Примечания книги Джордж Лукас. Путь Джедая. Автор книги Брайан Джей Джонс

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Книга Джордж Лукас. Путь Джедая
Полная парадоксальных откровений книга посвящена едва ли не самой противоречивой фигуре в истории мирового кинематографа. Пожизненный нонконформист, ставший миллиардером. Ненавистник рутины, подменивший актерское мастерство техническими решениями. Противник «бездушной машины Голливуда», построивший компьютерную фабрику грез. Он всегда верил в себя, но превзошел даже собственные ожидания.Лучшая в мире вещь – приключения в далеких-далеких странах, объяснял Лукас ошеломительный успех «Звездных войн» и «Индианы Джонса». Он не только стал автором блокбастеров, но и научился ставить их на поток. Делая сиквелы и новые версии, он придумывал, как получать с франшизы на своих героев больше, чем с проката.Он не терпел зависимости и потому реализовал лозунг радикальных хиппи из 60-х: «захватить средства производства». Не отбирая чужого, он «просто» создавал новые технологии и технику, превращая старые в никому не нужный хлам.Захватывающая биография выдающегося мастера раскрывает секреты его феноменального успеха. И рисует смену эпох в мировом кинематографе, случившуюся во многом благодаря герою этой книги.

Примечания книги

1

Star Wars’ Star Is on Cloud Nine”, Independent (Long Beach, Calif.), June 10, 1977.

2

J. W. Rinzler, The Making of Star Wars: The Definitive Story behind the Original Film (New York: Del Rey, 2007), 160 (далее MOSW).

3

MOSW, 146.

4

MOSW, 143.

5

Kerry O’Quinn, “The George Lucas Saga”, Starlog, reprinted in Sally Kline, ed., George Lucas: Interviews (Jackson: University Press of Mississippi, 1999), 104 (далее Kline, GL Interviews).

6

GL Interviews, xiv.

7

Robert Watts, цитата по MOSW, 151.

8

MOSW, 160.

9

Joanne Williams, “Inside George Lucas: Success Allows ‘Little Movie’ Freedom”, Modesto Bee, June 1, 1980.

10

Jean Vallely, “The Empire Strikes Back’ and So Does George Lucas”, Rolling Stone, June 12, 1980.

11

Williams, “Inside George Lucas”.

12

Biography: George Lucas: Creating an Empire, A&E Television, 2002 (hereafter Creating an Empire).

13

The Modesto Arch”, сайт об истории Модесто, http://www.historicmodesto.com/thearch.html

14

See Fifteenth Census of the United States, 1930, for Modesto City, Calif., sheet 7B.

15

“George Lucas Sr. Story Rivals Son’s Film Saga”, Modesto Bee, January 30, 1976.

16

“Play Presented by High School Class to Capacity House”, Modesto Bee and News-Herald, December 8, 1930.

17

“Dorothy Bomberger and George Lucas Marry at Methodist Church”, Modesto Bee and News-Herald, August 4, 1933.

18

“George Lucas Sr. Story Rivals Son’s Film Saga”.

19

Karyn Hunt, “Business Leader G. W. Lucas Dies”, Modesto Bee, December 19, 1991.

20

“Dorothy Bomberger and George Lucas Marry at Methodist Church”. См. также “Dorothy Bomberger and George Lucas to Wed: Invitations in Mails”, Modesto Bee and News-Herald, July 23, 1933; и “Plan Wedding”, Modesto Bee and News-Herald, July 24, 1933.

21

См. “Club’s Speaker Lauds Roosevelt”, Fresno Bee, December 19, 1933.

22

См. “Dorothy B. Lucas Dead at 75”, Modesto Bee, March 12, 1989.

23

“Two Stationery Stores Change Hands Here”, Modesto Bee and News-Herald, January 26, 1949.

24

“George Lucas Sr. Story Rivals Son’s Film Saga”.

25

L. M. Morris advertisement, Modesto Bee and News-Herald, November 30, 1934.

26

См. “Morris Rites Will Be Tomorrow”, Modesto Bee and News-Herald, February 4, 1949.

27

Dale Pollock, Skywalking: The Life and Films of George Lucas, updated ed. (New York: Da Capo Press, 1999), 13.

28

“George Lucas Sr. Story Rivals Son’s Film Saga”.

29

Pollock, Skywalking, 14.

30

Ibid.

31

Ibid.

32

Omnibus Special Edition: George Lucas: Flying Solo, BBC Television, 1997 (далее Flying Solo).

33

Pollock, Skywalking, 15.

34

Gerald Clarke, “I’ve Got to Get My Life Back Again”. Time, May 23, 1983.

35

Creating an Empire.

36

Flying Solo.

37

Pollock, Skywalking, 15.

38

“Two Stationery Stores Change Hands Here”; “Morris Rites Will Be Tomorrow”.

39

“George Lucas Sr. Story Rivals Son’s Film Saga”.

40

Williams, “Inside George Lucas”.

41

Creating an Empire.

42

Ibid.

43

Pollock, Skywalking, 37.

44

Ibid., 19.

45

Denise Worrell, Icons: Intimate Portraits (New York: Atlantic Monthly Press, 1989), 286.

46

Flying Solo.

47

Pollock, Skywalking, 16.

48

Creating an Empire.

49

Alan Arnold, Once Upon a Galaxy: A Journal of the Making of The Empire Strikes Back (New York: Ballantine, 1980), 219.

50

George Lucas: A Life Making Movies”, Academy of Achievement interview, June 19, 1999, http://www.achievement.org/autodoc/page/luc0int-1 (далее “GL: A Life Making Movies”).

51

Pollock, Skywalking, 15.

52

Clarke, “I’ve Got to Get My Life Back Again”.

53

Pollock, Skywalking, 37, 39.

54

Ibid., 11. Другой вариант истории см. Peter Biskind, Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock ’n’ Roll Generation Saved Hollywood (New York: Simon & Schuster, 1998), 37.

55

Норман Роквелл (1894–1978) – известный американский художник и иллюстратор.

56

Creating an Empire.

57

Arnold, Once Upon a Galaxy, 189.

58

Pollock, Skywalking, 20.

59

Arnold, Once Upon a Galaxy, 189–90.

60

Pollock, Skywalking, 20.

61

Arnold, Once Upon a Galaxy, 189–90.

62

Jess Cagle, “Director: So, What’s the Deal with Leia’s Hair?” Time, April 29, 2002.

63

Джон Мьюр (1838–1914) – американский натуралист, один из инициаторов создания национальных парков и заповедников на территории США.

64

Pollock, Skywalking, 22.

65

Creating an Empire.

66

Pollock, Skywalking, 22.

67

“GL: A Life Making Movies”.

68

Arnold, Once Upon a Galaxy, 220.

69

Pollock, Skywalking, 18.

70

Creating an Empire.

71

Clarke, “I’ve Got to Get My Life Back Again”.

72

Arnold, Once Upon a Galaxy, 221.

73

Скон (англ. Scone) – традиционная британская маленькая хлебная булочка из пшеницы, ячменя или овса.

74

Pollock, Skywalking, 18.

75

Arnold, Once Upon a Galaxy, 220.

76

Уолли Вуд (1927–1981) – американский художник и иллюстратор. Автор серии коллекционных карточек «Марс атакует», по мотивам которых в 1996 г. режиссер Тим Бертон снял одноименный фильм.

77

Creating an Empire.

78

Donald Ault, ed., Carl Barks: Conversations (Jackson: University Press of Mississippi, 2003), 130.

79

Arnold, Once Upon a Galaxy, 221.

80

Virginia Mecklenberg and Todd McCarthy, Telling Stories: Norman Rockwell, from the Collections of George Lucas and Steven Spielberg (New York: Abrams, 2010), 20.

81

Ibid., 18.

82

Marcus Hearn, The Cinema of George Lucas (New York: Abrams, 2005), 10–11 (далее COGL).

83

John Baxter, George Lucas: A Biography (London: HarperCollins Entertainment, 1999), 24–25.

84

Worrel, Icons, 286.

85

Clarke, “I’ve Got to Get My Life Back Again”.

86

Лукас часто говорил, что единственным доступным каналом в Модесто был KRON, подразделение NBC из Сан-Франциско. Однако «Есть оружие – будут путешествия» шел по CBS, а не NBC. Чтобы посмотреть этот сериал – а Лукас помнит, что смотрел его, – у него должно было быть подключение к KPIX, подразделению CBS в Сан-Франциско.

87

Хотя Лукас помнит, что смотрел «Флэша Гордона» в рамках передачи под названием «Театр приключений», которое, как сообщает он и множество других источников, выходило каждый день в шесть вечера на канале KRON, здесь может быть некоторое несоответствие. «Театр приключений» вышел в эфир на KRON только в 1960-м, и даже тогда он начинался в 14:30 (в 18:00 KRON показывал «Пожарника Фрэнка»). Лукас совершенно точно мог видеть «Флэша Гордона» в «Театре приключений» в 1960-м; однако если речь идет о 1955-м, то скорее всего он видел его по каналу KTVU из Стоктона, который показывал передачу под названием «Суперсериалы» каждый день в шесть вечера. Он также мог спутать «Театр приключений» с «Научно-фантастическим театром», который выходил на KRON каждый день в семь вечера в 1955-м. Еще один фактор возможной путаницы: в 1956-м NBC выпустил свой «Театр приключений», новую антологию с полицейскими сериалами. Как бы там ни было, сериал «Флэш Гордон» показывали по каналу, доступному в Модесто, и Лукас его смотрел.

88

Клиффхэнгер (англ. Cliffhanger, от «Cliff» – «утес», «обрыв» и «hang» – «висеть», «подвешивать»; букв. – «подвешивающий над обрывом») – художественный прием в литературе и кино, который заключается в том, что повествование обрывается на поворотной точке сюжета, при этом намекая на продолжение («на самом интересном месте»). Наиболее часто используется в сериалах в конце эпизодов для того, чтобы подтолкнуть зрителя к просмотру следующей серии.

89

Arnold, Once Upon a Galaxy, 220.

90

Ibid., 220–21.

91

Джон Форд (1894–1973) – американский кинорежиссер, единственный в истории обладатель четырех премий «Оскар» за лучшую режиссуру.

92

“GL: A Life Making Movies”.

93

COGL, 61.

94

Worrell, Icons, 285.

95

COGL, 11.

96

Pollock, Skywalking, 21.

97

В оригинале – Imagineers, слово, составленное из «imagination» – «творческая фантазия», «воображение» и «engineer» – «инженер».

98

“Newspaper for Juniors Is Published by Two Boys”, Modesto Bee and News-Herald, August 18, 1955.

99

Ibid.

100

Ibid.

101

Ibid.

102

Pollock, Skywalking, 20.

103

Clarke, “I’ve Got to Get My Life Back Again”.

104

Pollock, Skywalking, 37.

105

Ibid., 23.

106

Creating an Empire.

107

Джон Филип Суза (1854–1932) – американский композитор и дирижер духовых оркестров. Автор национального марша США «The Stars and Stripes Forever» («Звезды и полосы навсегда»).

108

Хотя Поллок (в Skywalking) утверждает, что Лукас посетил концерт Элвиса «сразу после» его появления в шоу Салливана, следующий концерт Пресли в Северной Калифорнии состоялся почти что год спустя.

109

Stephen Farber, “George Lucas: The Stinky Kid Hits the Big Time”, Film Quarterly 27, no. 3 (Spring 1974): 2–9.

110

Creating an Empire.

111

COGL, 12.

112

“GL: A Life Making Movies”.

113

“An Interview with George Lucas”, Milken Institute Global Conference, April 30, 2012, http://www.milkeninstitute.org/events/conferences/global-conference/2012/panel-detail/3586 (далее Milken).

114

COGL, 12.

115

Flying Solo.

116

Pollock, Skywalking, 24.

117

Flying Solo.

118

Worrell, Icons, 285–86.

119

COGL, 12.

120

Worrell, Icons, 285–86.

121

COGL, 12.

122

Pollock, Skywalking, 27.

123

“Faros Car Club Members Talk about American Graffiti and Cruising”, ролик Modesto News, June 7, 2014, http://www.youtube.com/watch?v=rrQiJ3RYODM.

124

Pollock, Skywalking, 27.

125

Имеется в виду форма социализации, когда группа друзей ездят на машинах по окрестностям, знакомятся с девушками (в т. ч. для секса), веселятся и т. д. Круизинг показан в упомянутом выше фильме Лукаса «Американские граффити».

126

Creating an Empire.

127

Milken.

128

Creating an Empire.

129

Pollock, Skywalking, 29.

130

Ibid.

131

“George Lucas Talks to the Bee’s Marijke Rowland”, ролик, Modesto Bee, June 7, 2013, http://www.modbee.com/welcome_page/?shf=/2013/06/07/2752579_video-george-lucas-talks-to-the.html.

132

Pollock, Skywalking, 25.

133

Richard Heseltine, “The Real American Graffiti Artist”, Motor Sport, June 2009.

134

“George Lucas – Allen Grant”, Modesto CruiseRoute, YouTube video, July 13, 2012, http://www.youtube.com/watch?v=KMxhdiVQv0w.

135

Как честно сообщает «Модесто Би» на протяжении 1961 и 1962. См., напр., “Modesto Sports Car Club Wins Contest”, Modesto Bee and News-Herald, March 20, 1961.

136

Pollock, Skywalking, 24.

137

Ibid., 46.

138

“History and Today”, сайт кинотеатра «Каньон», http://www.canyoncinema.com/about/history.

139

COGL, 16.

140

Pollock, Skywalking, 27.

141

Jason Walsh, “Episode III: A New Hack”, Pacific Sun, February 12–18, 2010.

142

COGL, 13.

143

Pollock, Skywalking, 38.

144

John Seabrook, “Why the Force Is Still with Us”, The New Yorker, January 6, 1997.

145

Все сообщения об аварии размыты и временами противоречат друг другу, особенно потому что история обрастала деталями, искажалась и приобретала лишний трагизм на протяжении пятидесяти лет, прошедших с инцидента. См. “DHS Student Is Injured Seriously in Car Crash”, Modesto Bee and News-Herald, June 13, 1962; Pollock, Skywalking, xiii – xvi; and Baxter, George Lucas, 38; а также сильно обработанную интерпретацию событий в Mark Cotta Vaz and Shinji Hata, From Star Wars to Indiana Jones: The Best of the Lucasfilm Archives (San Francisco: Chronicle, 1994).

146

Creating an Empire.

147

Pollock, Skywalking, xv.

148

Creating an Empire.

149

Williams, “Inside George Lucas”.

150

“GL: A Life Making Movies”.

151

Creating an Empire.

152

COGL, 13.

