Joan Mitchell Foundation for use of spoken, written, and visual material from the Foundation’s archives and collection, including reproductions of the following drawing and paintings by Joan Mitchell: Untitled (Self Portrait), Untitled (1950), Cercando un Ago, and Untitled (1953). The Foundation also granted permission for the use of paintings outside its collection: City Landscape, George Went Swimming at Barnes Hole, but It Got Too Cold, and Hemlock. Quotes, text, and images by Joan Mitchell © the Estate of Joan Mitchell.
The Pollock-Krasner Foundation for use of spoken, written, and visual material by Lee Krasner, including the paintings and drawing: Black and White, Milkweed, Seated Nude, Self-Portrait, Still Life, The Seasons, Untitled 1949, and White Squares. Quotes, text, and artwork by Lee Krasner © the Pollock-Krasner Foundation/Artists Rights Society (ARS), New York. Copyright and Permissions Acknowledgments
Larry Rivers Foundation, David Joel executive director, for use of quotations by Larry Rivers from the Larry Rivers Papers at New York University and the Grace Hartigan Papers at Syracuse University. All quotes © Estate of Larry Rivers.
Milton Resnick and Pat Passlof Foundation, Nathan Kernan president and Geoffrey Dorfman secretary, for use of a photograph of Elaine de Kooning, Bill de Kooning, and Pat Passlof. Image © the Milton Resnick and Pat Passlof Foundation.
Библиотеки и образовательные центры
Museum of Modern Art Archives for use of quotations from the Thomas B. Hess/De Kooning Papers; James Thrall Soby Papers; Dorothy C. Miller Papers; Monroe Wheeler Papers; International Council Program Papers.
New York Public Library, Photography Collection, for use of photographs from The Walter Silver Collection.
New York Public Library, Astor, Lenox and Tilden Foundations, The Henry W. and Albert A. Berg Collection of English and American Literature, Isaac Gewirtz, curator, for use of quotations from the Kenneth Koch Papers.
New York University’s Fales Library and Special Collections, Marvin Taylor, director, for use of quotations from written material, published and unpublished, in the Larry Rivers Papers.
Pollock-Krasner House and Study Center, Helen Harrison, director, for use of spoken, written, and visual material related to Lee Krasner, Jackson Pollock, and Elaine de Kooning, especially the audiotape collection of Jeffrey Potter interviews.
Princeton University Library, Manuscripts Division, Department of Rare Books and Special Collections, for use of quotations from unpublished letters in the Sonya Rudikoff Papers.
Syracuse University Libraries, Special Collections Research Center, for use of written and photographic material from the Grace Hartigan Papers.
University of Connecticut Libraries, Storrs, Archives & Special Collections at the Thomas J. Dodd Research Center, for use of quotations from the Allen Collection of Frank O’Hara Letters.
СМИ
Local Television for The Town of East Hampton, New York, Genie Henderson Archivist, for use of quotations from the programs Summer of ’57, Josephine Little: The Art Crowd, c. 1940s–50s, Art Barge — Artists Speak, with Elaine de Kooning, Elaine de Kooning Tribute, De Kooning at the Whitney, and A Sense of Place. All quotes © LTV, Inc.
The author has made every attempt to contact copyright holders. If any have been inadvertently overlooked, the appropriate arrangements will be made at the first opportunity.
Об авторе
Мэри Габриэль — автор книги «Карл Маркс. Любовь и капитал. Биография личной жизни», выдвинутой на Пулитцеровскую премию, Национальную книжную премию и премию Национального круга книжных критиков. Около 20 лет Мэри проработала в Вашингтоне и Лондоне редактором Reuters, а сейчас живет в Ирландии.
