Книга Чертополох и терн. Возрождение Возрождения, страница 269. Автор книги Максим Кантор

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267 Kempf D., Gilbert M. L. Medieval monsters. The British Library, 2015.

268 Koerner J. L. Bosch & Bruegel. From enemy painting to everyday life. Board of Trustees, National Gallery of Art. Washington. 2016.

269 Kren T., McKendrick S. The renaissance of Flemish manuscript painting in the Europe. J. Paul Getty Trust, 2003.

270 Latini, Brunetto Il Tesoretto, Il Favolello, «Rime di Francesco Petrarca» Federico Ubaldini nel 1642. Фрагменты изданы в 1995 Giovanni Pozzi, Giuseppe Petronio и Francesco Mazzoni.

271 Landolt Hanspeter. German Painting The Late Middle Ages (1350–1500) Skira, 1968.

272 Leduc-Gueye, Cristine D’Intimite d’Eternite. La Peinture monumentale en Anjou au tepps du roi Rene. Lieux Dits. Lyon. 2007.

273 Le Men, Ségolène. La Charicature et le Charivari. Paris. Citadelles et Mazenod, 2008.

274 Les sources d’inspiration de Vincent van Gogh. Paris: Institut Néerlandais, 1972.

275 Lohr E. Nationalizing the Russian Empire: The Campaign Against Enemy Aliens during World War I. Harvard University Press. 2003.

276 Luyster, Amanda. Christ Golden Voice: the Chapel of Saint Martial and Saint John in the Palace of the Popes, Avignon.

277 Makrides A. Byron vs. Marx. Men in Revolt and «Lara» Revisited. The 39th International Byron Conference 2013, King’s College London.

278 Marani P. C., Fiorio M. T. Leonardo da Vinci. The Design of the World. Skipa, 2015.

279 Maroto P. S. Bosch. The 5th centenary exhibition. Museo Nacional del Prado. Madrid. 2016.

280 Martin Schongauer. Maître de la gravure rhénane. Vers 1450–1491. Musée du Petit Palais. 1991.

281 Martineau J. Andrea Mantegna. Royal Academy of Arts, London. The Metropolitan Museum of Art. NY. 1992.

282 McPhee C., Orenstein N. M. Infinite Jest. Caricature and satire from Leonardo to Levine. The Metropolitan Museum of Art. NY, 2011.

283 Mayor, A. Hyatt. Prints and People. Princeton: Metropolitan Museum of Art, 1971.

284 Medici, Lorenzo de. Opere, Nuova Universale Einaudi, Torino 1992.

285 Meteren van E. Belgische ofte Nederlandtsche historie van onsen tijden: inhoudende hoe de Nederlanden aenden anderen gehecht, ende aen Spaengten ghecomen zijn: met de oorsaken der inlantsche beroerten, ende oorlogen der selver…, Delft, 1605.

286 Michel E. Pieter Bruegel. Drawing the world. The Albertina Museum, Vienna, 2017.

287 Meiss M. French Painting in the Time of Jean de Berry: The Boucicaut Master. London, 1968.

288 Mielke H. Albrecht Altdorfer – Zeichnungen, Deckfarbenmalerei, Druckgraphik. Staatliche Museen Preussischer Kulturbesitz. Berlin.1988.

289 Mirow M. C. The Power of Codification in Latin America: Simon Bolivar and the Code Napoleon (April 12, 2000). Tulane Journal of International & Comparative Law, Vol. 8, 2000, Florida International University Legal Studies Research Paper No. 10–11.

290 Molina Figueras J. Bartolomé Bermejo. Madrid-Barcelona, 2018.

291 Morrison E. A Knight for the Ages: Jacques de Lalaing and the art of chivalry. Los Angeles: The J. Paul Getty Museum, 2018.

292 Müntzer Th. Schriften und Briefe. G. Mohn, 1968.

293 Nadler S. Rembrandt’s Jews. University of Chicago Press, 2003.

294 Nash S. Late medieval panel paintings II. Sam Fogg. London. 2016.

295 Nelson Eric. The Hebrew Republic: Jewish Sources and the Transformation of European Political Thought. Harvard, Belknap. 2010.

296 Nishino Y. The Boulbon altarpiece and its iconographical programme. Art History. Vol 10. No.1, March 1987, pp. 12–22.

297 Pacht O. Early Netherlandish Painting: from Rogier van der Weyden to Gerard David. Harvey Miller publishers. London. 2010.

298 Palmieri, Matteo. Vita civile. Fiorenza “Sansoni» 1982.

299 Palmieri, Matteo. Città di vita 1451/1465. Не опубликовано. Рукопись.

300 Panofsky E. Early Netherlandish Painting, Its Origins and Character. Cambridge: Harvard University Press, 1953.

301 Parker J. H. An introduction to the study of Gothic architecture. James Parker and Co., London, 1900.

302 Panzera, Anna Maria Caravaggio e Giordano Bruno: un’ipotesi interpretativa. Arte Lombarda, 1996.

303 Pedretti C. Leonardo da Vinci. The royal palace at Romorantin. Cambridge, Massachusetts. 1972.

304 Pianzola M. Peintres et vilains: Les artistes de la Renaissance et la grande guerre des paysans de 1525. L’Insomniaque, DL, 2015.

305 Pissarro J. Pioneering Modern Painting: Cézanne and Pissarro, 1865–1885. Published June 15th 2005 by Museum of Modern Art. US.

306 Plesch V. Enguerrand Quarton’s «Coronation of the Virgin»: This World and the Next, the Dogma and the Devotion, the Individual and the Community, Historical Reflections/Réflexions Historiques, Vol. 26, No. 2, The Last Things (Summer 2000), pp. 189–221.

307 Plygawko, Michael. The Controlless Core of Human Heart. Liverpool University Press 2014.

308 Posada Kubissa, Teresa. Coleccionismo y recepción crítica de la pintura holandesa en España desde el siglo XVII hasta el XIX. Localización: Velázquez, Rembrandt, Vermeer: miradas afines/coord. por Alejandro Vergara, Wessel Krul, Barber van de Pol, Teresa Posada Kubissa, Javier Portús Pérez, 2019, ISBN 978–84-8480–530-4, págs. 68–85.

309 Renaissance Scepticisms. Editors: Gianenrico Paganini, José R. Maia Neto. International Archives of the History of Ideas/Archives internationales d’histoire des idées, Vol. 199. Springer Netherlands, 2009.

310 Russel, Bernhard. History of Western Philosophy. George Allen&Unvin 1979.

311 Savonarola, Girolamo. Poesie, introduzione e note di Valentino Piccoli, UTET, Torino, 1926.

312 Salsi C., Alberti A. Leonardo da Vinci. La sala delle Asse del Castello Sforzesco. Sotto l’Ombra del Moro. Silvana, 2019.

313 Sellink M. Bruegel in detail. Ludion, 2014.

314 Silver L. Pieter Bruegel. New York – London. Abbeville Press Publishers. 2011.

315 Smalley, Beryl. Studies in Medieval Thoughts and learning. From Abelard to Wyclif. Comments by John Ridwall. Bloomsberry Academic 1981.

316 Strand Eric. Studies on Romanticism. Byron’s Don Juan as a Global Allegory. Boston University, 2011.

317 Steiner, Zara. The Light that failed. European International History 1919–1933. Oxford University Press 2005.

318 Stuffmann, Margret, Sonnabend, Martin, Ives, Colta Daumier Drawing. The Metropolitain Museum of Art, NY. Harry Abrms. New York 1993.

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