153

Arnold, Once Upon a Galaxy, 187.

154

Ibid.

155

“GL: A Life Making Movies”.

156

Williams, “Inside George Lucas”.

157

Pollock, Skywalking, 34–35.

158

Creating an Empire.

159

COGL, 13.

160

Интервью Джорджа Лукаса на передаче CBS “This Morning”, July 2013.

161

Arnold, Once Upon a Galaxy, 188.

162

COGL, 14; “GL: A Life Making Movies”.

163

COGL, 14.

164

Heseltine, “The Real American Graffiti Artist”.

165

Michael Rubin, Droidmaker: George Lucas and the Digital Revolution (Gainesville: Triad, 2006), 8.

166

“An AFI Interview with Haskell Wexler”, AFI, September 18, 2010, доступно по ссылке https://site.douban.com/106789/widget/notes/127384/note/91565727.

167

Williams, “Inside George Lucas”.

168

COGL, 16.

169

UCLA – (англ.) University of California, Los Angeles – Калифорнийский университет в Лос-Анджелесе.

170

См. документальный фильм USC School of Cinematic Arts, 2009, доступно по ссылке http://cinema.usc.edu/about/history/index.cfm.

171

Pollock, Skywalking, 43.

172

George Lucas: Maker of Films, television documentary, KCET, 1971.

173

Susan King, “Remastered Classic: Now That’s a Birthday Gift”, Los Angeles Times, March 27, 2009.

174

“A Legacy of Filmmakers: The Early Years of American Zoetrope”, THX 1138: The George Lucas Director’s Cut, special ed. DVD, Warner Home Video, 2004.

175

“GL: A Life Making Movies”.

176

Ibid.; Kline, GL Interviews, 35.

177

Terence M. Green, “USC Cinema-Television School Has Close-Knit Ambiance of Mini-Studio: Facility Is Replacement for Old Bungalows”, Los Angeles Times, March 24, 1985.

178

“A Legacy of Filmmakers”.

179

Kline, GL Interviews, 35.

180

“A Legacy of Filmmakers”.

181

Green, “USC Cinema-Television School”.

182

Pollock, Skywalking, 50.

183

Creating an Empire.

184

COGL, 16.

185

Pollock, Skywalking, 49.

186

“A Legacy of Filmmakers”.

187

Trevor Hogg, “Assembly Required: A Walter Murch Profile,” Flickering Myth website, July 21, 2010, http://www.flickeringmyth.com/2010/07/assembly-required-walter-murch-profile.html.

188

COGL, 16.

189

Kline, GL Interviews, 35.

190

Baxter, George Lucas, 49.

191

Ibid., 50.

192

Creating an Empire.

193

COGL, 16.

194

“A Legacy of Filmmakers”.

195

Ibid.

196

COGL, 16.

197

“GL: A Life Making Movies”.

198

Ibid.

199

COGL, 17–18.

200

COGL, 18.

201

Rubin, Droidmaker, 11.

202

Creating an Empire.

203

Pollock, Skywalking, 56.

204

Creating an Empire.

205

Baxter, George Lucas, 57.

206

Pollock, Skywalking, 50.

207

Creating an Empire. Много лет спустя Лукас сказал, что не мог рисовать «штурмовиков», и наверняка это были автомобили.

208

Pollock, Skywalking, 47.

209

Biskind, Easy Riders, 317–18.

210

COGL, 16, 18.

211

Arnold, Once Upon a Galaxy, 188.

212

Creating an Empire.

213

Arnold, Once Upon a Galaxy, 186.

214

Pollock, Skywalking, 57.

215

“Lucas, Coppola, and Kurosawa”, Kagemusha: The Criterion Collection, DVD, Criterion Studio, 2009.

216

Ibid.

217

COGL, 21.

218

Pollock, Skywalking, 51.

219

See “Writer-Director Paul Golding on Giving Pulse Life”, Video Junkie website, May 10, 2014, http://originalvidjunkie.blogspot.com/2014/05/writer-director-paul-golding-on-giving.html?zx=4c515a2976ba414c.

220

Creating an Empire.

221

Flying Solo.

222

COGL, 19.

223

Don Glut, I Was a Teenage Movie Maker (Jefferson, N.C.: McFarland & Co., 2007), 166.

224

COGL, 20.

225

Pollock, Skywalking, 44.

226

COGL, 19.

227

Baxter, George Lucas, 62.

228

William Keck, “USC Grads Honor Film School; Lucas, Zemeckis, Ferrell Reminisce”. USA Today, September 28, 2004.

229

COGL, 20.

230

Baxter, George Lucas, 61.

231

COGL, 20.

232

Pollock, Skywalking, 57.

233

COGL, 20.

234

Glut, I Was a Teenage Movie Maker, 158.

235

Камео – роль, как правило, эпизодическая, в которой используется известный и легко узнаваемый образ (режиссера, актера, политика и др. – либо без оглашения, либо с оглашением его имени).

236

Stuart Silverstein, “Lucas Seeks to Produce Respect for Filmmaking: ‘Star Wars’ Creator Speaks at a Ceremony at USC Honoring the $175 Million He Has Pledged to Its Film School”, Los Angeles Times, October 5, 2006.

237

Barry Koltnow, “End of the Beginning: A Contented George Lucas Looks Back at the Six Parts of His ‘Star Wars’ Film Epic”, Orange County Register, May 15, 2005.

238

Baxter, George Lucas, 55–56.

239

Pollock, Skywalking, 56, 59–60.

240

COGL, 22.

241

COGL, 22.

242

Baxter, George Lucas, 71.

243

«Великое общество» – серия социальных программ, инициированных президентом Линдоном Джонсоном в 1960-х гг. и направленных на искоренение бедности и расовой сегрегации, улучшение качества жизни рядовых американцев.

244

Gerald Peary, interview with Verna Fields, The Real Paper (Boston), October 23, 1980.

245

Конференция СЕАТО (Организации Договора Юго-Восточной Азии) в столице Филиппин Маниле, проходившая 24–26 октября 1966 г., посвященная войне во Вьетнаме.

246

Прозвище супруги Линдона Джонсона Клаудии Альты Тейлор Джонсон.

247

Kline, GL Interviews, 5.

248

Ibid.

249

Creating an Empire.

250

Pollock, Skywalking, 65, 61.

251

Ibid., 63.

252

Ibid., 64.

253

Ibid., 62.

254

COGL, 22.

255

COGL, 21–22.

256

COGL, 23.

257

Pollock, Skywalking, 67.

258

Ibid., 47.

259

Steve Silberman, “Life after Darth”, Wired, May 2005.

260

Karina Longworth, Masters of Cinema: George Lucas (New York: Phaidon, 2012), 11.

261

Silberman, “Life after Darth”.

262

Pollock, Skywalking, 47.

263

Kline, GL Interviews, 6.

264

COGL, 20.

265

Sheerly Avni, Cinema by the Bay (Nicasio, Calif.: George Lucas Books, 2006), 36.

266

COGL, 24.

267

Hogg, “Assembly Required”.

268

Pollock, Skywalking, 46.

269

Ibid., 63.

270

Ibid., 62, 63, 66.

271

Baxter, George Lucas, 70.

272

Pollock, Skywalking, 65.

273

Пол Голдинг, интервью автора, ноябрь 2014.

274

COGL, 25.

275

Pollock, Skywalking, 58.

276

Justin Bozung, “Watch the Amazing George Lucas Film The Emperor and Read about How It Was Made”, TV Store Online, April 1, 2014, http://blog.tvstoreonline.com/2014/04/watch-george-lucas-brilliant-student.html.

277

Ibid.

278

COGL, 25.

279

Bozung, “Watch the Amazing George Lucas”.

280

Ibid.

281

Ken Plume, “An Interview with John Milius, IGN website, May 7, 2003, http://www.ign.com/articles/2003/05/07/an-interview-with-john-milius.

282

Bozung, “Watch the Amazing George Lucas”.

283

Pollock, Skywalking, 66, 65.

284

Ibid., 68.

285

Flying Solo.

286

COGL, 17–18.

287

Pollock, Skywalking, 59.

288

Ibid., 70.

289

«Красная угроза» – антикоммунистическая идеология, возникшая в США после Октябрьской революции 1917 г. в России. В 1950-х гг. борьба с «красной угрозой» получила название «маккартизм» – по фамилии сенатора Джозефа Маккарти, инициировавшего гонения на коммунистов, сочувствующих им и подозреваемых в связях с ними. В ходе этих репрессий многие деятели американской культуры были внесены в «черные списки» неблагонадежных лиц и лишились работы.

290

Ibid.

291

Ibid.

292

COGL, 26, 27.

293

COGL, 27.

294

COGL, 27.

295

Charles Champlin, George Lucas: The Creative Impulse: Lucasfilm’s First Twenty Years (New York: Abrams), 9.

296

George Lucas on Working with Francis Ford Coppola, American Film Institute video, http://www.youtube.com/watch?v=kNcdS8L9pcA.

297

Creating an Empire.

298

Peter Cowie, Coppola: A Biography, rev. ed. (New York: Da Capo Press, 1994), 15.

299

Biskind, Easy Riders, 149.

300

Cowie, Coppola, 20, 22.

301

Biskind, Easy Riders, 36.

302

Creating an Empire.

303

Biskind, Easy Riders, 37.

304

Lester D. Friedman and Brent Notbohm, eds., Steven Spielberg: Interviews (Jackson: University Press of Mississippi, 2010), 38.

305

Creating an Empire.

306

COGL, 27.

307

COGL, 27.

308

Creating an Empire.

309

Ibid.

310

Quick review, Finian’s Rainbow, DVD Journal, http://www.dvdjournal.com/quickreviews/f/finiansrainbow.q.shtml.

311

Lucas on Working with Coppola.

312

“Show Beat”, Danville (Va.) Register, July 30, 1967.

313

Flying Solo.

314

Baxter, George Lucas, 84.

315

Flying Solo.

316

Lucas on Working with Coppola.

317

COGL, 28.

318

Lucas on Working with Coppola.

319

Audie Bock, “Zoetrope and Apocalypse Now”, American Film, September 1979.

320

Pollock, Skywalking, 68.

321

Thomas Kevin, “‘A’ Grades for Film Festival Students”, Los Angeles Times, January 22, 1968.

322

Charles Champlin, “US Student Film Series Will Open at Fairfax”, Los Angeles Times, February 21, 1968.

323

J. W. Rinzler and Laurent Bouzereau, The Making of Indiana Jones: The Definitive Story behind All Four Films (New York: Del Rey, 2008), 12 (далее MOIJ).

324

Creating an Empire.

325

Ibid.

326

MOIJ, 12.

327

George Lucas, благодарственная речь за награду AFI Life Achievement, 2005.

328

Leo Janos, “Steven Spielberg: L’Enfant Directeur”, Cosmopolitan, June 1980.

329

Joseph McBride, Steven Spielberg: A Biography, 2nd ed. (Jackson: University Press of Mississippi, 2010), 62, 66.

330

Ibid., 137–38.

331

Pollock, Skywalking, 62, 63.

332

Creating an Empire.

333

Pollock, Skywalking, 65.

334

Ibid., 65, 63.

335

Gene D. Phillips and Rodney Hill, eds., Francis Ford Coppola: Interviews (Jackson: University Press of Mississippi, 2004), 13.

336

Biskind, Easy Riders, 94.

337

Flying Solo.

338

Baxter, George Lucas, 84–85.

339

COGL, 31.

340

See George Lucas, Filmmaker, Zoetrope/Lucasfilm, 1968.

341

COGL, 28.

342

Michael Goodwin and Naomi Wise, On the Edge: The Life and Times of Francis Coppola (New York: William Morrow and Company, 1989), 87.

343

Cowie, Coppola, 53.

344

Biskind, Easy Riders, 208.

345

Baxter, George Lucas, 87–88.

346

John F. Kearney, “For Film Director Hollywood Out, Stinson Beach Is In”, Daily Independent Journal (San Rafael, Calif.), February 14, 1967.

347

John Korty, интервью автора.

348

Kearney, “For Film Director”.

349

COGL, 31.

350

Cowie, Coppola, 55.

351

COGL, 31.

352

Cowie, Coppola, 39.

353

Pollock, Skywalking, 88.

354

COGL, 34–35.

355

Более корректный перевод лозунга хиппи «Nirvana now» не «Нирвана сегодня», а «Даешь нирвану». Таким образом, более логичным выглядит перевод названия фильма Копполы Apocalypse Now как «Даешь апокалипсис». Однако еще со времен показа на XI Московском международном фестивале 1979 г. за этой лентой закрепилось русскоязычное название «Апокалипсис сегодня».

356

Francis Ford Coppola, interview of John Milius, April 8, 2010, https://www.youtube.com/watch?v=JZswrVALi2M.

357

Phillips and Hill, Francis Ford Coppola, 95.

358

“A Brief History of Zoetrope Films”, Zoetrope.com, http://www.zoetrope.com/zoe_films.cgi?page=history.

359

Phillips and Hill, Francis Ford Coppola, 15.

360

Cowie, Coppola, 45.

361

Peter Hartlaub, “In a Valley Not Far, Far Away”, San Francisco Chronicle, April 27, 2007.

362

Pollock, Skywalking, 83.

363

Creating an Empire.

364

Cowie, Coppola, 56.

365

Louise Sweeney, “A Coppola Objective: An ‘All-Consuming’ Film”, Christian Science Monitor, August 30, 1969.

366

Biskind, Easy Riders, 92.

367

Hartlaub, “In a Valley Not Far, Far Away”.

368

Hogg, “Assembly Required”.

369

Sweeney, “A Coppola Objective”.

370

Biskind, Easy Riders, 258.

371

Phillips and Hill, Francis Ford Coppola, 16.

372

“A Legacy of Filmmakers”, bonus disc, THX 1138.

373

Mel Gussow, “Movies Leaving ‘Hollywood’ Behind: Studio System Passé; Film Forges Ahead”, New York Times, May 27, 1970.

374

John Patterson, “American Zoetrope: In a Galaxy Not from Hollywood…”, The Guardian, November 17, 2011.

375

“Indies – Francis Ford Coppola and George Lucas on Set of Rain People,” King Rose Archives, ca. 1968, http://www.youtube.com/watch?v=JhfY4LVpevI.

376

Creating an Empire.

377

Biskind, Easy Riders, 98.

378

“A Legacy of Filmmakers”.

379

См. Biskind, Easy Riders, 92; Goodwin и Wise, On the Edge, 96; и Cowie, Coppola, 56.

380

Pollock, Skywalking, 89.

381

Gerald Nachman, “Coppola of Zoetrope – Older, Wiser and Poorer”, Los Angeles Times, November 7, 1971.

