert Ardrey, African Genesis (New York: Dell, 1961).

148

David Thomson, The Whole Equation (New York: Knopf), 155; Martin Scorsese, Introduction to Michel Ciment, Kubrick: The Definitive Edition (New York: Faber and Faber, 2003).

149

Michael Benson, Space Odyssey (New York: Simon and Schuster, 2018), 39, 22.

150

Jeremy Bernstein interview with SK, 1965, https://www.indiewire.com/2013/12/listen-rare-76-minute-interview-with-stanley-kubrick-about-his-start-in-films-nuclear-war-chess-strategies-248700/.

151

Danielle Heymann interview with SK, published in Le Monde, October 17, 1987, here quoted from University of the Arts, London, Stanley Kubrick Archive, SK/1/2/8/5.

152

Bernstein interview.

153

Bernstein interview.

154

Benson, Space Odyssey, 88 (Christiane Kubrick quote); “Kubrick on The Shining: An Interview with Michel Ciment” (SK quote).

155

В переводе книги А. Кларка робота называют ЭАЛ.

156

Benson, Space Odyssey, 76 (Clarke quote); Nathan Abrams, Stanley Kubrick (New Brunswick, NJ: Rutgers University Press, 2018), 133 (SK quote).

157

Первая песня, которую когда-либо исполнил компьютер.

158

Benson, Space Odyssey, 211.

159

Abrams, Stanley Kubrick, 132.

160

Leo Steinberg, Other Criteria (Chicago: University of Chicago Press, 1971), 407.

161

Benson, Space Odyssey, 181.

162

Dan Richter, Moonwatcher’s Memoir (New York: Carroll and Graf, 2002), 38.

163

Richter, Moonwatcher’s Memoir, 130.

164

Arthur C. Clarke, 2001: A Space Odyssey (New York: Penguin/Roc, 1968), 297.

165

Benson, Space Odyssey, 418.

166

Benson, Space Odyssey, 431. Примечания

167

Michael Powell, “A Survivor of Film Criticism’s Heroic Age,” New York Times, July 9, 2009.

168

Alexander Walker, Sybil Taylor, and Ulrich Ruchti, Stanley Kubrick, Director (New York: Norton, 1971), 162.

169

Ardrey, African Genesis, 348.

170

SK letter to Ron Lubin, August 18, 1964, University of the Arts, London, Stanley Kubrick Archive, SK/11/9/100.

171

Joseph Gelmis interview with SK (1970), in Stanley Kubrick: Interviews, ed. Gene Phillips (Jackson: University Press of Mississippi), 84.

172

A transcript of SK’s conversations with Felix Markham is included in Stanley Kubrick’s Napoleon: The Greatest Movie Never Made, ed. Alison Castle (Cologne: Taschen, 2017).

173

Stanley Kubrick, Napoleon screenplay, http://www.raindance.co.uk/site/picture/upload/napoleon.pdf.

174

Gelmis interview, 84.

175

Kubrick, Napoleon screenplay.

176

Kubrick Remembered, dir. Gary Khammar (2014); see Vincent Canby’s review of Barry Lyndon, New York Times, December 21, 1975 (“Please don’t send me any more pictures where the hero writes with a feather”).

177

Eva-Maria Magel, “The Best Movie (N)ever Made,” Kinematograph 20 (2004): 165.

178

Steven Englund, Napoleon (Cambridge: Harvard University Press, 2004), xiv.

179

Vincent LoBrutto, Stanley Kubrick (New York: DaCapo, 1999), 336.

180

Anthony Burgess, A Clockwork Orange (1962; New York: Norton, 1986), 42, 38.

181

LoBrutto, Stanley Kubrick, 338.

182

John Baxter, Stanley Kubrick (New York: Carroll and Graf, 1997), 247.

183

Julian Rice describes Alex as an overgrown child in Kubrick’s Hope (Lanham, MD: Scarecrow/Rowman and Littlefield, 2008), 67–74.

184

Robert Kolker, The Cultures of American Film (New York: Oxford University Press, 2015), 233–35.

