Книга Грандиозная история музыки XX века, страница 196. Автор книги Артем Рондарев

Разделитель для чтения книг в онлайн библиотеке

Онлайн книга «Грандиозная история музыки XX века»

Cтраница 196

– Bell C. C. Revolution, Romanticism, and the Afro-Creole Protest Tradition in Louisiana, 1718–1868. Baton Rouge; L.: Louisiana State University Press, 2004.

– Bennett A., Kahn-Harris K. Introduction // After Subculture: Critical Studies in Contemporary Youth Culture / A. Bennett, K. Kahn-Harris (eds.). Houndmills: Palgrave Macmillan, 2004.

– Berendt J. E., Huesmann G. The Jazz Book: From Ragtime to the 21st Century. Chicago: Lawrence Hill Books, 2009.

– Berger B. George Russell // HiLobrow. 23.06.2015. URL: http:// www.hilobrow.com/2015/06/23/george-russell/.

– The Berg-Schoenberg Correspondence / J. Brand, Ch. Hailey, D. Harris (eds.). Houndmills; L.: Macmillan Press, 1987.

– Berlin E. A. King of Ragtime: Scott Joplin and His Era. N. Y.; Oxford: Oxford University Press, 1994.

– Berman G. We’re Going to See the Beatles! An Oral History of Beatlemania as Told by the Fans Who Were There. Santa Monica: Santa Monica Press, 2008.

– Berman M. All That is Solid Melts into Air: The Experience of Modernity. Harmondsworth: Penguin Books, 1988.

– Bernheimer C. Decadent Subjects: The Idea of Decadence in Art, Literature, Philosophy, and Culture of the Fin de Siècle in Europe. Baltimore; L.: The Johns Hopkins University Press, 2002.

– Bernstein D. W. Music I: to the Late 1940s // The Cambridge Companion to John Cage / D. Nicholls (ed.). Cambridge: Cambridge University Press, 2006.

– Bernstein M. A. The Great Depression: Delayed Recovery and Economic Change in America, 1929–1939. N. Y.: Cambridge University Press, 1987.

– Berrett J. Louis Armstrong and Paul Whiteman: Two Kings of Jazz. New Haven; L.: Yale University Press, 2004.

– Bilton J. Georg Büchner. L.; Basingstoke: Macmillan Press, 1982.

– Bingham J. The Great Depression: The Jazz Age, Prohibition, and the Great Depression, 1921–1937. N. Y.: Chelsea House, 2011.

– Birnbaum L. Before Elvis: The Prehistory of Rock ’n’ Roll. Lanham; Toronto; Plymouth: The Scarecrow Press, 2013.

– Blesh R. Shining Trumpets: A History of Jazz. N. Y.: Alfred A. Knopf, 1946.

– Blyth C. Language Shift: From French to English // French and Creole in Louisiana / A. Valdman (ed.). Bloomington: Indiana University, 1997.

– Bolden T. Theorizing the Funk: An Introduction // The Funk Era and Beyond: New Perspectives on Black Popular Culture / T. Bolden (ed.). N. Y.: Palgrave Macmillan, 2008.

– Bonnette L. M. Pulse of the People: Political Rap Music and Black Politics. Philadelphia: University of Pennsylvania Press, 2015.

– Bordowitz H. The 1969 Creedence Clearwater Revival Recording Contract and How It Shaped the Future of the Group and Its Members // Finding Fogerty: Interdisciplinary Readings of John Fogerty and Creedence Clearwater Revival / T. M. Kitts (ed.). Plymouth: Lexington Books, 2013.

– Boss J. Schoenberg’s Twelve-Tone Music: Symmetry and the Musical Idea. Cambridge: Cambridge University Press, 2014.

– Botstein L. “The Precision of Poetry and the Exactness of Pure Science”: The Parallel Lives of Vladimir Nabokov and Igor Stravinsky // Stravinsky and His World / T. Levitz (ed.). Princeton; Oxford: Princeton University Press, 2013.

– Botstein L. Schoenberg and the Audience: Modernism, Music, and Politics in the Twentieth Century // Schoenberg and His World / W. Frisch (ed.). Princeton: Princeton University Press, 1999.

– Boulez P. Schoenberg is Dead // Pierre Boulez: Notes of an Apprenticeship. N. Y.: Alfred A. Knopf, 1968.

– Bradley A. Book of Rhymes: The Poetics of Hip Hop. N. Y.: BasicCivitas, 2009.

– Brake M. Comparative Youth Culture: The Sociology of Youth Cultures and Youth Subcultures in America, Britain and Canada. L.; N. Y.: Routledge, 1985.

– Brinkmann R. The Fool as Paradigm: Schönberg’s Pierrot lunaire and the Modern Artist // Schönberg and Kandinsky: An Historic Encounter / K. Boehmer (ed.). N. Y.; L.: Routledge, 1997.

– Brogan H. Longman History of the United States of America. L.: Longman, 1985.

– Brooks W. Music in America: An Overview (Part 1) // The Cambridge History of American Music / D. Nicholls (ed.). Cambridge; N. Y.: Cambridge University Press, 1998.

– Brothers T. Louis Armstrong: Master of Modernism. N. Y.; L.: W. W. Norton & Company, 2014.

– Brown J. Schoenberg and Redemption. Cambridge: Cambridge University Press, 2014.

– Brown L. L. In His Own Words: Coltrane’s Responses to Critics // John Coltrane and Black America’s Quest for Freedom: Spirituality and the Music / L. Brown (ed.). Oxford; N. Y.: Oxford University Press, 2010.

– Brown M. Explaining Tonality: Schenkerian Theory and Beyond. N. Y.: University of Rochester Press, 2005.

– Brown T. In His Own Words. An Interview // The E-Discographer. January 2001. #2. URL: http://www.hensteeth.com/e_discog/ tombrown.html.

– Broyles M. Art Music from 1860 to 1920 // The Cambridge History of American Music / D. Nicholls (ed.). Cambridge; N. Y.: Cambridge University Press, 1998.

– Brubeck D. 1959: The Beginning of Beyond // The Cambridge Companion to Jazz / M. Cooke, D. Horn (eds.). Cambridge: Cambridge University Press, 2002.

– Brunn H. O. The Story of Original Dixieland Jazz Band. Scranton: Louisiana State University Press, 1960.

– Bryan V. H. Marcus Christian’s Treatment of Les Gens de Couleur Libre // Creole: The History and Legacy of Louisiana’s Free People of Color / S. Kein (ed.). Baton Rouge: Louisiana State University Press, 2000.

– Buckle R. Diaghilev. N. Y.: Atheneum, 1984.

– Burkholder J. P., Grout D. J., Palisca C. V. A History of Western Music. N. Y., L.: W. W. Norton & Company, 2006.

– Bussy P. Kraftwerk: Man, Machine and Music. Wembley: SAF, 1993.

– Busoni F. “Junge Klassizität” (1920), in Busoni, Von der Einheit der Musik, ed. M. Weindel. Wilhelmshaven: Florian Noetzel, 2006.

– Butler J. Gender Trouble: Feminism and the Subversion of Identity. N.Y.: Routledge, 1990.

– Cage J. Empty Words. Writings ’73-’78. Middletown: Wesleyan University Press, 1981.

– Cage J. Musicage: Cage Muses on Words, Art, Music. Hanover; L.: Wesleyan University Press/ University Press of New England, 1996.

– Cage J. Silence. Lectures and Writings. Middletown: Wesleyan University Press, 1973.

Вход
Поиск по сайту
Ищем:
Календарь
Навигация