382

“A Legacy of Filmmakers”. See also COGL, 36.

383

COGL, 36.

384

Gussow, “Movies Leaving ‘Hollywood’ Behind”.

385

John Leighty, “Hippie Capitalist Makes Films in SF”, Fresno Bee, April 10, 1970.

386

Sweeney, “A Coppola Objective”.

387

Nachman, “Coppola of Zoetrope”.

388

Cowie, Coppola, 57; Gussow, “Movies Leaving ‘Hollywood’ Behind”.

389

Cowie, Coppola, 57.

390

Nachman, “Coppola of Zoetrope”.

391

“A Legacy of Filmmakers”.

392

Kline, GL Interviews, 7.

393

Sweeney, “A Coppola Objective”.

394

Gussow, “Movies Leaving ‘Hollywood’ Behind”.

395

Leighty, “Hippie Capitalist Makes Films in SF”.

396

Trevor Hogg, “Hot Rods & Droids: A George Lucas Profile”, Flickering Myth website, June 8, 2011, http://www.flickeringmyth.com/2011/06/hot-rods-droids-george-lucas-profile.html.

397

Kline, GL Interviews, 146.

398

Sweeney, “A Coppola Objective”.

399

“Movies Leaving ‘Hollywood’ Behind”.

400

COGL, 38.

401

George Lucas, дорожка с комментариями к «THX 1138».

402

Christine Richert, “Modestan’s Movie Will Open”, Modesto Bee and NewsHerald, June 1, 1971.

403

Kline, GL Interviews, 4.

404

George Lucas, дорожка с комментариями к «THX 1138».

405

“THX 1138 – Made in San Francisco”, American Cinematographer, October 1971.

406

Kline, GL Interviews, 12.

407

George Lucas, дорожка с комментариями к «THX 1138».

408

Pollock, Skywalking, 90.

409

Kline, GL Interviews, 12.

410

George Lucas, дорожка с комментариями к «THX 1138».

411

COGL, 37.

412

COGL, 36.

413

“Hollywood”, The Times (San Mateo, Calif.), January 24, 1970.

414

Pollock, Skywalking, 92.

415

“A Legacy of Filmmakers”.

416

Kline, GL Interviews, 12.

417

Leighty, “Hippie Capitalist Makes Films in SF”.

418

“A Legacy of Filmmakers”.

419

Ibid.

420

Ibid.

421

Ibid.

422

Biskind, Easy Riders, 235.

423

Goodwin and Wise, On the Edge, 106.

424

Biskind, Easy Riders, 98–99.

425

Ibid., 98.

426

“A Legacy of Filmmakers”.

427

George Lucas, дорожка с комментариями к «THX 1138».

428

Creating an Empire.

429

Biskind, Easy Riders, 100.

430

Ibid., 99.

431

COGL, 46.

432

Creating an Empire.

433

Интервью Фрэнсиса Форда Копполы на The Howard Stern Show, June 8, 2009.

434

Biskind, Easy Riders, 93.

435

“A Legacy of Filmmakers”. Существует огромная путаница среди почти всех участников событий по поводу времени предпоказа «THX», краха «Зоотроп» и участия Копполы в «Крестном отце». В большинстве версий истории Коппола соглашается срежиссировать «Крестного отца» только после событий «черного четверга». Однако встреча состоялась в ноябре, а Коппола принял работу режиссера в сентябре. Некоторые версии событий передвигают «черный четверг» на май или июнь; но Лукас настаивает, что встреча состоялась в ноябре. В большей части версий также упоминается, что Лукас монтировал «THX», когда Копполе позвонили со студии, чего не могло происходить после «черного четверга», поскольку у него забрали пленку. Так что если полагаться на воспоминания Лукаса, то Коппола согласился на «Крестного отца» до событий «черного четверга», и большинству рассказчиков не стоило ставить тот восклицательный знак в конце истории.

436

Имеется в виду биржевой крах, начавшийся в США 24 октября («черный четверг») и достигший апогея 29 октября 1929 г. («черный вторник»). Это обвальное падение цен на акции послужило началом Великой депрессии 1929–1933 гг.

437

Biskind, Easy Riders, 101.

438

“A Legacy of Filmmakers”.

439

Kline, GL Interviews, 4.

440

Nachman, “Coppola of Zoetrope”.

441

Biskind, Easy Riders, 101.

442

Creating an Empire.

443

George Lucas: Maker of Films, 1971.

444

“Airport ‘Junk’ – Lancaster”, The (Montreal) Gazette, March 8, 1971.

445

Nachman, “Coppola of Zoetrope”.

446

George Lucas: Maker of Films.

447

Kline, GL Interviews, 37.

448

Creating an Empire.

449

“A Legacy of Filmmakers”.

450

Biskind, Easy Riders, 99.

451

“A Legacy of Filmmakers”.

452

Kline, GL Interviews, 6.

453

“A Legacy of Filmmakers”.

454

Cowie, Coppola, 61.

455

“A Legacy of Filmmakers”.

456

Biskind, Easy Riders, 102.

457

“George Lucas at 70: The Star Wars Creator on Filmmaking”, The Telegraph (London), http://www.telegraph.co.uk/culture/star-wars/10828279/George-Lucas-a-70-the-Star-Wars-creator-on-filmmaking.html.

458

“A Legacy of Filmmakers”.

459

Pollock, Skywalking, 100.

460

Biskind, Easy Riders, 102.

461

“A Legacy of Filmmakers”.

462

Biskind, Easy Riders, 102.

463

Kenneth Turan, “Film: THX 1138”, Washington Post, April 17, 1971.

464

Roger Ebert, review of THX 1138, 1971, http://www.rogerebert.com/reviews/thx-1138–2004.

465

Roger Greenspun, “Film: Lucas’s ‘THX 1138’: Love Is Punishable Crime in Future,” New York Times, March 12, 1971.

466

Vincent Canby, “Wanda’s a Wow, So’s THX”, New York Times, March 21, 1971.

467

“Review: ‘THX 1138’”, Variety, March 16, 1971.

468

Pollock, Skywalking, 96.

469

Biskind, Easy Riders, 235.

470

“A Legacy of Filmmakers”.

471

Biskind, Easy Riders, 235.

472

Ibid.

473

Garry Jenkins, Empire Building: The Remarkable Real Life Story of Star Wars (Secaucus, N.J.: Citadel, 1999), 24.

474

Ibid., 25.

475

Капитан Ахав – герой романа Мелвилла «Моби Дик».

476

Ibid., 22, 26.

477

Gary Arnold, “Chalking ‘Graffiti’ Up to Experience”, Washington Post, May 26, 1974.

478

David Sheff, “George Lucas”, Rolling Stone, November 5–December 10, 1987.

479

Kline, GL Interviews, 42.

480

Jenkins, Empire Building, 28.

481

Chris Taylor, “‘Star Wars’ Producer Blasts ‘Star Wars’ Myths”, Mashable.com, September 27, 2014, http://mashable.com/2014/09/27/star-wars-myths-gary-kurtz/.

482

Ken Plume, “An Interview with Gary Kurtz”, IGN, November 11, 2002, http://www.ign.com/articles/2002/11/11/an-interview-with-gary-kurtz.

483

Kline, GL Interviews, 38.

484

Biskind, Easy Riders, 235.

485

Empire of Dreams: The Story of the Star Wars Trilogy, directed by Kevin Burns, bonus disc, The Star Wars Trilogy, DVD boxed set (Nicasio, Calif.: Lucasfilm, 2004).

486

Kline, GL Interviews, 38.

487

Chris Murphy and Ken White, “George Lucas Interviewed”, Modesto View, June 1, 2012.

488

MOSW, 4.

489

American Film Institute video, “George Lucas on American Graffiti”, October 30, 2009, https://www.youtube.com/watch?v=WvmFpj2Bgyc.

490

“GL: A Life Making Movies”.

491

George Stevens Jr., Conversations at the American Film Institute with the Great Moviemakers: The Next Generation, from the 1950s to Hollywood Today (New York: Vintage, 2014), 301.

492

Pollock, Skywalking, 102.

493

Ibid.

494

Philip Horne, “‘The Godfather’: ‘Nobody Enjoyed One Day of It’”, The Telegraph (London), September 22, 2009.

495

MOSW, 5.

496

Susy Vader, “Charlie Chaplin Stole the Show at the 1971 Cannes Film Festival”, Australian Women’s Weekly, June 23, 1971. Часто сообщают, что Лукас был оператором на съемках «Дай мне кров» у кинематографистов Альберта и Дэвида Майслесов – и даже снял эпизод с нападением на Мередит Хантер. Лукас со своей типичной невозмутимостью говорит, что просто не помнит, снимал ли что-то для этого фильма.

497

Pollock, Skywalking, 103.

498

MOSW, 5.

499

Baxter, George Lucas, 117.

500

Ibid., 116, 117.

501

Гонки на ускорение по короткой прямой трассе. Самая распространенная дистанция – 402 м (1/4 мили), но бывают и другие варианты.

502

Stevens, Conversations with the Great Moviemakers, 301.

503

Ibid.

504

Creating an Empire.

505

Jenkins, Empire Building, 31.

506

“GL: A Life Making Movies”.

507

Ibid.

508

Kline, GL Interviews, 26.

509

“GL: A Life Making Movies”.

510

Paul Scanlon, “The Force behind George Lucas”, Rolling Stone, August 25, 1977.

511

Pollock, Skywalking, 31.

512

Biskind, Easy Riders, 236.

513

Ibid.

514

Gary Arnold, “Cruising through ‘American Graffiti’: Hot Rods, Good Times and Longings,” Washington Post, August 31, 1973.

515

Процентное соотношение от прибыли меняется от рассказа к рассказу. В итоге и Лукас, и Коппола оба вспоминают, что разделили между собой сорок процентных пунктов.

516

Pollock, Skywalking, 107.

517

COGL, 54.

518

Pat Perry, “San Rafael Is Site for Movie of 1962 Teens”, Daily Independent Journal (San Rafael, Calif.), June 14, 1972.

519

Pollock, Skywalking, 108.

520

Creating an Empire.

521

Judy Klemesrud, “‘Graffiti’ Is the Story of His Life”, New York Times, October 7, 1973.

522

COGL, 56.

523

Creating an Empire.

524

Ibid.

525

Baxter, George Lucas, 32.

526

Ibid.

527

“Cindy Williams Interview: Film-Television Star to Appear at Nov. 2 Screening of ‘American Graffiti’ in Omaha”, Leo Adam Biga’s blog, October 25, 2012, http://leoadambiga.com/2012/10/25/cindy-williams-interview-film-television-star-to-appear-at-nov-2-screening-of-american-graffiti-in-omaha/. Использовано с разрешения автора, журналиста и блогера Лео Адама Бига.

528

COGL, 6.

529

MOIJ, 14.

530

Однако история принадлежала не Спилбергу; она была написана фантастом Филипом Уайли.

531

MOIJ, 14.

532

MOIJ, 14.

533

Kline, GL Interviews, 18.

534

George Lucas on American Graffiti, American Film Institute video, http://www.youtube.com/watch?v=WvmFpj2Bgyc.

535

Klemesrud, “‘Graffiti’ Is the Story of His Life”.

536

Ibid.

537

Creating an Empire.

538

COGL, 62.

539

Baxter, George Lucas, 127.

540

Kline, GL Interviews, 16.

541

Creating an Empire.

542

Kline, GL Interviews, 16.

543

Klemesrud, “‘Graffiti’ Is the Story of His Life”.

544

Arnold, Once Upon a Galaxy.

545

Kline, GL Interviews, 16, 41.

546

Biskind, Easy Riders, 237.

547

Creating an Empire.

548

COGL, 64.

549

“George Lucas: A Galaxy Far, Far Away”, Easy Riders, Raging Bulls, mini-documentary, Shout Factory, 2004.

550

COGL, 64.

551

См. “Shooting Schedule, American Graffiti as Shot”, COGL, 74–75.

552

Paul Rowlands, “Candy Clark Talks about American Graffiti”, Money Into Light website, April 28, 2012, http://www.money-into-light.com/2012/04/candy-clark-talks-to-paul-rowlands.html.

553

MOSW, 7.

554

Biskind, Easy Riders, 237.

555

Биографическая информация взята из David M. Herszenhorn, “Wolfman Jack, Raspy Voice of the Radio, Is Dead at 57”, New York Times, July 2, 1995; Richard Harrington, “Leader of the Pack: Deejay Wolfman Jack, the Voice of a Generation”, Washington Post, July 3, 1995; и с веб-сайта XERB1090, http://www.xerbradio.com.

556

Kline, GL Interviews, 29, 39.

557

Ibid., 22–23.

558

Klemesrud, “‘Graffiti’ Is the Story of His Life”.

559

Baxter, George Lucas, 128.

560

COGL, 66.

561

Hogg, “Assembly Required”.

562

Kline, GL Interviews, 21.

563

Ibid., 29.

564

COGL, 69.

565

COGL, 69.

566

Pollock, Skywalking, 118.

567

Biskind, Easy Riders, 243.

568

COGL, 6, 70.

569

Biskind, Easy Riders, 243.

570

Creating an Empire.

571

Biskind, Easy Riders, 243.

572

Ibid., 244.

573

See Lillian Ross, “Some Figures on a Fantasy”, The New Yorker, November 8, 1982.

574

Biskind, Easy Riders, 244.

575

COGL, 71.

576

Biskind, Easy Riders, 244.

577

Pollock, Skywalking, 120.

578

Kline, GL Interviews, 43.

579

“A Legacy of Filmmakers”.

580

Kline, GL Interviews, 77.

581

“Wendy Lucas Comments on American Graffiti, the State Theatre, Modesto, May 31, 2008”, http://www.youtube.com/watch?v=yvEwUOR0kkE.

582

Kline, GL Interviews, 77–78.

583

Ibid., 77.

584

Pollock, Skywalking, 123.

585

Jay Cocks, “Cinema: Fabulous ’50s”, Time, August 20, 1973.

586

Gary Arnold, “Cruising through ‘American Graffiti’: Hot Rods, Good Times and Longings”, Washington Post, August 31, 1973.

587

Charles Champlin, “A New Generation Looks Back in ‘Graffiti’”, Los Angeles Times, July 29, 1973.

588

Stephen Farber, “‘Graffiti’ Ranks with ‘Bonnie and Clyde’”, New York Times, August 5, 1973.

589

Kline, GL Interviews, 21.

590

Peter Hartlaub, “The Chronicle Panned It: ‘American Graffiti’”, SF Gate, February 4, 2015.

591

Ibid.

592

See Gene Siskel, “Graffiti – How Many Golden Oldies Can You Handle?” Chicago Tribune, August 24, 1973.