185

Альфред Э. Ньюман – вымышленный мальчик, талисман юмористического журнала MAD. Его девиз – What, me worry? («С чего бы это мне волноваться?»)

186

Andrew Bailey interview with SK, Rolling Stone, January 20, 1972.

187

Burgess, A Clockwork Orange, 130.

188

Burgess, A Clockwork Orange, 131.

189

Author interview with Tom Courtenay, July 11, 2017.

190

Burgess, A Clockwork Orange, 28; see the offhanded racist “throw ’em a basketball” joke in Full Metal Jacket.

191

В оригинале используется архаичная фраза How art thou?, типичная для диалогов в пьесах Шекспира.

192

Kolker, The Extraordinary Image, 162.

193

Times of London obituary of Adrienne Corri, March 25, 2016.

194

Joseph Gelmis interview with SK, cited in LoBrutto, Stanley Kubrick, 360.

195

James Naremore, On Kubrick (London: British Film Institute, 2007), 158–59.

196

Interview with Malcolm MacDowell, A Clockwork Orange Blu-ray.

197

Burgess, A Clockwork Orange, 44–45.

198

Burgess, A Clockwork Orange, 102.

199

Victor Davis interview with SK, Daily Express, January 1972, cited in LoBrutto, Stanley Kubrick, 356; see also Robert Hughes, review of A Clockwork Orange, Time, December 27, 1971.

200

SK, “Now Kubrick Fights Back,” New York Times, February 27, 1972.

201

Burgess, A Clockwork Orange, 172.

202

Pauline Kael, “Stanley Strangelove” (review of A Clockwork Orange), New Yorker, January 1, 1972, https://scrapsfromtheloft.com/2016/09/18/a-clockwork-orange-pauline-kael/.

203

Kael, “Stanley Strangelove.”

204

LoBrutto, Stanley Kubrick, 359.

205

LoBrutto, Stanley Kubrick, 364. Примечания

206

Bailey interview.

207

Author interview with Julian Senior, July 9, 2018.

208

Senior interview.

209

Senior interview.

210

Emilio D’Alessandro, with Filippo Ulivieri, Stanley Kubrick and Me (New York: Arcade, 2012), 70.

211

Peter Bogdanovich, “What They Say about Stanley Kubrick,” New York Times Magazine, July 4, 1999, https://www.nytimes.com/1999/07/04/magazine/what-they-say-about-stanley-kubrick.html.

212

Christopher Anderson, “The Girl Who Has Everything,” People, March 8, 1976, https://people.com/archive/cover-story-the-girl-who-has-everything-vol-5-no-9/.

213

Geoffrey O’Brien, print essay, Barry Lyndon Blu-ray.

214

Bogdanovich, “What They Say.”

215

Bogdanovich, “What They Say” (Adam quote); Filmworker, dir. Tony Zierra (2017) (Senior quote).

216

D’Alessandro, Stanley Kubrick and Me, 59–60.

217

Vincent LoBrutto, Stanley Kubrick (New York: DaCapo, 1999), 403.

218

LoBrutto, Stanley Kubrick, 402.

219

Author interview with Lawrence Malkin, February 12, 2018.

220

Interview with Michel Ciment, Barry Lyndon, Blu-ray.

221

Filmworker.

222

Неточность: в фильме право первого выстрела было у Буллингдона, но он не справился с пистолетом и случайно выстрелил в сторону. Про сатисфакцию тоже спрашивали Буллингдона, т. к. это он вызвал Барри на дуэль.

223

Interview with Adam Eaker, Barry Lyndon Blu-ray.

224

Julian Rice, Kubrick’s Hope (Lanham, MD: Scarecrow/Rowman and Littlefield, 2008), 93.

225

“For weeks,” Emilio D’Alessandro recalled, “the special effects team… had tried and tried again to produce fake blood that convinced Stanley, but he was never satisfied with the color.” D’Alessandro, Stanley Kubrick and Me (New York: Arcade, 2012), 115.

