Lopate, Philip. 1997. The Art of the Personal Essay: An Anthology from the Classical Era to the Present. Anchor.
Luckhurst, Roger. 1996. ‘ “Impossible Mourning” in Toni Morrison’s Beloved and Michиle Roberts’s Daughters of the House’. Critique 37(4): 243–260.
Lueg, Konrad and Gerhard Richter. 1963. Leben mit Pop: eine Demonstration fьr den kapitalistischen Realismus. Dьsseldorf: Möbelhaus Berges.
Luhmann, Niklas. 1999. ‘The Paradox of Form’. In Problems of Form, edited by Dirk Baecker, 15–26. Stanford, CA: Stanford University Press.
Lyotard, Jean-Franзois. 1988 [1983]. The Differend: Phrases in Dispute. Manchester: Manchester University Press.
MacDowell, James. 2010. ‘Notes on Quirky’. Movie: A Journal of Film Criticism 1. http://www2.warwick.ac.uk/fac/arts/ёlm/movie/contents/ notes_on_quirky.pdf
MacDowell, James. 2012. ‘Wes Anderson, Tone and the Quirky Sensibility’. New Review of Film and Television Studies 10(1): 6–27.
MacDowell, James. 2014. ‘The Andersonian, the Quirky, and “Innocence” ’. In The Films of Wes Anderson: Critical Essays on an Indiewood Icon, edited by Peter Kunze, 153–170. London: Palgrave Macmillan.
MacDowell, James. 2016. ‘Quirky Culture: Tone, Sensibility, and Structure of Feeling’. In A Companion to American Indie Film, edited by Geoff King, 83– 105. London: Blackwell.
Mack, Michael. 2014. Philosophy and Literature in Times of Crisis: Challenging Our Infatuation with Numbers. New York; London: Bloomsbury.
MacKenzie, Scott. 2003. ‘Manifest Destinies: Dogma 95 and the Future of the Film Manifesto’. In Purity and Provocation: Dogma 95, edited by Mette Hjort and Scott MacKenzie, 48–57. London: British Film Institute.
Malabou, Catherine. 2005. The Future of Hegel: Plasticity. Temporality and Dialectic. Translated by Lisbeth During. New York: Routledge.
Malabou, Catherine. 2007. ‘Again: “The Wounds of the Spirit Heal, and Leave No Scars Behind” ’. Mosaic 40(2): 27–37.
Marcus, Ben. 1998 [1995]. The Age of Wire and String. Champaign, IL: Dalkey Archive Press.
Marples, David. 2014. ‘Igor Strelkov – Moscow Agent or Military Romantic?’ ODR: Russia and Beyond. 13 June 2014. Accessed 15 August 2014. https://www.opendemocracy.net/od-russia/david-marples/igor-strelkov-moscow-agent-or-militaryromantic
Masschelein, Anneleen. 2007. ‘Foreword’. Image [&] Narrative 19. http:// www.imageandnarrative.be/inarchive/autoёction/foreword.htm
Massumi, Brian. 2002. Parables for the Virtual: Movement, Affect, Sensation. Durham, NC; London: Duke University Press.
Mayshark, Jesse Fox. 2007. Post-Pop Cinema: The Search for Meaning in New American Film. Westport: Praeger Publishers.
McCaffery, Larry. 2012. ‘An Expanded Interview with David Foster Wallace’. In Conversations with David Foster Wallace, edited by Stephen J. Burn, 21–52. Jackson: University Press of Mississippi.
McDonough, William and Michael Braungart. 2002. Cradle to Cradle: Remaking the Way We Make Things. New York: North Point Press.
McGurl, Mark. 2009. The Program Era: Postwar Fiction and the Rise of Creative Writing. Cambridge, MA: Harvard University Press.
McHugh, Gene. 2011. Post Internet. Brescia: Link Editions. http://www. linkartcenter.eu/public/editions/Gene_McHugh_Post_Internet_Link_ Editions_2011.pdf
McLaughlin, Robert L. 2004. ‘Post-Postmodern Discontent: Contemporary Fiction and the Social World’. Symploke 12(1/2): 53–69.
McLaughlin, Robert. 2007. ‘Postmodernism in the Age of Distracting Discourses’. In The Mourning After: Attending the Wake of Postmodernism, edited by Neil Brooks and Josh Toth, 53–64. Amsterdam: Rodopi.
McLaughlin, Robert L. 2012. ‘Post-Postmodernism’. In The Routledge Companion to Experimental Literature, edited by Joe Bray, Alison Gibbons and Brian McHale, 212–23. London; New York: Routledge.
Mezzoёore, Gianluca. 2014a. ‘Syrian Civil War Videos Used for Online Propaganda in Israel-Gaza Conяict’. International Business Times. 21 July 2014.
Accessed 15 August 2014. http://www.ibtimes.co.uk/syrian-civil-war-vid-eos-usedonline-propaganda-israel-gaza-conяict-1457571
Mezzoёore, Gianluca. 2014b. ‘Igor Strelkov: Key MH17 Crash Suspect Linked to Massacre of 3,000 Bosnian Muslims in 1992’. International Business Times. 25 July 2014. Accessed 15 August 2014. http://www.ibtimes. co.uk/igor-strelkovkey-mh17-crash-suspect-linked-massacre-3000-bos-nian-muslims-1992–1458304
Milne, Seumas. 2012. The Revenge of History: The Battle for the Twenty First Century. London; Brooklyn: Verso.
Mills, Brett. 2005. Television Sitcom. London: Palgrave Macmillan.
Mills, Brett. 2009. The Sitcom. Edinburgh: Edinburgh University Press.
Mitchell, W.J.T. 1980. The Language of Images. Chicago, IL: University of Chicago Press.
Mitchell, W.J.T. 1986. Iconology: Image, Text, Ideology. Chicago, IL: University of Chicago Press.
Mitchell, W.J.T. 1992. ‘Ekphrasis and the Other’. South Atlantic Quarterly 91(3): 695–719.
Mitchell, W.J.T. 1995. Picture Theory: Essays on Verbal and Visual Representation. Chicago, IL: University of Chicago Press.
Mohanty, Satya P. 2000 [1993]. ‘The Epistemic Status of Cultural Identity: On Beloved and the Postcolonial Condition’. In Reclaiming Identity: Realist Theory and the Predicament of the Postmodern, edited by Paula M. L. Moya and Michael
R. Hames-Garcia, 29–66. Berkeley: University of California Press.
MoMA. 2011. ‘Art Speech: A Symposium on Symposia, Day 1’. MoMA. 20 May 2011. Accessed 1 November 2016. www.moma.org/explore/mul-timedia/audios/248/3067
Moraru, Christian. 2011. Cosmodernism: American Narrative, Late Globalization, and the New Cultural Imaginary. Ann Arbor: University of Michigan Press.
Moraru, Christian. 2013. ‘Introduction to Focus: Thirteen Ways of Passing Postmodernism’. American Book Review, In Focus: Metamodernism May/ June: 3–4.
Moretti, Franco. 2000 [1987]. The Way of the World: The Bildungsroman in European Culture. London: Verso.
Morrison, Toni. 1988 [1987]. Beloved. New York: Plume.
Mortimer, A. K. 2009. ‘Autoёction as Alloёction: Doubrovsky’s L’Aprиsvivre’. L’Espirit Crйateur 49(3): 22–35.
Moya, Paula M. L. 2000a. ‘Introduction: Reclaiming Identity’. In Reclaiming Identity: Realist Theory and the Predicament of the Postmodern, edited by Paula M. L. Moya and Michael R. Hames-Garcia, 1–26. Berkeley: University of California Press.