593

Farber, “‘Graffiti’ Ranks with ‘Bonnie and Clyde’”; Klemesrud, “‘Graffiti’ Is the Story of His Life”.

594

Cocks, “Cinema: Fabulous ’50s”.

595

Arnold, Once Upon a Galaxy.

596

Klemesrud, “‘Graffiti’ Is the Story of His Life”.

597

Ibid.

598

Ibid.; Paul Gardner, “‘Graffiti’ Reflects Its Director’s Youth”, New York Times, September 19, 1973.

599

Creating an Empire.

600

Во время переговоров о приобретении прав для использования песен в самом фильме Лукас пытался уговорить «Юниверсал» выделить деньги и на покупку прав на альбом с саундтреком фильма. Если бы «Юниверсал» купила права на саундтрек тогда, это бы сохранило ей миллионы, которые она заплатила за него позднее, когда фильм стал успешным.

601

Biskind, Easy Riders, 237.

602

Ibid., 320.

603

Pollock, Skywalking, 128.

604

Biskind, Easy Riders, 319.

605

Creating an Empire.

606

COGL, 82.

607

See MOSW, 14.

608

Kline, GL Interviews, 32.

609

Larry Sturhahn, “The Making of American Graffiti”, Filmmakers Newsletter, March 1974.

610

MOSW, 14.

611

MOSW, 26.

612

Biskind, Easy Riders, 322.

613

COGL, 78.

614

Biskind, Easy Riders, 322.

615

Vallely, “The Empire Strikes Back and So Does George Lucas”.

616

MOSW, 7.

617

Stephen Zito, “George Lucas Goes Far Out”, American Film, April 1977.

618

See MOSW, 8–11.

619

MOSW, 9.

620

MOSW, 15.

621

MOSW, 50.

622

MOSW, 9–11.

623

Empire of Dreams.

624

Кэмп (англ. Camp) – в неклассической эстетике специфический изощренный эстетский вкус и лежащая в его основе специально культивируемая чувствительность.

625

Kline, GL Interviews, 44.

626

Vallely, “The Empire Strikes Back and So Does George Lucas”.

627

Pollock, Skywalking, 126.

628

Bob Thomas, “Lucas Fortune Changes”, Baltimore Sun, August 28, 1973.

629

MOSW, 12.

630

Jenkins, Empire Building, 43.

631

Paul Rosenfield, “Lucas: Film-Maker with the Force”, Los Angeles Times, June 5, 1977.

632

See Gene Siskel, “A Day with the ‘Smartest’ Film Mogul”, Chicago Tribune, April 9, 1978.

633

Farber, “George Lucas: The Stinky Kid Hits the Big Time”.

634

Jenkins, Empire Building, 46.

635

Ibid., 39.

636

MOSW, 13.

637

Paul Scanlon, “George Lucas Wants to Play Guitar as ‘Star Wars’ Takes a Vacation”, Rolling Stone, July 21, 1983.

638

MOSW, 12–13.

639

MOSW, 12.

640

Kline, GL Interviews, 81.

641

Jenkins, Empire Building, 47.

642

Empire of Dreams.

643

Biskind, Easy Riders, 320.

644

Vallely, “The Empire Strikes Back and So Does George Lucas”.

645

Mary Murphy, “Radioland by Graffiti Team”, Los Angeles Times, September 27, 1973.

646

MOSW, 14.

647

MOSW, 14.

648

Biskind, Easy Riders, 253.

649

Klesmerud, “‘Graffiti’ Is the Story of His Life”.

650

Kline, GL Interviews, 80.

651

MOSW, 8; и см. страницу 17 с заметками Лукаса от руки.

652

Charles Lippincott, quoted in Jim Hoagland, “The Politics of Star Wars”, Washington Post, December 11, 1977.

653

Правописание согласуется с этими вариантами в первом грубом наброске Лукаса от мая 1974. См. MOSW, 19–22.

654

MOSW, 24.

655

Laurent Bouzereau, Star Wars: The Annotated Screenplays (New York: Ballantine, 1997), 10.

656

Lee Grant, “Lucas: Feet on Ground, Head in the Stars”, Los Angeles Times, December 10, 1977.

657

MOIJ, 16–17.

658

Pollock, Skywalking, 142, 147.

659

Flying Solo.

660

Farber, “George Lucas: The Stinky Kid Hits the Big Time”.

661

Biskind, Easy Riders, 255–56.

662

MOSW, 25.

663

Empire of Dreams.

664

Flying Solo.

665

Cowie, Coppola, 121.

666

Vallely, “The Empire Strikes Back and So Does George Lucas”.

667

Scanlon, “George Lucas Wants to Play Guitar”.

668

Zito, “George Lucas Goes Far Out”.

669

Vallely, “The Empire Strikes Back and So Does George Lucas.”

670

Kline, GL Interviews, 80.

671

Empire of Dreams.

672

Biskind, Easy Riders, 320–21.

673

Aljean Harmetz, “And It Almost Didn’t Get to the Screen”, New York Times, May 26, 1977.

674

Kline, GL Interviews.

675

Empire of Dreams.

676

Arnold, “Chalking ‘Graffiti’ Up to Experience”.

677

MOSW, 36.

678

Jason DeBord, “World Exclusive Interview with Colin Cantwell”, Original PopBlog.com, November 13, 2013, http://www.originalprop.com/blog2014/11/13/colin-cantwell-video-interviews-star-wars-prototype-models-nasa/.

679

Empire of Dreams.

680

Angela Watercutter, “Star Wars Conceptual Artist Ralph McQuarrie Dies at 82”, Wired, March 4, 2012.

681

MOSW, 32.

682

Empire of Dreams.

683

Макгаффин (англ. MacGuffin) – распространенный в западной нарратологии термин для обозначения предмета, вокруг обладания которым строится фабульная сторона произведения (как правило, приключенческого жанра). Это своего рода механическая формула для конструирования сюжета: завязка построена на поисках того или иного предмета, суть которого сама по себе не играет роли.

684

Ibid.

685

Flying Solo.

686

См. краткое содержание «Приключений Старкиллера» в MOSW, 27–30.

687

MOSW, 42.

688

Jenkins, Empire Building, 62–63.

689

“George Lucas Was More Than a Director for Star Wars”, Baltimore Sun, July 7, 1977.

690

Jenkins, Empire Building, 63.

691

“Exclusive Star Wars Interview with John Dykstra”, Fantasy Film Journal 1, no. 1 (Winter 1977). Reproduced at http://originaltrilogy.com/topic/John-Dykstra-Interview-Circa-July-1977/id/12285.

692

Ibid.

693

MOSW, 50.

694

MOSW, 51.

695

“Exclusive Star Wars Interview with John Dykstra”.

696

Alex French and Howie Kahn, “Inside the Magic Factory: The Definitive Oral History of ILM, the Special Effects Powerhouse that Revolutionized Moviemaking and Changed Entertainment Forever,” Wired, June 2015.

697

Empire of Dreams.

698

French and Kahn, “Inside the Magic Factory”.

699

“Exclusive Star Wars Interview with John Dykstra”.

700

Empire of Dreams.

701

MOSW, 80.

702

MOSW, 51.

703

MOSW, 53.

704

MOSW, 51.

705

French and Kahn, “Inside the Magic Factory”.

706

COGL, 6.

707

Biskind, Easy Riders, 278.

708

MOSW, 59.

709

MOSW, 94.

710

Biskind, Easy Riders, 324.

711

Ibid.

712

MOSW, 67.

713

Empire of Dreams.

714

MOSW, 67.

715

Pollock, Skywalking, 151.

716

Ibid., 150.

717

Ibid., 151.

718

Из-за подобной практики у Нанн – и других – несколько лет спустя появились проблемы, когда ее напечатали в эротическом журнале «Пентхаус» в возрасте 16 лет.

719

Jenkins, Empire Building, 79.

720

MOSW, 101.

721

Jenkins, Empire Building, 80.

722

MOSW, 102.

723

Flying Solo.

724

Пробы Хэмилла, а также Фишер и Форда можно посмотреть онлайн на различных сайтах, и это определенно стоит того.

725

MOSW, 103.

726

MOSW, 104.

727

Flying Solo.

728

MOSW, 95, 124.

729

Empire of Dreams.

730

MOSW, 95.

731

Pollock, Skywalking, 152.

732

Empire of Dreams.

733

Piers Paul Read, Alec Guinness: The Authorised Biography (New York: Simon and Schuster, 2003).

734

Arnold, Once Upon a Galaxy, 229.

735

Read, Alec Guinness, 503.

736

Ibid., 504.

737

Pollock, Skywalking, 153.

738

Jeremy Skinger, “The Man Who Literally Built Star Wars”, Esquire.com, May 4, 2014.

739

MOSW, 54.

740

Alexis C. Madrigal, “The Remarkable Way Chewbacca Got a Voice”, TheAtlantic.com, August 7, 2014.

741

MOSW, 56.

742

J. W. Rinzler, The Sounds of Star Wars (San Francisco: Chronicle, 2010), 9.

743

“Star Wars: The Hit Film and How It Was Put Together”, Colorado Springs Gazette-Telegraph, August 27, 1977.

744

MOSW, 54.

745

См. благодарственную речь Лукаса на премии AFI, AFI Tribute to George Lucas, June 9, 2005.

746

Empire of Dreams.

747

MOSW, 124.

748

Pollock, Skywalking, 154.

749

Rosenfield, “Lucas: Film-Maker with the Force”.

750

MOSW, 82.

751

See Jenkins, Empire Building, 39–40.

752

Vallely, “The Empire Strikes Back and So Does George Lucas”.

753

MOSW, 85.

754

MOSW, 89.

755

MOSW, 124.

756

MOSW, 124.

757

Jenkins, Empire Building, 74.

758

MOSW, 94.

759

COGL, 98.

760

MOSW, 107.

761

MOSW, 111.

762

MOSW, 132.

763

MOSW, 84.

764

Paul Scanlon, “The Wizard of Star Wars”, Rolling Stone, August 25, 1977.

765

Pollock, Skywalking, 160.

766

Creating an Empire.

767

Read, Alec Guinness, 505.

768

MOSW, 166.

769

Ibid.

770

Read, Alec Guinness, 504.

771

Quoted in MOSW, 174.

772

Scanlon, “The Wizard of Star Wars”.

773

Pollock, Skywalking, 168.

774

Alex French and Howie Kahn, “Inside the Magic Factory”, Wired, June 2015.

775

Claire Clouzot, “The Morning of the Magician: George Lucas and Star Wars”, Ecran, September 15, 1977.

776

Zito, “George Lucas Goes Far Out”.

777

Kline, GL Interviews, 81.

778

MOSW, 141.

779

MOSW, 143.

780

Clouzot, “The Morning of the Magician”.

781

MOSW, 160, 164.

782

Pollock, Skywalking, 162.

783

Creating an Empire.

784

MOSW, 174.

785

Zito, “George Lucas Goes Far Out”.

786

O’Quinn, “The George Lucas Saga”.

787

Creating an Empire.

788

John Seabrook, “Letter from Skywalker Ranch: Why Is the Force Still with Us?” The New Yorker, January 6, 1997.

789

Robert L. Rose, “Career Comes on Silver Platter for Mark Hamill”, Salt Lake City Tribune, June 12, 1977.

790

MOSW, 148.

791

Pollock, Skywalking, 165.

792

Jenkins, Empire Building, 116.

793

MOSW, 188.

794

MOSW, 188.

795

Empire of Dreams.

796

Arnold, Once Upon a Galaxy, 231.

797

Chris Hastings, “Anxious He Was… Revealed: Why George Lucas Was Convinced His Star Wars Dream Would Be a Flop”, MailOnline (London), May 17, 2014.

798

Arnold, Once Upon a Galaxy, 127.

799

Empire of Dreams.

800

MOSW, 177.

801

“George Lucas: Heroes, Myths, and Magic”, American Masters, PBS, March 17, 1993.

802

Zito, “George Lucas Goes Far Out”.

803

Scanlon, “The Wizard of Star Wars”.

804

Arnold, Once Upon a Galaxy, 183.

805

Empire of Dreams.

806

MOSW, 185.

807

Clouzot, “The Morning of the Magician”.

808

MOSW, 182.

809

John Dykstra, “VFX Then and Now”, CreativeCow.net, 2013, https://library.creativecow.net/kaufman_debra/VFX_John-Dykstra/1.

810

MOSW, 189.

811

Pollock, Skywalking, 169.

812

MOSW, 190.

813

MOSW, 146.

814

Creating an Empire.

815

Pollock, Skywalking, 168.

816

Zito, “George Lucas Goes Far Out”.

817

Pollock, Skywalking, 168.

818

Biskind, Easy Riders, 327.

819

MOSW, 196.

820

Scanlon, “The Wizard of Star Wars”.

821

MOSW, 208.

822

Empire of Dreams.

823

Ibid.

824

Biskind, Easy Riders, 329–30.

825

O’Quinn, “The George Lucas Saga”.

826

MOSW, 218.

827

French and Kahn, “Inside the Magic Factory”; Creating an Empire.

828

Pollock, Skywalking, 173.

829

Zito, “George Lucas Goes Far Out”.

830

MOSW, 223.

831

Dykstra, “VFX Then and Now”.

832

Robbie Blalack, quoted in MOSW, 228.

833

French and Kahn, “Inside the Magic Factory”.

834

MOSW, 97.

835

Creating an Empire.

836

Scanlon, “The Wizard of Star Wars”.

837

Arnold, Once Upon a Galaxy, 94.

838

Zito, “George Lucas Goes Far Out”.

839

Scanlon, “The Wizard of Star Wars”.

840

MOSW, 255.

841

French and Kahn, “Inside the Magic Factory”.

842

Empire of Dreams.

843

Scanlon, “The Wizard of Star Wars”.

844

Biskind, Easy Riders, 330.

845

Aljean Harmetz, “Star Wars Robots Gaining Stardom”, Des Moines Register, June 15, 1977.

846

Ibid.

847

Aljean Harmetz, “Inside C3PO and His Sidekick R2D2”, Chicago Tribune, June 24, 1977.

848

Ibid.

849

Empire of Dreams.

850

Frank Lovece, “Fast Chat: James Earl Jones”, Newsday, March 12, 2008. Его имя появилось в титрах только с «Империя наносит ответный удар».

851

MOSW, 246.

852

MOSW, 247.

853

Empire of Dreams.

854

Clouzot, “The Morning of the Magician”.

855

Empire of Dreams.

856

Flying Solo.

857

Biskind, Easy Riders, 334.

858

MOSW, 256.

859

Biskind, Easy Riders, 334.

860

MOSW, 256.

861

Creating an Empire.

862

Empire of Dreams.