226

John Baxter, Stanley Kubrick (New York: Carroll and Graf, 1997), 314–15.

227

Baxter, Stanley Kubrick, 313.

228

Stanley Kubrick’s The Shining, ed. Danel Olson (Lakewood, CO: Centipede, 2015), 642.

229

Michel Ciment, Kubrick: The Definitive Edition (New York: Faber and Faber, 2003), 189.

230

David Thomson, The Whole Equation (New York: Knopf), 331; Olson, Stanley Kubrick’s The Shining, 631.

231

Nathan Abrams, Stanley Kubrick (New Brunswick, NJ: Rutgers University Press, 2018), 135, compares Jack and HAL.

232

Jack Kroll, review of The Shining, Newsweek, June 2, 1980, https://scrapsfromtheloft.com/2016/09/17/shining-stanley-kubricks-horror-show/.

233

В оригинале используется игра слов, подразумевающая, что отель приказывает Джеку, что делать дальше.

234

Arthur Schopenhauer, The World as Will and Idea, trans. E. F. J. Payne (New York: Dover, 1958), 1: 394–95.

235

Arthur Schopenhauer, letter to Johann Wolfgang von Goethe, November 11, 1815, Gesammelte Briefe, ed. Arthur Hьbscher (Bonn: Bouvier Verlag, 1978), 18.

236

Douglas Luckhurst, The Shining (London: British Film Institute, 2013), 79.

237

Vincent LoBrutto, Stanley Kubrick (New York: DaCapo, 1999), 445.

238

D’Alessandro, Stanley Kubrick and Me, 118.

239

Typed notes and scene outlines from July 11 and August 27, 1977, University of the Arts, London, Stanley Kubrick Archive, SK/15/1/1, SK/15/1/9; “Ending idea… saved by cook,” SK/15/1/3.

240

Baxter, Stanley Kubrick, 319.

241

Olson, Stanley Kubrick’s The Shining, 526 (Vitali quote); Ciment, Kubrick, 301 (Duvall quote).

242

Author interview with Julian Senior, July 9, 2018. Примечания

243

Like Paths of Glory, Dr. Strangelove, and A Clockwork Orange, The Shining ends with an old-fashioned song and a tableau of return.

244

Emilio D’Alessandro, with Filippo Ulivieri, Stanley Kubrick and Me (New York: Arcade, 2012), 135, 139.

245

Dalia Karpel, “The Real Stanley Kubrick,” Haaretz, November 3, 2005, https://www.haaretz.com/1.4880226.

246

Filmworker, dir. Tony Zierra (2017).

247

D’Alessandro, Stanley Kubrick and Me, 170.

248

D’Alessandro, Stanley Kubrick and Me, 168, 78–80 (SK quote and guidelines); Karpel, “The Real Stanley Kubrick” (Christiane Kubrick quote).

249

D’Alessandro, Stanley Kubrick and Me, 150.

250

D’Alessandro, Stanley Kubrick and Me, 74 (phone calls to Barbara); Peter Bogdanovich, “What They Say about Stanley Kubrick,” New York Times Magazine, July 4, 1999, https://www.nytimes.com/1999/07/04/magazine/what-they-say-about-stanley-kubrick.html (Milius quote).

251

Danielle Heymann interview with SK, published in Le Monde, October 17, 1987, here quoted from University of the Arts, London, Stanley Kubrick Archive (hereinafter SKA), SK/1/2/8/5.

252

Michael Herr, Kubrick (New York: Grove, 2000), 11.

253

Herr, Kubrick, 11.

254

Herr, Kubrick, 10.

255

Grover Lewis, “The Several Battles of Gustav Hasford,” LA Times Magazine, June 28, 1987.

256

Gustav Hasford letters to SK, December 5, 1982, SKA shelf 3, box 5 (Full Metal Jacket).

257

Grover Lewis, “The Killing of Gus Hasford,” LA Weekly, June 4–June 10, 1993 (Hasfor quotes); Hasford letters to SK, January 23, 1984, and May 28, 1983, both SKA, SK/16/1/2/4 (demands for return of photos and screenplay credit).

