Balter, M. ‘Seeking the key to music’, Science 306, 1120—2 (2004).
Balzano, G. ‘The group-theoretic description of 12-fold and microtonal pitch systems’, Computer Music Journal 4, 66—84 (1980).
Barbour, J. M. Tuning and Temperament. Michigan State College Press, East Lansing, 1951.
Bartók, B. and Lord, A. B. Serbo-Croatian Folk Songs. Columbia University Press, New York, 1951.
Becker, A. L. and Becker, J. ‘A grammar of the musical genre srepegan’, Journal of Music Theory 23, 1—43 (1979); reprinted in Asian Music 14, 30—73 (1983).
Becker, A. L. and Becker, J. ‘Reflections on srepegan: a reconsideration in the form of a dialogue’, Asian Music 14, 9—16 (1983).
Benamou, M. ‘Comparing musical affect: Java and the West’, The World of Music 45, 57—76 (2003).
Bergeson, T. R. and Trehub, S. E. ‘Infants’ perception of rhythmic patterns’, Music Perception 23, 245—60 (2006).
Bernstein, L. The Unanswered Question. Harvard University Press, Cambridge, Ma., 1976.
Bharucha, J. J. ‘Anchoring effects in music: the resolution of dissonance’, Cognitive Psychology 16, 485—518 (1984).
Bharucha, J. J. ‘Music cognition and perceptual facilitation’, Music Perception 5, 1—30 (1987).
Bigand, E. and Parncutt, R. ‘Perceiving musical tension in long chord sequences’, Psychological Research 62, 237—54 (1999).
Bigand, E., Poulin, B., Tillmann, B., D’Adamo, D. A. and Madurell, F. ‘Sensory versus cognitive components in harmonic priming’, Journal of Experimental Psychology: Human Perception and Performance 29, 159—71 (2003).
Biles, J. A. ‘GenJam: A generative algorithm for generating jazz solos’, in Proceedings of the 1994 International Computer Music Conference, International Computer Music Association, San Francisco, 1994. Доступно на http://www.it.rit.edu/~jab/GenJam94/Paper.html.
Bischoff Renninger, L., Wilson, M. P. and Donchin, E. ‘The processing of pitch and scale: an ERP study of musicians trained outside of the Western musical system’, Empirical Musicology Review 1 (4), 185—97 (2006).
Blacking, J. How Musical is Man? Faber & Faber, London, 1976.
Blacking, J. A Commonsense View of All Music. Cambridge University Press, Cambridge, 1987.
Blood, A., Zatorre, R. J., Bermudez, P. and Evans, A. C. ‘Emotionalresponses to pleasant and unpleasant music correlate with activity in paralimbic brain regions’, Nature Neuroscience 2, 382—87 (1999).
Blood, A. J. and Zatorre, R. J. ‘Intensely pleasurable responses to music correlate with activity in brain regions implicated in reward and emotion’, Proceedings of the National Academy of Sciences USA 98, 11818—23 (2001).
Boulez, P. ‘Timbre and composition – timbre and language’, Contemporary Music Review 2, 161—72 (1987).
Braun, A., McArdle, J., Jones, J., Nechaev, V., Zalewski, C., Brewer, C. and Drayna, D. ‘Tune deafness: processing melodic errors outside of conscious awareness as reflected by components of the auditory ERP’, PLoS One 3 (6), e2349 (2008).
Bregman, A. S. Auditory Scene Analysis: The Perceptual Organization of Sound. MIT Press, Cambridge, Ma., 1990.
Burkeman, O. ‘How many hits?’, Guardian Weekend 11 November 2006, 55—61.
Callender, C., Quinn, I. and Tymoczko, D. ‘Generalized voice-leading spaces’, Science 320, 346—8 (2008).
Carroll, J. ‘Steven Pinker’s Cheesecake for the Mind’, Philosophy and Literature 22, 478—85 (1998).
Castellano, M. A., Bharucha, J. J. and Krumhansl, C. L. ‘Tonal hierarchies in the music of North India’, Journal of Experimental Psychology: General 113, 394—41 (1984).
Chen, J. L., Perhune, V. B. and Zatorre, R. J. ‘Listening to musical rhythms recruits motor regions of the brain’, Cerebral Cortex 18, 2844—54 (2008).
Chen, J. L., Zatorre, R. J. and Penhune, V. B. ‘Interactions between auditory and dorsal premotor cortex during synchronization to musical rhythms’, Neuroimage 32, 1771—81 (2006).
Clark, S. and Rehding, A. (eds). Music Theory and Natural Order from the Renaissance to the Early Twentieth Century. Cambridge University Press, Cambridge, 2001.
Clarke, E. F. ‘Subject-position and the specification of invariants in music by Frank Zappa and P. J. Harvey’, Music Analysis 18, 347—74 (1999).
Clarke, E. F. ‘Structure and expression in rhythmic performance’, in Musical Structure and Cognition, ed. P. Howell, I. Cross and R. West, 209—36. Academic Press, London, 1985.
Cogan, R. New Images of Musical Sound. Harvard University Press, Cambridge, Ma., 1984.
Cohen, D. ‘Palestrina counterpoint: A musical expression of unexcited speech’, Journal of Music Theory 15, 85—111 (1971).
Cole, H. Sounds and Signs: Aspects of Musical Notation. Oxford University Press, Oxford, 1974.
Conard, N. J., Malina, M. and Münzel, S. C. ‘New flutes document the earliest musical tradition in southwestern Germany’, Nature 460, 737—40 (2009).
Cook, N. ‘The perception of large-scale tonal structure’, Music Perception 5, 197—206 (1987).
Cook, N. and Everist, M. Rethinking Music. Oxford University Press, Oxford, 1999.
Cooke, D. The Language of Music. Oxford University Press, Oxford, 1959.
Cooper, G. W. and Meyer, L. B. The Rhythmic Structure of Music. University of Chicago Press, Chicago, 1960.
Copland, A. What To Listen For in Music. McGraw-Hill, New York, 1957.
Critchley, M. and Henson, R. A. (eds). Music and the Brain. Heinemann, London, 1977.
Cross, I. ‘Music, cognition, culture and evolution’, Annals of the New York Academy of Sciences 930, 28—42 (2001).
Cross, I. ‘Bach in mind’, Understanding Bach 2; available online only at http://www.bachnetwork.co.uk/ub2_contents.html (2007).
Cuddy, L. L. and Lunney, C. A. ‘Expectancies generated by melodic intervals: perceptual judgements of melodic continuity’, Perception & Psychophysics 57, 451—62 (1995).
Dalla Bella, S. and Peretz, I. ‘Differentiation of classical music requires little learning but rhythm’, Cognition 96, B65–B78 (2005).
Darwin, C. The Descent of Man, ed. J. Moore and A. Desmond. Penguin, London, 2004.
Davies, J. B. The Psychology of Music. Hutchinson, London, 1978.
Davies, S. Musical Meaning and Expression. Cornell University Press, New York, 1994.
Davies, S. ‘The expression of emotion in music’, Mind 89, 67—86 (1980).
Davies, S. ‘Profundity in instrumental music’, British Journal of Aesthetics 42, 343—56 (2002).
Davies, S. Themes in the Philosophy of Music. Clarendon Press, Oxford, 2005.