863

Jon Burlingame, “Spielberg and Lucas on Williams”, Film Music Society, February 8, 2012, http://www.filmmusicsociety.org/news_events/features/2012/020812.html.

864

Scanlon, “The Wizard of Star Wars”.

865

Kline, GL Interviews, 82.

866

MOSW, 272.

867

Donald Goddard, “From ‘American Graffiti’ to Outer Space”, New York Times, September 12, 1976.

868

Clouzot, “The Morning of the Magician”.

869

Ed Gross, “Retrovision Exclusive: The Selling of Star Wars, Part 1”, ComicBookMovie.com, September 11, 2011.

870

“When Movie Becomes a Hit, It Can Make Book Best Seller”, Lincoln (Neb.) Star, July 10, 1977.

871

Gross, “Retrovision Exclusive”.

872

Biskind, Easy Riders, 335.

873

Empire of Dreams.

874

MOSW, 288, 289.

875

Arnold, Once Upon a Galaxy, 95.

876

COGL, 110.

877

MOSW, 290.

878

COGL, 110.

879

MOSW, 293.

880

Pollock, Skywalking, 185.

881

MOSW, 293–94.

882

Lee Grant, “‘Star Wars’ Out of This World”, Los Angeles Times, June 4, 1977.

883

Karen de Witt, “The Movie That Ate Cleveland Park”, Washington Post, June 23, 1977.

884

“Queues for Star Wars Are Creating Havoc in the Street”, Los Angeles Times, July 30, 1977.

885

Greg Conroy, “Moviegoers Are ‘Spacy’ over ‘Star Wars’”, Bloomington (Ill.) Pantagraph, November 27, 1977.

886

Pollock, Skywalking, 182.

887

“Star Wars Sends Audiences Wild”, Waukesha (Wis.) Daily Freeman, June 6, 1977.

888

Bob Thomas, “Star Wars: New Force in Films”, Los Angeles Times, August 12, 1977.

889

See Erma Bombeck, “At Wit’s End: ‘Star Wars’ Line Inspires Heroism”, Baltimore Sun, September 18, 1977.

890

Conroy, “Moviegoers Are ‘Spacy’ over ‘Star Wars’”,

891

A. D. Murphy, “Review: ‘Star Wars’”, Variety, May 25, 1977.

892

Charles Champlin, “‘Star Wars’ Hails the Once and Future Space Western”, Los Angeles Times, May 22, 1977.

893

Jay Cocks, “Cinema: ‘Star Wars’: The Year’s Best Movie”, Time, May 30, 1977.

894

Gary Arnold, “Star Wars: A Spectacular Intergalactic Joyride”, Washington Post, May 25, 1977.

895

Vincent Canby, “‘Star Wars’ – A Trip to a Far Galaxy That’s Fun and Funny”, New York Times, May 26, 1977.

896

Gene Siskel, “‘Star Wars’ Flashes with Space Wizardry”, Chicago Tribune, May 27, 1977.

897

“Director George Lucas Lost to the Stars”, Playground Daily News (Fort Walton Beach, Fla.), May 29, 1977.

898

Joy Gould Boyum, “The Triumph of Camp”, Wall Street Journal, June 6, 1977.

899

See Pete Hamill, “Star Wars: Dumb Good Times Here Again?”, Chicago Tribune, June 8, 1977.

900

Walter Bremond, “Star Wars and Blacks”, New Journal and Guide, October 1, 1977.

901

Bernard E. Garnett, “Racism Mars ‘Star Wars’ Brilliance: Slave-Like Robots Call Owner ‘Master’ & Accept Discrimination”, Afro-American, June 25, 1977.

902

Процитировано в Dorothy Gilliam, “The Black Heavies: What Do Today’s Most Notorious Bad Guys Have in Common?”, Washington Post, September 11, 1977.

903

Ibid.

904

См. “More ‘Star Wars’ Skirmishes”, Los Angeles Times, July 31, 1977.

905

См., например, James Robison, “‘Star Wars’ Called a Biblical Remake”, Chicago Tribune, September 24, 1977.

906

John Dart, “Star Wars: Religious Impact in Parable Form”, Los Angeles Times, May 1, 1978.

907

Ellen Goodman, “A Star Wars Fantasy Fulfillment”, Washington Post, July 30, 1977.

908

Сделанный по всем канонам 70-х популярный в свое время полицейский сериал про Тео Коджака – харизматичного лысого нью-йоркского полицейского греческих кровей.

909

Полицейский фильм с Клинтом Иствудом в главной роли, выпущенный на экраны США в 1971 году.

910

“In ‘Star Wars’… George Lucas Brings Space Fantasy to Life”, Kentucky New Era, July 5, 1977.

911

Siskel, “‘Star Wars’ Flashes with Space Wizardry”.

912

Bruce McCabe, “Star Wars Is a Blockbuster”, Boston Globe, May 26, 1977.

913

“Fox’s ‘Star Wars’ Heads for Hyper Space: First Day B. O., 255G; House Records Tumble”, Variety, May 26, 1977.

914

MOSW, 295.

915

MOSW, 295.

916

Champlin, George Lucas, 79.

917

MOIJ, 19.

918

Champlin, George Lucas, 79.

919

Кауфман почти сразу же потерял эту работу, потому что разругался с Клинтом Иствудом, исполнителем главной роли, который после этого решил срежиссировать фильм сам.

920

Champlin, George Lucas, 79.

921

MOSW, 306.

922

“The Star Wars Phenomenon”, People, July 18, 1977.

923

Arnold, Once Upon a Galaxy, 183.

924

Scanlon, “The Wizard of Star Wars”; Lee Grant, “Lucas: Feet on Ground, Head in the Stars”, Los Angeles Times, December 10, 1977.

925

Vallely, “The Empire Strikes Back and So Does George Lucas”.

926

George Lucas and Robert Redford, The Power of Story: Visions of Independence at 2015 Sundance Film Festival, January 29, 2015, https://www.youtube.com/watch?v=YX-9QCkwHiI.

927

Biskind, Easy Riders, 321.

928

J. W. Rinzler, The Making of Star Wars: The Empire Strikes Back (New York: Del Rey, 2010), 10 (далее MOESB.)

929

Pollock, Skywalking, 199.

930

Biskind, Easy Riders, 341.

931

Robert Kerwin, “A Down-to-Earth Mark Hamill”, Chicago Tribune, December 18, 1977.

932

Eric Dodds, “George Lucas Lost a $40 Million Bet to Steven Spielberg over Star Wars”, Time.com, March 31, 2014.

933

MOESB, 52.

934

French and Kahn, “Inside the Magic Factory”.

935

Pollock, Skywalking, 198.

936

Clouzot, “The Morning of the Magician”.

937

“General Mills Wins Battle to Make ‘Star Wars’ Toys”, Wall Street Journal, June 8, 1977.

938

D. Martin Myatt, “An Interview with Bernard Loomis”, Rebelscum.com, http://www.rebelscum.com/loomis.asp.

939

Pamela G. Hollie, “Santa Brings I. O.U’s for ‘Star Wars’ Toys”, New York Times, December 15, 1977.

940

“Caught Short on Production: Star Wars Toys Lost in Time Warp”, Los Angeles Times, September 30, 1977.

941

Pam Luecke, “‘Star Wars’ Toys Top Market, but ‘Force’ Needed to Find Them,” Hartford Courant, December 21, 1977.

942

William K. Knoedelseder Jr., “Stairway to the ‘Star Wars’”, Los Angeles Times, July 4, 1977.

943

MOSW, 224.

944

Bill Knoedelseder, “Merchandise Galaxy”, Los Angeles Times, July 4, 1977.

945

Arnold, Once Upon a Galaxy, 198.

946

Robert Lindsay, “The New New Wave of Film Makers”, New York Times, May 28, 1978.

947

Biskind, Easy Riders, 344.

948

Ibid.

949

“Coming December 27: English Barmy for ‘Star Wars’”, Los Angeles Times, November 18, 1977.

950

See David Sterrit, “‘Star Wars’ Creating Worldwide Heroes,’ Christian Science Monitor, December 14, 1977.

951

Kevin Klose, “‘Star Wars’ in Moscow”, Washington Post, November 22, 1977.

952

Объявление было опубликовано в «Вэрайети», 2 декабря 1977 года.

953

Scanlon, “The Wizard of Star Wars”.

954

Robert Kerwin, “Technical Wizardry Wins the ‘Star Wars’”, Chicago Tribune, June 19, 1977.

955

См. Earl C. Gottschalk, “‘Star Wars’ Sequels Waiting in the Wings”, Pocono Record (Stroudsburg, Pa.), July 21, 1977.

956

MOESB, 12.

957

MOESB, 20.

958

MOESB, 22.

959

MOESB, 32.

960

MOESB, 21.

961

MOESB, 32.

962

MOIJ, 23.

963

Scanlon, “The Wizard of Star Wars”.

964

MOESB, 36.

965

Ibid.

966

“The Star Wars Phenomenon”.

967

MOESB, 39.

968

MOESB, 40.

969

MOESB, 43.

970

MOIJ, 25.

971

Pollock, Skywalking, 207.

972

MOSW, 249.

973

MOESB, 54.

974

Pollock, Skywalking, 187.

975

Ibid., 191.

976

Ben Bova, “Letters”, Time, June 20, 1977.

977

MOSW, 306.

978

Robert Lindsay, “The New Wave of Filmmakers”, New York Times, May 28, 1978.

979

Robert Lindsey, “The ‘New-Boy’ Network Strikes Hollywood”, Chicago Tribune, July 2, 1978.

980

Pollock, Skywalking, 197.

981

Biskind, Easy Riders, 340.

982

Baxter, George Lucas, 251.

983

Pollock, Skywalking, 200.

984

Stevens, Conversations with the Great Moviemakers, 321.

985

Biskind, Easy Riders, 340.

986

Scanlon, “The Wizard of Star Wars”.

987

Clouzot, “The Morning of the Magician”.

988

Stevens, Conversations with the Great Moviemakers, 315.

989

COGL, 125.

990

MOESB, 64.

991

MOESB, 22.

992

Frank DiGiacomo, “The Han Solo Comedy Hour!”, Vanity Fair, December 2008.

993

Ibid.

994

Empire of Dreams.

995

Pollock, Skywalking, 208.

996

Champlin, George Lucas, 64.

997

Baxter, George Lucas, 279.

998

COGL, 129.

999

Gary Arnold, “American Graffiti II: The Whole Gang’s Made Good”, Washington Post, May 27, 1978.

1000

Gregg Kilday, “Lucasfilm Drafts Flicker for ‘Murders’”, Los Angeles Times, December 16, 1978.

1001

Baxter, George Lucas, 279.

1002

Champlin, George Lucas, 59.

1003

Baxter, George Lucas, 261.

1004

COGL, 129.

1005

Champlin, George Lucas, 60.

1006

Gary Arnold, “‘More American Graffiti’: Not Necessarily”, Washington Post, August 3, 1979.

1007

Janet Maslin, “Screen: ‘More American Graffiti’ Covers ’64 to ’67”, New York Times, August 17, 1979.

1008

COGL, 129.

1009

Arnold, Once Upon a Galaxy, 178.

1010

MOESB, 219–23.

1011

Baxter, George Lucas, 271.

1012

Scanlon, “The Wizard of Star Wars”.

1013

David Lewin, “Can the Makers of Star Wars Do It Again?”, New York Times, December 2, 1979.

1014

MOESB, 131, 132.

1015

Arnold, Once Upon a Galaxy, 162.

1016

Ibid., 179.

1017

Расшифровку этой потрясающей беседы см. в Arnold, Once Upon a Galaxy, 136–140.

1018

Baxter, George Lucas, 274.

1019

Chris Gore, “Gary Kurtz Interview: The Original Star Wars Producer Speaks”, FilmThreat.com, March 5, 2000, transcribed at http://nightly.net/topic/1248-excerpts-from-gary-kurtz-interview.

1020

MOESB, 206.

1021

COGL, 127.

1022

MOESB, 206.

1023

Arnold, Once Upon a Galaxy, 176.

1024

COGL, 125.

1025

MOESB, 236.

1026

“In Confidence: An Interview with Frank Oz”, 2015, https://www.youtube.com/watch?v=0BN-l4r2eIA.

1027

MOESB, 308.

1028

Star Wars Year by Year: A Visual Chronicle (New York: DK Publishing, 2012), 119.

1029

Karen Paik, To Infinity and Beyond! The Story of Pixar Animation Studios (San Francisco: Chronicle, 2007), 19.

1030

Gerald Clark, “The Empire Strikes Back!”, Time, May 19, 1980.

1031

Hugh Sidey, “The Presidency: To Dare Mighty Things”, Time, June 9, 1980.

1032

Janet Maslin, “Film: Robots Return in ‘Empire Strikes’”, New York Times, May 21, 1980.

1033

Vincent Canby, “‘The Empire Strikes Back’ Strikes a Bland Note”, New York Times, June 15, 1980.

1034

Taylor, “‘Star Wars’ Producer Blasts Star Wars Myths”.

1035

Judith Martin, “The Empire Strikes Back”, Washington Post, May 23, 1980.

1036

MOESB, 314.

1037

O’Quinn, “The George Lucas Saga”.

1038

MOIJ, 28.

1039

MOIJ, 36.

1040

MOIJ, 26.

1041

COGL, 133–34.

1042

MOIJ, 33.

1043

Champlin, George Lucas, 80.

1044

MOIJ, 16.

1045

MOIJ, 71.

1046

MOIJ, 23.

1047

Также был спор о том, не получается ли, что из-за размещения названия «Лукасфильм» в начало фильма продюсер ставит себя перед режиссером, а это еще одно нарушение политики Гильдии.

1048

Aljean Harmetz, “Burden of Dreams: George Lucas”, American Film, June 1983.

1049

MOIJ, 54.

1050

MOIJ, 112.

1051

MOIJ, 115.

1052

MOIJ, 124.

1053

MOIJ, 116.

1054

Aljean Harmetz, “Lucas Gives $5 Million to U.S.C. Cinema”, New York Times, November 20, 1980.

1055

Diana Waggoner, “In Homage to the Master, George Lucas and Francis Coppola Unleash Their Clout for Kurosawa”, People, October 27, 1980.

1056

Champlin, George Lucas, 76.

1057

Ibid., 88.

1058

Ibid., 90.

1059

Arnold, Once Upon a Galaxy, 208.

1060

J. W. Rinzler, The Making of Star Wars: Return of the Jedi (New York: Ballantine, 2013), 19 (далее MOROTJ).

1061

MOESB, 250.

1062

MOROTJ, 19.

1063

Richard Corliss, “Cinema: The New Hollywood: Dead or Alive?” Time, March 30, 1981.