258

SK letter to Gustav Hasford, no date, SKA, SK/16/1/24.

259

Перевод А. Филиппенко.

260

Gustav Hasford, The Short-Timers (1979; New York: Bantam, 1983), 175–76.

261

Jeremy Bernstein interview with SK, 1965, https://www.indiewire.com/2013/12/listen-rare-76-minute-interview-with-stanley-kubrick-about-his-start-in-films-nuclear-war-chess-strategies-248700/.

262

Charlie Kohler interview with SK, East Village Eye, August 1968, https://scrapsfromtheloft.com/2017/01/10/stanley-kubrick-raps/.

263

Сержант-инструктор называет рядового в честь Гомера Пайла, неуклюжего и глуповатого персонажа комедийно-агитационного сериала про американскую морскую пехоту; в другом переводе используется англоязычная версия его прозвища – «рядовой Пайл».

264

Heymann interview.

265

Tim Cahill interview with SK, Rolling Stone, August 27, 1987.

266

Author interview with Vincent D’Onofrio, February 9, 2018.

267

Matthew Modine, Full Metal Jacket Diary (New York: Rugged Land, 2005).

268

Heymann interview.

269

D’Onofrio interview.

270

Interview with Lee Ermey, Full Metal Jacket Blu-ray.

271

В английском языке для обозначения гальюна используется слово head («голова»), и автор книги имеет в виду, что в фильме присутствует игра слов: Хартман как бы говорит: «Что вы делаете в моей голове?», и своим присутствием в его «голове» Шутник и Куча оскверняют его идеалы.

272

В английском языке выражение thousand-yard stare / two-thousand-yard stare используется для обозначения несфокусированного взгляда, который часто наблюдается у солдат с посттравматическим стрессовым расстройством. Выражение восходит к названию картины Томаса Ли, где изображен солдат, переживший боевую психологическую травму.

273

Jay Cocks, commentary, Full Metal Jacket Blu-ray.

274

Michael Herr, Dispatches (1977; New York: Vintage, 1991), 20–21.

275

Издание на русском 1985 года (https://www.rulit.me/author/gerr-majkl/reportazhi-download-358726.html).

276

From SK’s handwritten notes on Hasford’s book, cited in The Stanley Kubrick Archives, ed. Alison Castle (New York: Taschen, 2004), 471.

277

Georg Scesslen, “Shoot Me, Shoot Me,” Kinematograph 20 (2004): 221–22.

278

D’Onofrio interview.

279

Vincent D’Onofrio, commentary, Full Metal Jacket Blu-ray.

280

Tim Cahill interview with SK, Rolling Stone, August 27, 1987.

281

Author interview with Sandy Lieberson, July 13, 2017; Peter Bogdanovich, “What They Say about Stanley Kubrick,” New York Times Magazine, July 4, 1999, https://www.nytimes.com/1999/07/04/magazine/what-they-say-about-stanley-kubrick.html (Southgate quote).

282

Cahill interview. Примечания

283

Cahill interview.

284

Christiane Kubrick, interview, Eyes Wide Shut Blu-ray.

285

Ивр. – «катаклизм».

286

Ulivieri’s is the fullest account of Kubrick’s unrealized projects; Filippo Ulivieri, “Waiting for a Miracle: A Survey of Stanley Kubrick’s Unrealized Projects,” Cinergie, September 4, 2017 https://cinergie.unibo.it/article/view/7349/7318.

287

Geoffrey Macnab, “Kubrick’s Lost Movie: Now We Can See It…” Independent, January 27, 2009, https://www.independent.co.uk/arts-entertainment/films/features/kubricks-lost-movie-now-we-can-see-it-1516726.html (Schindler’s List); Dalia Karpel, “The Real Stanley Kubrick,” Haaretz, November 3, 2005, https:// www.haaretz.com/1.4880226 (Christiane Kubrick quote); University of the Arts, London, Stanley Kubrick Archive (hereinafter SKA), shelf 9, box 3 (Wartime Lies) (script).

288

A selection of Baker’s storyboards is reproduced in A.I.: Artificial Intelligence, ed. Jan Harlan and Jane Struthers (London: Thames and Hudson, 2009).

289

Nathan Abrams, Stanley Kubrick (New Brunswick, NJ: Rutgers University Press, 2018), 269.

290

Joseph McBride, Steven Spielberg (Jackson: University Press of Mississippi, 2010), 483; SKA, shelf 8, box A (SK quote); Harlan and Struthers, A.I.: Artificial Intelligence, 23 (Maitland quote).

291

Molly Haskell, Steven Spielberg (New Haven: Yale University Press, 2017), 174.

292

Robert Emmet Ginna interview with SK, University of the Arts, London, Stanley Kubrick Archive, SK/1/2/8/2.

293

Arthur Schnitzler, Dream Story, in Eyes Wide Shut: A Screenplay and Dream Story (New York: Time Warner, 1999), 235.

294

Scott Feinberg, “Kirk Douglas: ‘I Am Always Optimistic,’ ”Hollywood Reporter, June 6, 2012, http://www.hollywoodreporter.com/news/kirk-douglas-pacemaker-helicopter-crash-stroke-330997.

295

Cited in Robert Kolker and Nathan Abrams, Eyes Wide Shut (New York: Oxford University Press, 2019), 27.

296

SKA shelf 2, EWS 11.

297

Kolker and Abrams, Eyes Wide Shut, 34–35 (Southern quote); SKA shelf 2, box 12 (Eyes Wide Shut) (SK notebook).

298

John le Carrй, The Pigeon Tunnel (New York: Penguin, 2017), 242–43.

299

Frederic Raphael, Eyes Wide Open (New York: Ballantine, 1999), 59.

300

Michel Chion, Eyes Wide Shut (New York: Palgrave Macmillan, 2002), 25.

301

Chion, Eyes Wide Shut, 28; Kolker and Abrams, Eyes Wide Shut, 124 (McQuiston quote).

302

Bogdanovich, “What They Say” (Adam quote); Jon Ronson, “After Stanley Kubrick,” Guardian, August 18, 2010 (Christiane Kubrick quote).

303

David Thomson, Nicole Kidman (New York: Vintage, 2008), 248–49.

304

Interview with Nicole Kidman, Eyes Wide Shut Blu-ray.

305

Kolker and Abrams, Eyes Wide Shut, 89.

306

Kolker and Abrams, Eyes Wide Shut, 107. It was not true, as Thomson reported, that Kubrick barred Cruise from the set for two weeks.

307

Kolker and Abrams, Eyes Wide Shut, 98.

308

Schnitzler, Dream Story, 109.

309

David Denby, “Death Trap,” New York, July 13, 1987, 54; interview with Christiane Kubrick, Eyes Wide Shut Blu-ray.

310

Stephen Hunter, “Kubrick’s Sleepy Eyes Wide Shut,” Washington Post, July 16, 1999 (Catholic Church quote); Lee Siegel, Falling Upwards (New York: Basic, 2006), 229; James Naremore, On Kubrick (London: British Film Institute, 2007), 239.

311

Bogdanovich, “What They Say.”

312

Bogdanovich, “What They Say” (Christiane Kubrick quote); Kolker and Abrams, Eyes Wide Shut, 111 (Cavaciuti quote).

313

Kolker and Abrams, Eyes Wide Shut, 97.

314

Kolker and Abrams, Eyes Wide Shut, 111 (Kubrick operating camera); Lieberson interview. Примечания

315

Filmworker, dir. Tony Zierra (2017).

316

Emilio D’Alessandro, with Filippo Ulivieri, Stanley Kubrick and Me (New York: Arcade, 2012), 330.

317

Yoh Phillips, “Stanley Kubrick’s Unprecedented Influence on Hip Hop,” DJBooth, February 6, 2019, https://djbooth.net/features/2019-02-06-stanley-kubrick-influence-hip-hop.

Вход
Поиск по сайту
Ищем:
Календарь
Навигация