1064

Biskind, Easy Riders, 417.

1065

Champlin, George Lucas, 83.

1066

Aljean Harmetz, “But Can Hollywood Live without George Lucas?” New York Times, July 13, 1981.

1067

MOROTJ, 5.

1068

MOROTJ, 4.

1069

MOROTJ, 5.

1070

David A. Price, The Pixar Touch: The Making of a Company (New York: Vintage, 2009), 41.

1071

MOROTJ, 118.

1072

Geoffrey Boucher, “Did ‘Star Wars’ Become a Toy Story? Producer Gary Kurtz Looks Back”, Los Angeles Times, August 12, 2010.

1073

Taylor, “Star Wars Producer Blasts Star Wars Myths”.

1074

Boucher, “Did ‘Star Wars’ Become a Toy Story?”

1075

Geoffrey Boucher, “‘Star Wars’ Sequel: Harrison Ford Open to Idea of Han Solo Role”, Entertainment Weekly, November 5, 2012.

1076

Boucher, “Did ‘Star Wars’ Become a Toy Story?”

1077

MOROTJ, 11.

1078

Taylor, “Star Wars Producer Blasts Star Wars Myths”.

1079

Boucher, “Did ‘Star Wars’ Become a Toy Story?”

1080

Gore, “Gary Kurtz Interview”.

1081

MOROTJ, 9.

1082

MOESB, 207.

1083

MOROTJ, 42.

1084

MOROTJ, 36.

1085

Jon Phillip Peecher, ed., The Making of The Return of the Jedi (New York: Ballantine, 1983), 69.

1086

MOROTJ, 46.

1087

MOROTJ, 46.

1088

MOROTJ, 16, 59.

1089

MOROTJ, 64.

1090

For a longer excerpt of the Jedi story conference, see MOROTJ, 62–77.

1091

MOROTJ, 65.

1092

Gerald Clarke, “Great Galloping Galaxies!” Time, May 23, 1983.

1093

MOROTJ, 133.

1094

MOROTJ, 115.

1095

Vincent Canby, “Movie Review: ‘Raiders of the Lost Ark’”, New York Times, June 12, 1981.

1096

Richard Schickel, “Cinema: Slam! Bang! A Movie Movie”, Time, June 15, 1981.

1097

Roger Ebert, “Movie Review: ‘Raiders of the Lost Ark’”, RogerEbert.com.

1098

Pauline Kael, “Whipped,” The New Yorker, June 15, 1981.

1099

Schickel, “Cinema: Slam! Bang! A Movie Movie”.

1100

Ebert, “Movie Review: ‘Raiders of the Lost Ark’”.

1101

MOIJ, 126.

1102

“George Lucas” segment, 60 Minutes, CBS, March 25, 1999.

1103

MOROTJ, 151.

1104

Peecher, Making of The Return of the Jedi, 38.

1105

Scanlon, “George Lucas Wants to Play Guitar”.

1106

MOROTJ, 120.

1107

Baxter, George Lucas, 332.

1108

MOROTJ, 153.

1109

COGL, 140.

1110

MOROTJ, 152.

1111

Scanlon, “George Lucas Wants to Play Guitar”.

1112

MOROTJ, 44, 138.

1113

MOROTJ, 191.

1114

MOROTJ, 201.

1115

MOROTJ, 233.

1116

Scanlon, “George Lucas Wants to Play Guitar”.

1117

Jenkins, Empire Building, 254.

1118

Biskind, Easy Riders, 422.

1119

Mitch Tuchman and Anne Thompson, “Lucas, Spielberg, and ‘Raiders’”, Film Comment, July – August 1981.

1120

Baxter, George Lucas, 333.

1121

Clarke, “I’ve Got to Get My Life Back Again”.

1122

Jenkins, Empire Building, 253.

1123

MOROTJ, 238.

1124

Biskind, Easy Riders, 422.

1125

MOROTJ, 259.

1126

MOROTJ, 233.

1127

MOROTJ, 259, 260.

1128

MOROTJ, 261.

1129

MOROTJ, 264.

1130

MOIJ, 130.

1131

Расследование обнаружило, что были совершены взятки, чтобы обойти закон о работе с несовершеннолетними актерами. Все подозреваемые были либо оправданы, либо оштрафованы.

1132

Baxter, George Lucas, 336–37.

1133

Champlin, George Lucas, 100.

1134

Scanlon, “George Lucas Wants to Play Guitar”.

1135

MOROTJ, 322.

1136

Gary Arnold, “Return of the Jedi: Both Magical and Monstrous, the Star Wars Finale Is a Trumph,” Washington Post, May 22, 1983.

1137

Clarke, “Great Galloping Galaxies!”

1138

Champlin, George Lucas, 96.

1139

См. Nightline, ABC, недатированный ролик из 1983 г., архивирован здесь: http://abcnews.go.com/Nightline/video/critics-spar-over-star-wars-trilogy-on-1983-nightline-episode-18344732.

1140

Scanlon, “George Lucas Wants to Play Guitar”.

1141

Clarke, “I’ve Got to Get My Life Back Again”.

1142

Rubin, Droidmaker, 317.

1143

“George Lucas Getting a Divorce”, Baltimore Sun, June 16, 1983.

1144

“George Lucas” segment, 60 Minutes, March 25, 1999.

1145

Clarke, “I’ve Got to Get My Life Back Again”.

1146

Clarke, “Great Galloping Galaxies!”

1147

Beth Ashley, “Success Took Toll on Lucas, but Studio Still Thrived”, San Bernardino County Sun, October 6, 1985.

1148

Aljean Harmetz, “‘Star Wars’ Is 10, and Lucas Reflects”, New York Times, May 21, 1987.

1149

McBride, Steven Spielberg, 355.

1150

Bryan Curtis, “Temple of Gloom”, Grantland, August 21, 2012.

1151

Harmetz, “‘Star Wars’ Is 10, and Lucas Reflects”.

1152

Biskind, Easy Riders, 423.

1153

Ibid.

1154

Примечательными исключениями являются тома из серии Дж. Р. Ринцлера «Создание “Звездных войн”», которые хоть и были одобрены «Лукасфильм», но изо всех сил стараются, и по большей части успешно, справедливо описать заслуги Марши и ее вклад в «Звездные войны», «В поисках утраченного ковчега» и «Возвращение джедая».

1155

Biskind, Easy Riders, 423.

1156

Aljean Harmetz, “Filming a Japanese Writer’s Dramatic Life and Death”, New York Times, December 30, 1984.

1157

Gene Siskel, “And After 10 Years, Lucas Is Taking Break”, Chicago Tribune, May 15, 1984.

1158

Dale Pollock, “George Lucas Comes Back to Earth”, Los Angeles Times, May 29, 1983.

1159

MOIJ, 168.

1160

Rob Smith, Rogue Leaders: The Story of LucasArts (New York: Chronicle, 2008), 12.

1161

Steve Bloom, “The Empire Strikes Paydirt: Lucasfilm: How They Created the Incredible Ballblazer and Rescue on Fractalus”, Computer Games, 1984.

1162

Smith, Rogue Leaders, 25.

1163

MOROTJ, 306.

1164

“George Lucas on the THX Sound System”, American Film Institute, November 20, 2009, https://www.youtube.com/watch?v=1RxI7Dqq1b8.

1165

Hans Fantel, “In the Action with ‘Star Wars’ Sound”, New York Times, May 3, 1992.

1166

“George Lucas on the THX Sound System”.

1167

Rubin, Droidmaker, 317.

1168

Pollock, “George Lucas Comes Back to Earth”.

1169

See Jon D. Hull, “Linda Ronstadt: New Album, New Look”, San Francisco, April 1984.

1170

“What’s New with Linda Ronstadt? She’s Singing Her Love Songs to Star Wars Czar George Lucas”, People, March 26, 1984.

1171

Clarke, “I’ve Got to Get My Life Back Again”.

1172

Rubin, Droidmaker, 335.

1173

Letter to Maury Stompe, PEP Housing, from Jeremy Tejirian, Planning Manager, Marin County, June 23, 2015.

1174

Michael Cieply, “Turning Point: George Lucas Moves to Produce TV Shows, Movies in Volume”, Wall Street Journal, January 22, 1986.

1175

MOIJ, 181.

1176

Anita Kempley, “‘Indiana Jones’: No Fun on the Killing Ground”, Washington Post, May 25, 1984.

1177

MOIJ, 182.

1178

Curtis, “Temple of Gloom”.

1179

Rubin, Droidmaker, 241.

1180

Ibid., 241, 278.

1181

Ibid., 338.

1182

Ibid., 373.

1183

Price, The Pixar Touch, 59.

1184

Из интервью автора с Джоном Корти.

1185

Owen Williams, “Endor’s Game: The Story of the Ewok Spinoff”, Empire, September 2015.

1186

Frank Megarelli, “PTS Presents Director’s Chair with the Wheat Brothers”, podcast, October 19, 2015.

1187

Craig Hunter Ross, “Exclusive Interview: The Police’s Stewart Copeland”, On Tour Monthly, April 2014.

1188

Harmetz, “But Can Hollywood Live without George Lucas?”

1189

Rubin, Droidmaker, 394.

1190

Ibid., 391–92.

1191

Ibid., 395.

1192

Michael Cieply, “Turning Point: George Lucas Moves to Produce TV Shows, Movies in Volume”, Wall Street Journal, January 22, 1986.

1193

Aljean Harmetz, “A Pained Lucas Ponders Attacks on ‘Willow’”, New York Times, June 9, 1988.

1194

Rubin, Droidmaker, 396.

1195

Ibid., 261.

1196

Ibid., 391.

1197

Ibid., 336.

1198

Ibid., 394, 398.

1199

Rubin, Droidmaker, 410.

1200

Элви Рей Смит до сих пор недоволен тем, что большинство считает, будто бы Джобс «купил» «Пиксар» у Лукаса. «Под термином “купить” подразумевается “владеть и управлять”, – говорит Смит. – Под термином “инвестировать” подразумевается, что инвестор вкладывает деньги и предоставляет менеджерам (которые ответственны непосредственно перед советом директоров) управление [компанией]. В случае «Пиксар» речь идет именно о втором. Использование термина “покупка” – маркетинговый ход для поддержания мифа о том, что Стив был единственным вдохновленным гением, на чьих идеях работала «Пиксар». Это было не так. Совсем не так». Хотя изначально Джобс владел 70 % «Пиксар», а сотрудники 30 %, к 1994 г. Джобс владел компанией полностью. См. “Pixar Myth No. 1: Steve Jobs Bought Pixar from Lucasfilm,” http://alvyray.com/Pixar/PixarMyth1.htm.

1201

Lisa Vincenzi, “A Short Time Ago, on a Ranch Not So Far Away…”, Millimeter, April 1990.

1202

Denise Abbott, “George Lucas: His First Love Is Editing”, American Cinemeditor, Spring 1991.

1203

Charles Champlin, “The Last Maverick: Inside George Lucas’s Empire”, Los Angeles Times, May 15, 1988.

1204

COGL, 147.

1205

Kline, GL Interviews, 93.

1206

Champlin, “The Last Maverick”.

1207

Beth Ashley, “George Lucas Is Ready to Roll Again with Films”, San Bernardino County Sun, October 6, 1985.

1208

Champlin, “The Last Maverick”, 117.

1209

Deirdre English, “A Conversation about the Movies: Dinner with Luddy”, Mother Jones, December 1984.

1210

Aljean Harmetz, “After 46 Years, Hollywood Revisits Oz”, New York Times, June 16, 1985.

1211

Champlin, “The Last Maverick”, 112.

1212

“Judge Asked to Bar ‘Star Wars’ in TV Ads”, Logansport (Ind.) Pharos-Tribune, November 26, 1985.

1213

See opinion Lucasfilm Ltd. v. High Frontier, U. S. District Court for the District of Columbia, November 26, 1985.

1214

See Chuck Philips, “Campbell Pays $300,000 in Skywalker Settlement”, Los Angeles Times, September 26, 1990.

1215

Matt Giles, “Why George Lucas Once Sued 2 Live Crew Front Man Luther Campbell”, Vulture.com, January 3, 2016.

1216

Ashley, “George Lucas Is Ready to Roll Again with Films”.

1217

Clouzot, “The Morning of the Magician”.

1218

Cieply, “Turning Point”.

1219

Richard Zoglin, “Cinema: Lights! Camera! Special Effects!”, Time, June 16, 1986.

1220

Cieply, “Turning Point”.

1221

William Scobie, “Lucas Strikes Back with His Secret Film Empire”, The Observer, July 20, 1986.

1222

Pat H. Broeske, “The Willow in the Wind”, Los Angeles Times, May 15, 1988.

1223

COGL, 150.

1224

Aljean Harmetz, “‘Star Wars’ and Muppet Wizards Team Up in ‘Labyrinth’”, New York Times, September 15, 1985.

1225

Интервью автора с Ларри Миркиным.

1226

Sue Martin, “‘Star Wars,’ Lucas Still a Force”, Los Angeles Times, May 26, 1987.

1227

“A Look Back at Howard the Duck”, Howard the Duck, DVD (extra), 2009.

1228

Bob Thomas, “Studios Say No to George Lucas”, St. Petersburg Times, February 4, 1987.

1229

See Thomas C. Hayes, “Disney, Lucasfilm Team Up: Holder Told of ’85 Plans”, New York Times, February 7, 1985.

1230

COGL, 152.

1231

Jack Mathews, “‘Captain EO’ Is Latest from Lucas; Film to Be Shown at Disney Parks”, Hartford Courant, September 12, 1986.

1232

Jordan Zakarin, “The Making of ‘Captain EO’: Lucas, Coppola, and Michael Jackson’s Messy, Miraculous Disney Space Adventure,” Yahoo Movies, December 9, 2015, https://www.yahoo.com/movies/the-making-of-captain-eo-lucas-coppola-and-162110246.html.

1233

Richard Corliss, “Let’s Go to the Feelies”, Time, September 22, 1986.

1234

Ibid.

1235

Charles Solomon, “Movie Review: A Cosmic Journey in ‘Born of Stars’”, Los Angeles Times, October 9, 1986.

1236

Martin, “‘Star Wars,’ Lucas Still a Force”.

1237

Harmetz, “‘Star Wars’ Is 10, and Lucas Reflects”.

1238

Martin, “‘Star Wars,’ Lucas Still a Force”.

1239

Stephen J. Sansweet, “Lucas Speaks: ‘Star Wars’ Is a Rose Is a Rose…”, Wall Street Journal, May 22, 1987.

1240

“What’s New with Linda Ronstadt?”

1241

See Stu Schreiberg, “Linda Ronstadt, to the Beat of a Different Drum”, USA Weekend, November 28–30, 1986.

1242

Sansweet, “Lucas Speaks: ‘Star Wars’ Is a Rose Is a Rose…”

1243

Jonathan Schwartz, “The US Interview: Linda Ronstadt – Checking in with the Ex – Flower Child at Home in Tucson,” US Weekly, December 25, 2000.

1244

Pat H. Broeske, “But Meanwhile, ‘Zone Wars’ Go On”, Los Angeles Times, May 15, 1988.

1245

Donna Rosenthal, “The Dream and Its Men: Francis Ford Coppola and George Lucas Immortalize a Legendary Car and Its Own Inventor”, Sun-Sentinel (Broward County, Fla.), August 14, 1988.

1246

Robert Lindsey, “Francis Ford Coppola: Promises to Keep”, New York Times, July 24, 1988.

1247

Sansweet, “Lucas Speaks: ‘Star Wars’ Is a Rose Is a Rose…”

1248

COGL, 158.

1249

COGL, 159.

1250

Lindsey, “Francis Ford Coppola: Promises to Keep”.

1251

Janet Maslin, “Glimpsing the Soul of an Old Machine”, New York Times, August 12, 1988.

1252

Lindsey, “Francis Ford Coppola: Promises to Keep”.

1253

Goodwin and Wise, On the Edge, 457.

1254

Champlin, “The Last Maverick”.

1255

Malcolm L. Johnson, “Howard Fulfilling Fantasies with Extravagant ‘Willow’”, Hartford Courant, May 20, 1988.

1256

Janet Maslin, “Willow; A George Lucas Production”, New York Times, May 20, 1988.

1257

See Pat Broeske, “Weeping over ‘Willow’”, Los Angeles Times, May 22, 1988.

1258

Michael Cieply, “Lucas Hits Critics: Applause Greets ‘Willow’ at Cannes”, Los Angeles Times, May 24, 1988.

1259

“Statement of George Lucas, Chairman of the Board, Lucasfilm, Ltd.”, The Berne Convention, U. S. Senate Subcommittee on Patents, Copyrights and Trademarks, February 18 and March 3, 1988.

1260

See Lucas’s testimony submitted for the record, ibid., 482–90.

1261

Broeske, “But Meanwhile, ‘Zone Wars’ Go On”.

1262

Джетт был назван в честь персонажа Джеймса Дина, Джетта Ринка, из фильма «Гигант».

1263

Stevens, Conversations with the Great Moviemakers, 320–21.

1264

“George Lucas” segment, 60 Minutes, March 25, 1999.

1265

Biskind, Easy Riders, 424.

1266

Star Wars Year by Year, 141.

1267

MOIJ, 184.

1268

MOIJ, 186.

1269

MOIJ, 190, 209.

1270

Peter Travers, “Indiana Jones and the Last Crusade”, Rolling Stone, May 24, 1989.

1271

Bob Thomas, “Lucas Brings Back His Golden Touch Again”, Indiana (Pa.) Gazette, May 27, 1989.

1272

Ibid.

1273

Karyn Hunt, “Business Leader G. W. Lucas Dies”, Modesto Bee, December 19, 1991.

1274

Vincenzi, “A Short Time Ago, on a Ranch Not So Far Away”.

1275

Bernard Weinraub, “Software: Rescuing Children from Boredom”, New York Times, August 1, 1993.

1276

Daniel Cerone, “Interactive ‘Jones’: George Lucas Dreams of Multimedia Adventures for ‘Young Indiana Jones’”, Los Angeles Times, March 4, 1993.

1277

Daniel Cerone, “Rethinking Indiana Jones: Lucas Picks Up Where Indy Began, Breaking TV’s Rules in the Process”, Los Angeles Times, March 1, 1992.

1278

John J. O’Connor, “Meeting Indiana Jones as a Boy and a Teen-Ager”, New York Times, March 4, 1992.

1279

Cerone, “Rethinking Indiana Jones”.

1280

Еще четыре серии были показаны на Семейном канале ABC.

1281

See “George Lucas Receiving the Irving G. Thalberg Memorial Award”, Oscars YouTube page, uploaded November 24, 2009, at https://www.youtube.com/watch?v=USJNgbfnpQE.

1282

George Lucas, acceptance speech on receiving the Irving G. Thalberg Memorial Award, March 30, 1992.

1283

George Lucas interview, Charlie Rose, CBS, December 25, 2015.

1284

“George Lucas Receiving the Irving G. Thalberg Memorial Award”.

1285

Charles Champlin, “The Home Audience Is Listening: Technology: George Lucas’s THX Sound System Has Made Its Way from Movie Theaters to Living Rooms. Cheap It’s Not,” Los Angeles Times, May 30, 1990.

1286

Andrew Pollack, “Computer Images Stake Out New Territory”, New York Times, July 24, 1991.

1287

McBride, Steven Spielberg, 420.

1288

Thomas R. King, “Lucasvision: George Lucas, Creator of ‘Star Wars,’ Talks about the Convergence of Entertainment and Technology”, Wall Street Journal, March 21, 1994.

1289

McBride, Steven Spielberg, 420.

1290

Richard Corliss, “They Put the ILM in Film”, Time, April 13, 1992.

1291

Chris Taylor, How Star Wars Conquered the Universe: The Past, Present, and Future of a Multibillion Dollar Franchise (New York: Basic Books, 2014), 288.

1292

King, “Lucasvision”.

1293

Chris Hicks, “Film Review: ‘The Tall Guy’”, Deseret News (Salt Lake City), December 7, 1990.

1294

COGL, 182.

1295

Radioland Murders press conference, Pasadena, California, October 8, 1994.

1296

COGL, 182.

1297

King, “Lucasvision”.

1298

Ibid.

1299

Интервью Лукаса с Чарли Роузом.

1300

Laurent Bouzereau and Jody Duncan, Star Wars: The Making of Episode I – The Phantom Menace (New York: Ballantine, 1999), 105 (далее MOE1).

1301

Bob Thomas, “Return to ‘Star Wars’: Filmmaker George Lucas Planning to Write, Prepare and Shoot Three Films at Once”, Santa Cruz Sentinel, November 13, 1994.

1302

Orville Schell, “A Galaxy of Myth, Money, and Kids”, New York Times, March 21, 1999.

1303

“Commitment to Women Earns Nod from Magazine”, Santa Cruz Sentinel, September 14, 1994.

1304

Orville Schell, “Film: ‘I’m a Cynic Who Has Hope for the Human Race’”, Time, March 21, 1999.

1305

Schell, “A Galaxy of Myth, Money, and Kids”.

1306

Martha Groves, “George Lucas and Film’s Tech Revolution”, Los Angeles Times, June 4, 1995.

1307

Patrick Goldstein, “The Force Never Left Him”, Los Angeles Times, February 2, 1997.

1308

Pollock, Skywalking, 246.

1309

Bernard Weinraub, “The Ultimate Hollywoodian Lives an Anti-Hollywood Life”, New York Times, October 20, 1994.

1310

Goldstein, “The Force Never Left Him”.

1311

Schell, “A Galaxy of Myth, Money, and Kids”.

1312

Goldstein, “The Force Never Left Him”.

1313

MOE1, 12, 18.

1314

MOE1, 38.

1315

С пресс-конференции по «Убийствам на радио».

1316

Ibid.

1317

David A. Kaplan, “The Force Is Still with Him”, Newsweek, May 12, 1996.

1318

С пресс-конференции по «Убийствам на радио».

1319

Bruce Handy, “Cinema: The Force Is Back”, Time, February 10, 1997.

1320

Jody Duncan, Mythmaking: Behind the Scenes of Attack of the Clones (New York: Ballantine, 2002), 218 (далее Mythmaking).

1321

Scanlon, “George Lucas Wants to Play Guitar”.

1322

Goldstein, “The Force Never Left Him”.

1323

Последний выпущенный ремастеринг на видеокассетах сделали из промежуточного позитива пленки – по сути копия, – а не из негатива.

1324

COGL, 183.

1325

Alex Ben Block, “5 Questions with George Lucas: Controversial ‘Star Wars’ Changes, SOPA, and ‘Indiana Jones 5’”. Hollywood Reporter, February 9, 2012.

1326

Сценарий «Звездных войн», использованный на съемках, май 1976 г. Питер Мейхью с очевидным удовольствием опубликовал оригинальные страницы из его копии сценария в Twitter в начале 2015 г.

1327

Hank Stuever, “George Lucas: To Feel the True Force of Star Wars, He Had to Learn to Let It Go,” Washington Post, December 5, 2015 г.

1328

Associated Press, “Lucas Talks as Star Wars Trilogy Returns”, September 15, 2004.

1329

Ken Plume, “An Interview with Gary Kurtz”, IGN.com, November 11, 2002.

1330

30 ноября 2015 г. во время обсуждения «Пробуждения силы» на радиостанции SiriusXM режиссера Дж. Дж. Абрамса спросили, считает ли он, что Хан выстрелил первым. Его полный энтузиазма ответ: «Еще бы!»

1331

MOE1, 105.

1332

Claudia Puig, “‘Star Wars’ Appeal Is a Surprise Even to Creator Lucas”, Los Angeles Times, February 4, 1997.

1333

Jonathan McAloon, “Steven Spielberg Refused to Direct Star Wars Prequels”, The Telegraph, November 26, 2015.

1334

Wendy Ide, “Francis Ford Coppola: ‘I May Only Make One More Film’”, Screen Daily, December 8, 2015.

1335

MOE1, 75.

1336

Biskind, Easy Riders, 424.

1337

“A Jedi Trio,” Star Wars Insider, October – November 1999.

1338

Goldstein, “The Force Never Left Him”.

1339

Nicola Agius, “Michael Jackson Asked George Lucas to Cast Him as Jar Jar Binks in Star Wars”, Mirror (UK), July 26, 2015.

1340

MOE1, 51.

1341

MOE1, 75.

1342

MOE1, 78.

1343

Brian Jay Jones, Jim Henson: The Biography (New York: Ballantine, 2013), 308.

1344

MOE1, 88, 83.

1345

См. документальный фильм The Beginning: Making Star Wars – Episode I, Lucasfilm, 2001.

1346

COGL, 197.

1347

MOE1, 77.

1348

COGL, 201.

1349

MOE1, 77.

1350

MOE1, 93.

1351

French and Kahn, “Inside the Magic Factory”.

1352

MOE1, 136.

1353

Mark Cotta Vaz and Patricia Rose Duignan, Industrial Light & Magic: Into the Digital Realm (New York: Del Rey, 1996), 294.

1354

MOE1, 134.

1355

Kim Masters, “The Lucas Wars”, Time, September 30, 1996.

1356

See J. C. Herz, “Game Theory: ‘Star Wars’ World with a Sense of Humor”, New York Times, October 29, 1998.

1357

Bernard Weinraub, “Now Playing: Two New Minutes of ‘Star Wars’”, New York Times, November 23, 1998.

1358

See Adam Rogers, “The Phantom Media Blitz”, Newsweek, November 14, 2001.

1359

Weinraub, “Now Playing”.

1360

COGL, 207.

1361

MOE1, 149.

1362

Devin Gordon, “Waiting for Star Wars”, Newsweek, February 28, 1999.

1363

David Ansen, “Star Wars: The Phantom Movie”, Newsweek, May 16, 1999.

1364

Roger Ebert, “Star Wars – Episode I: The Phantom Menace”, May 17, 1999, reprinted on rogerebert.com.

1365

Adam Rogers “The Phantom Media Blitz”, Newsweek, November 14, 2001.

1366

“Lucas Admits Star Wars ‘Let Down’”, BBC News website, April 23, 2002, http://news.bbc.co.uk/2/hi/entertainment/1945447.stm.

1367

Степин Фетчит (англ. Stepin Fetchit), урожденный Линкольн Теодор Монро Эндрю Перри (англ. Lincoln Theodore Monroe Andrew Perry; 30 мая 1902, Ки-Уэст, Флорида, США – 19 ноября 1985) – американский актер и комик.

1368

Баттерфлай МакКуин (англ. Butterfly McQueen, 7 января 1911 – 22 декабря 1995) – американская актриса, наиболее известная по роли Присси, чудаковатой служанки Скарлетт, в фильме «Унесенные ветром».

1369

Joe Morgenstern, “Our Inner Child Meets Young Darth Vader”, Wall Street Journal, May 19, 1999.

1370

Eric Harrison, “A Galaxy Far, Far Off Racial Mark?”, Los Angeles Times, May 26, 1999.

1371

Ross McDonagh, “‘I’ve Done My Damage’: Jar Jar Binks Actor Ahmed Best Confirms He Will Never Return to Star Wars”, Daily Mail, January 12, 2016.

1372

Plume, “Interview with Gary Kurtz”.

1373

Ian Freer, “George Lucas Interview”, Empire, September 1999.

1374

Schell, “I’m a Cynic Who Has Hope for the Human Race”.

1375

John Horn, “The Empire Bounces Back”, Newsweek, April 28, 2002.

1376

Drummond Pike, quoted in Patricia Leigh Brown, “Design Notebook: A Force in Film Meets a Force of Nature”, New York Times, March 30, 2000.

1377

Freer, “George Lucas Interview”.

1378

См. Комментарии Джорджа Лукаса на церемонии Disney Legends, D23 Expo, Anaheim, Calif., August 14, 2015.

1379

Кому хочется все знать: Эпизод II снимали цифровой камерой Sony HDW-F900 24-P.

1380

Film – по-английски в том числе значит «пленка».

1381

COGL, 233.

1382

Mythmaking, 23.

1383

Mythmaking, 17.

1384

COGL, 216.

1385

Mythmaking, 35, 50.

1386

Mythmaking, 27.

1387

Mythmaking, 36.

1388

Mythmaking, 34.

1389

COGL, 226.

1390

Mythmaking, 64.

1391

COGL, 221.

1392

Mythmaking, 126.

1393

Mythmaking, 204.

1394

French and Kahn, “Inside the Magic Factory”.

1395

COGL, 227.

1396

“The Chosen One”, Star Wars: Revenge of the Sith, bonus featurette, DVD, 2005.

1397

COGL, 231.

1398

Хот-род (англ. hot rod) – автомобиль, изначально американский, с серьезными модификациями, рассчитанными на достижение максимально возможной скорости.

1399

См. “Census 2001 Summary Theme Figures and Rankings: 390,000 Jedi There Are”, Office for National Statistics, United Kingdom, February 13, 2003. Also see “Jedi Knights Demand Britain’s Fourth Largest ‘Religion’ Receives Recognition”, Daily Mail (UK), November 16, 2006.

1400

Schell, “I’m a Cynic Who Has Hope for the Human Race”.

1401

“Lucas Announces Episode II Title”, abcnews.com, August 6, 2001.

1402

Adam B. Vary, “Lucas Names ‘Episode II’”, Entertainment Weekly, August 20, 2001.

1403

J. W. Rinzler, The Making of Star Wars: Revenge of the Sith (New York: Ballantine, 2005), 15 (далее MOE3).

1404

See Richard Verrier, “Paramount Stops Releasing Major Movies on Film”, Los Angeles Times, January 18, 2014.

1405

Тремя самыми прибыльными фильмами 2002 года стали «Властелин колец: Две крепости», заработавший 936 миллионов долларов по всему миру; «Гарри Поттер и тайная комната» с 878 миллионами долларов; и «Человек-паук» с 821 миллионом долларов.

1406

A. O. Scott, “Film Festival Review: Kicking Up Cosmic Dust”, New York Times, May 10, 2002.

1407

Peter Travers, “Star Wars: Episode II: Attack of the Clones”, Rolling Stone, May 16, 2002.

1408

Roger Ebert, “Star Wars – Episode II: Attack of the Clones”, May 10, 2002, rogerebert.com.

1409

Travers, “Star Wars: Episode II: Attack of the Clones”.

1410

David Ansen, “Attack of the Groans”, Newsweek, May 19, 2002.

1411

Scott, “Film Festival Review: Kicking Up Cosmic Dust”.

1412

Mythmaking, 89, 91.

1413

Patrick Goldstein, “Seclusion Has Left Lucas Out of Touch”, Los Angeles Times, May 21, 2002.

1414

Schell, “I’m a Cynic Who Has Hope for the Human Race”.

1415

MOE3, 27.

1416

MOE3, 31, 35.

1417

MOE3, 40.

1418

Laura Holson, “Is There Life after Star Wars for Lucasfilm?” New York Times, May 1, 2005.

1419

MOE3, 48, 51.

1420

MOE3, 54–55.

1421

MOE3, 57, 128.

1422

MOE3, 19, 78.

1423

MOE3, 74, 128.

1424

MOE3, 82.

1425

“George Lucas Accepts the AFI Life Achievement Award in 2005”, American Film Institute, June 9, 2005, https://www.youtube.com/watch?v=lHvOSZi3t14.

1426

MOE3, 151.

1427

MOE3, 151, 149.

1428

MOE3, 165.

1429

MOE3, 209.

1430

По созвучию со знаменитым праздником Марди Гра, «Марди Гра для нердов».

1431

Brian Braiker, “Putting the Hype in Hyperspace”, Newsweek, April 7, 2005.

1432

Ian Freer, “George Lucas Interview”, Empire, September 1999.

1433

Todd McCarthy, “Review: Star Wars: Episode III – Revenge of the Sith”, Variety, May 5, 2005.

1434

David Ansen, “The End of the Empire”, Newsweek, May 15, 2005.

1435

Sharon Wasman, “Lucas’s New Headquarters Give Bay Area Film a Lift”, New York Times, July 20, 2005.

1436

“The AFI Life Achievement Award,” http://afi.com/LAA/.

1437

“George Lucas Accepts the AFI Life Achievement Award”.

1438

Ibid.

1439

Ron Magid, “George Lucas Discusses His Ongoing Effort to Shape the Future of Digital Cinema”, Amerian Cinematographer, September 2002.

1440

Silberman, “Life after Darth”.

1441

“George Lucas Accepts the AFI Life Achievement Award”.

1442

Schell, “A Galaxy of Myth, Money, and Kids”.

1443

George Lucas, interview with Lesley Stahl, 60 Minutes, CBS, March 10, 2005.

1444

60 Minutes, March 28, 1999.

1445

Bryan Curtis, “George Lucas Is Ready to Roll the Credits”, New York Times Magazine, January 17, 2012.

1446

Bethany McLean, “Why Sheryl Sandberg, Bill Bradley, and Oprah Love Mellody Hobson”, Vanity Fair, March 30, 2015.

1447

Ibid.

1448

Curtis, “George Lucas Is Ready to Roll the Credits”.

1449

“First Look: George Lucas Opens Up about His Relationship”, oprah.com, January 2012.

1450

«Нас – 99 %» – лозунг гражданского протеста «Захватите Уолл-Стрит» (англ. Occupy Wall Street) в Нью-Йорке, начавшегося 17 сентября 2011 года. Цель участников акции – длительный захват улицы Уолл-стрит с целью привлечения общественного внимания к «преступлениям финансовой элиты» и призыв к структурным изменениям в экономике.

1451

Curtis, “George Lucas Is Ready to Roll the Credits”.

1452

Geoff Boucher, “George Lucas: ‘Star Wars’ Won’t Go beyond Darth Vader”, Los Angeles Times, May 7, 2008.

1453

Laura Holson, “Is There Life After ‘Star Wars’ for Lucasfilm?” New York Times, May 1, 2005.

1454

Smith, Rogue Leaders, 176.

1455

Holson, “Is There Life After ‘Star Wars’ for Lucasfilm?”

1456

Ibid.

1457

Thomas R. King, “Lucasvision,” Wall Street Journal, March 21, 1994.

1458

«Де́двуд» (англ. Deadwood) – американский драматический телесериал с элементами вестерна, в основе сюжета которого – легенды и реальная история основания одноименного города в Южной Дакоте во времена «золотой лихорадки» в горах Блэк-Хилс.

1459

Dave Itzkoff, “Free to Follow His Heart Right Back to ‘Star Wars’”, New York Times, June 29, 2008.

1460

Ibid.

1461

“Is the Force Still with Him?” Variety, February 13, 2005.

1462

Ty Burr, “George Lucas Interview”, Boston Globe, October 2005.

1463

“Darth Vader’s New Offices, Newsweek, June 26, 2005.

1464

Associated Press, “Hasbro’s Profit Gets a Lift from Sale of ‘Star Wars’ Toys”, New York Times, February 7, 2006.

1465

“The Month-Long Party Begins: Happy Birthday, Star Wars”, Wired, May 25, 2007.

1466

MOIJ, 230.

1467

MOIJ, 231.

1468

MOIJ, 233.

1469

“Interview with Frank Darabont”, Lilja’s Library: The World of Stephen King website, February 6, 2007, http://www.liljas-library.com/showinterview.php?id=38.

1470

Ibid.

1471

MOIJ, 236, 237, 283.

1472

MOIJ, 244.

1473

Terrence Rafferty, “Indiana Jones and the Savior of a Lost Art”, New York Times, May 4, 2008.

1474

Helen O’Hara, “Spielberg: More Indy & Jurassic Park”, Empireonline.com, October 26, 2011.

1475

MOIJ, 289, 292.

1476

Richard Corliss, “A Conversation with George Lucas”, Time, March 14, 2006.

1477

Roger Ebert, “I Admit It: I Loved ‘Indy’”, Chicago Sun-Times, May 19, 2008.

1478

Manohla Dargis, “The Further Adventures of the Fedora and the Whip”, New York Times, May 22, 2008.

1479

Jennie Yabroff, “Culture: Indiana Jones ‘Crystal Skull’ Movie Review”, Newsweek, May 18, 2008.

1480

До того момента пятидневный рекорд удерживался Лукасом с «Местью ситхов» и пятидневным доходом фильма в 172,8 миллиона долларов.

1481

Itzkoff, “Free to Follow His Heart Right Back to ‘Star Wars’”.

1482

Hartlaub, “In a Valley Not Far, Far Away”.

1483

Itzkoff, “Free to Follow His Heart Right Back to ‘Star Wars’”.

1484

Интервью Лукаса с Чарли Роузом.

1485

Itzkoff, “Free to Follow His Heart Right Back to ‘Star Wars’”.

1486

Ibid.

1487

Ibid.

1488

Chris Suellentrop, “The Empire Goes Slack”, New York Times, August 15, 2008.

1489

Kimberly Nordyke, “‘Star Wars’ a Force for Cartoon Network”, Hollywood Reporter, October 6, 2008.

1490

Dana Goodyear, “Man of Extremes,” The New Yorker, October 26, 2009.

1491

Hartlaub, “In a Valley Not Far, Far Away”.

1492

Ryder Windham, Daniel Wallace, and Pablo Hidalgo, Star Wars Year by Year: A Visual Chronicle (New York: DK Publishing, 2012), 292.

1493

Эта книга Алекса Бена Блока и Люси Отри Уилсон, «George Lucas’s Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success» («Блокбастеры Джорджа Лукаса: Обзор бессмертных фильмов десятилетие за десятилетием, в том числе нерассказанных секретов их финансового и культурного успеха»), которая вполне достойна награды за самое длинное название книги всех времен.

1494

The Daily Show with Jon Stewart, Comedy Central, January 5, 2010.

1495

See Brian Gilmore, “The Best Internet Reactions to the Star Wars Blu-Ray Changes”, Ranker.com, September 2011.

1496

Devin Leonard, “How Disney Bought Lucasfilm – and Its Plans for ‘Star Wars’”, Bloomberg Businessweek, March 7, 2013.

1497

Elaine Dutka, “Lucas’ Next Movie: Tuskegee Airmen”, Los Angeles Times, August 11, 1990.

1498

Weinraub, “The Ultimate Hollywoodian Lives an Anti-Hollywood Life”.

1499

Dutka, “Lucas’ Next Movie: Tuskegee Airmen”.

1500

Curtis, “George Lucas Is Ready to Roll the Credits”.

1501

Ibid.

1502

Eric Larnick, “Aaron McGruder of ‘Boondocks’ on Working with George Lucas and His Future in Comics”, Comics Alliance, January 20, 2012.

1503

Curtis, “George Lucas Is Ready to Roll the Credits”.

1504

Ibid.

1505

The Daily Show with Jon Stewart, January 9, 2012.

1506

Curtis, “George Lucas Is Ready to Roll the Credits”.

1507

Asawin Suebsaeng, “Airmen Deserved a Movie That’s Not Completely Unwatchable”, Mother Jones, January 21, 2012.

1508

John Patterson, “Red Tails Offers the Best – and Worst – of George Lucas,” The Guardian, June 1, 2012.

1509

Curtis, “George Lucas Is Ready to Roll the Credits”.

1510

“Red Tails Salutes Tuskegee Airmen,” USA Today, January 4, 2012.

1511

Curtis, “George Lucas Is Ready to Roll the Credits”.

1512

См. Sarah Ellison, “Meet the Most Powerful Woman in Hollywood”, Vanity Fair, February 8, 2016; and Leonard, “How Disney Bought Lucasfilm”.

1513

Ellison, “Meet the Most Powerful Woman in Hollywood”.

1514

Richard Verrier and Ben Fritz, “Kathleen Kennedy to Helm Lucasfilm as George Lucas Phases Out”, Los Angeles Times, June 2, 2012.

1515

Leonard, “How Disney Bought Lucasfilm”.

1516

Dewayne Bevil, “Mark Hamill’s Role in New ‘Star Wars’ Movie Began with Lunch in Orlando”, Orlando Sentinel, May 16, 2014.

1517

Ellison, “Meet the Most Powerful Woman in Hollywood”.

1518

Если не указано другое, информация в этом разделе взята из Devin Leonard, “How Disney Bought Lucasfilm – and Its Plans for ‘Star Wars’”. Bloomberg Businessweek, March 7, 2013.

1519

Windham, Wallace, and Hidalgo, Star Wars Year by Year: A Visual Chronicle, 134.

1520

“Disney to Acquire Lucasfilm Ltd.”, Walt Disney Company press release, October 30, 2012, https://thewaltdisneycompany.com/disney-to-acquire-lucasfilm-ltd/.

1521

Zach Johnson, “George Lucas Marries Mellody Hobson: See Their Romantic Wedding Picture!”, Us Weekly, June 25, 2013.

1522

Ellison, “Meet the Most Powerful Woman in Hollywood”.

1523

Kerry A. Dolan and Luisa Kroll, eds., “Forbes 400”, September 29, 2015, http://www.forbes.com/forbes-400/.

1524

Leonard, “How Disney Bought Lucasfilm”.

1525

George Lucas to Giving Pledge, July 16, 2010, givingpledge.org.

1526

John King, “Saying No Thanks to George”, Metropolis Magazine, April 2014.

1527

Ibid.

1528

Associated Press, “George Lucas Fills in Details on Chicago Museum”, October 18, 2014.

1529

Chrisopher Zara, “Star Wars Museum: Rahm Emanuel Got Campaign Cash from Disney, George Lucas’ Wife, before Pushing to Donate City Land”, International Business Times, November 20, 2014.

1530

Hank Stuever, “George Lucas: To Feel the True Force of ‘Star Wars,’ He Had to Learn to Let It Go”, Washington Post, December 5, 2015.

1531

Mellody Hobson, “Statement: We Are Now Seriously Pursuing Locations Outside of Chicago”, press release, May 3, 2016.

1532

Jason Keyser, “Lucas Abandons Plan to Build Museum in Chicago After Lawsuit”, Associated Press, June 24, 2016.

1533

Строительство наконец началось в январе 2018-го в «Экспозишн Парк», в Лос-Анджелесе.

1534

Brian Truitt, “Lucas’ ‘Magic’ Lives On, at Home and On Screen”, USA Today, January 12, 2015.

1535

Austin Siegemund, “George Lucas to Attend ‘Star Wars: The Force Awakens’ Premiere: ‘He Really Liked It (Exclusive)”, Hollywood Reporter, December 4, 2015.

1536

Jen Chaney, “George Lucas Delivered His Verdict on ‘The Force Awakens’”, vulture.com, December 7, 2015.

1537

Интервью Лукаса с Чарли Роузом.

1538

Siegemund, “George Lucas to Attend ‘Star Wars: The Force Awakens’”.

1539

Stuever, “George Lucas: To Feel the True Force of ‘Star Wars,’ He Had to Learn to Let It Go”.

1540

Интервью Лукаса с Чарли Роузом.

1541

См. Matt Kranis, “Steven Spielberg Reveals George Lucas’s Role in ‘Indiana Jones 5’”, MoviePilot.com, June 20, 2016, http://moviepilot.com/posts/3973492.

1542

Stuart Silverstein, “Lucas Seeks to Produce Respect for Filmmaking”, Los Angeles Times, October 5, 2006.

1543

Curtis, “George Lucas Is Ready to Roll the Credits”.

1544

Ide, “Francis Ford Coppola: ‘I May Only Make One More Film’”.

1545

Sean Smith, “The King of the Worlds”, Newsweek, June 26, 2005.

1546

COGL, 251.

1547

Mike Fleming Jr., “Star Wars’ Legacy I: Five Iconic Directors Recall When George Lucas Changed Everything”, Deadline Hollywood, December 18, 2015.

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